| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Rest [EOS35 - 2] |
0 | 2'28 | Damien Poupart-Taussat | Underscore. Poignant, sparse & suspended. Piano & string section. | beds destiny natural disaster social drama | Am | 70 | |||
|
Turning Around [EOS34 - 5] |
0 | 1'54 | Virgile Goller, Olivier Samouillan | Repetitive music / retro cinema. Relentless, rigorous & cyclic. | arpeggio cyclic industry relentless | F | 139 | |||
|
Weird Cat [EOS34 - 10] |
0 | 1'30 | Virgile Goller, Olivier Samouillan | Waltz movement / French cinema. Determined, lively & pastoral. Violin | accordions arts & crafts driving country & garden | Em | 106 | |||
|
Bahia Blanca 3 [CCB1038 - 11] |
0 | 2'09 | Richard Galliano | Sad, melancholic & interrogative. French solo accordion. | sad chromatic accordion France introspective | Dm | 86 | |||
|
Compagnon des Chats [CEO2091 - 2] |
0 | 1'33 | Gréco Casadesus | Romantic movie / romantic comedy. Peaceful, confident & dreamy. | old-fashioned lazy peaceful pastoral | Em | 88 | |||
|
La Condition Humaine Alternate [CEO2091 - 9] |
1'39 | Gréco Casadesus | Romantic movie / adventure / post romantic music. Sad & restrained. | destiny bassoon historical narrative sad | C | 117 | ||||
|
La Condition Humaine [CEO2091 - 5] |
Alt. | 1'41 | Gréco Casadesus | Romantic movie. Sad & restrained. Harp, violin, strings & bassoon. | destiny historical narrative sad romantic | C | 93 | |||
|
Chaîne de Solidarité
[CEO2090 - 15] |
1'22 | Pablo Pico | Human resources. Mechanical & cyclic, String ensemble, piano & | arts & crafts industry politics historical narrative | Dm | 119 | ||||
|
Chaîne de Solidarité [CEO2090 - 7] |
Alt. | 1'48 | Pablo Pico | Human resources / repetitive music. Mechanical & cyclic. String | arts & crafts industry politics contemporary history | Dm | 120 | |||
|
Mist on the Ricefields [CEC8006 - 21] |
0 | 0'45 | Yum BGM | Fantasy / chinese cinema. Bridge. Anticipating & suspended. Orchestra | fantasy mysterious chinese cinema suspended atmosphere | Fm | 123 | |||
|
Skies Over Berlin [CEO2089 - 9] |
0 | 2'20 | Gregory Cotti | Dreamy, peaceful & atmospheric. Piano & strings. | opening (opening credits) acoustic piano dreamy everyday life | F | 65 | |||
|
A Terrible End [CEO2089 - 11] |
0 | 2'11 | Gregory Cotti | Sad, cold & desolate. piano, strings, cymbals & sequencing. | desolate social drama wandering investigation | Cm | 68 | |||
|
Les Masques Tombent [CEO2087 - 3] |
0'52 | Pablo Pico | Mysterious & pensive. Bass clarinet & clarinet duet, vibraphone & | film noir mysterious insidious interrogative | Cm | 84 | ||||
|
Les Masques tombent Alternate [CEO2087 - 14] |
Alt. | 0'41 | Pablo Pico | Decided, confident & melancholic. Clarinet & clarinet bass trio, clap | film noir mysterious relentless police comedy | Fm | 166 | |||
|
Les Masques tombent Alternate
[CEO2087 - 15] |
Alt. | 0'50 | Pablo Pico | Mysterious & melancholic. Clarinet bass & clarinet trio. | film noir mysterious patient suspense | Fm | 111 | |||
|
The Marshes of Santa Marta [CEO2085 - 9] |
0 | 2'16 | Gregory Cotti | Tropical forest. Journey. Landscape. Mysterious, calm & panoramic. | panorama geopolitics mysterious wild | C | 77 | |||
|
Salt Cathedral [CEO2085 - 10] |
0 | 2'19 | Gregory Cotti | Frightening, wild & ghostly. Synth, cinematic percussion & sequencing. | atmospheric scary suspended atmosphere natural disaster | Em | 108 | |||
|
A Writer in his Time [CEO2084 - 1] |
0 | 1'48 | Emotional, delicate, luminous & inspiring. String orchestra with | original score destiny moving arts & crafts | Bm | 61 | ||||
|
Industrial Scenery [UBM2298 - 8] |
0 | 2'37 | Elias Cadre | Deep, ponderous and light mystery are well conveyed with this | investigation wandering science suspense | Cm | 74 | |||
|
La Sirena [CEG5008 - 15] |
0 | 2'11 | Selma Mutal | Refined & sentimental. On a waltz rhythm with something Andean. Solo | destiny acoustic piano sentimental romantic | Gm | 112 | |||
|
Stolen Time [CEZ4351 - 22] |
0 | 2'20 | Elisabeth Skornik, Guy Skornik | Interrogative, doubtful & narrative. Piano & string ensemble. | interrogative investigation cyclic contemporary history | Am | 67 | |||
|
Time is on the Move Alternate [CEZ4351 - 31] |
2'00 | Elisabeth Skornik, Guy Skornik | Alternate underscore rhythm version.only | relentless investigation strict driving | C | 120 | ||||
|
Time is on the Move [CEZ4351 - 3] |
Alt. | 2'37 | Guy Skornik, Elisabeth Skornik | ☆ Nominated "Best Use - Digital / Online Advertising" @Production | social drama fx tick-tock strict anticipation | Cm | 120 | |||
|
The Time Factor Alternate 2 [CEZ4351 - 49] |
2'21 | Elisabeth Skornik, Guy Skornik | Alternate underscore version without percussion. | time (tick-tock) interrogative investigation suspense | Cm | 100 | ||||
|
The Time Factor [CEZ4351 - 20] |
Alt. | 2'30 | Elisabeth Skornik, Guy Skornik | Repetitive, punctuated & mechanical. Percussion & string ensemble. | relentless suspense jerky horror | Gm | 162 | |||
|
A Place in Time Alternate [CEZ4351 - 52] |
2'46 | Elisabeth Skornik, Guy Skornik | Alternate version without timer. | confident suspended atmosphere weather report steady | C | 60 | ||||
|
A Place in Time [CEZ4351 - 24] |
Alt. | 2'47 | Elisabeth Skornik, Guy Skornik | Patient, careful & confident. Constant pulsation but with | patient corporate (all) weather report panoramic | C | 120 |