| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Zero One [CEZ4059 - 5] |
0 | 2'45 | Romuald Tual | Rhythmic information. Rhythmic bed with quirky synth melody & FX. | corporate video cybernetics 2000 architecture & design | Gm | 162 | |||
|
Cloud 9 [CEZ4059 - 6] |
0 | 2'53 | Arnaud Rebotini | Dreamy pads with lo-fi keys & slow plodding groove. Digital emotion. | cybernetics architecture & design vibrating 2000 | Em | 120 | |||
|
Game Of Skill [CEZ4059 - 13] |
0 | 2'55 | Arnaud Rebotini | Post-industrial dance. Evolving synth lines/samples with mechanical | cybernetics driving electro industrial pulsation | Dm | 126 | |||
|
Empty Ghetto [CEZ4056 - 20] |
0 | 2'06 | Nicolas Mizrachi, Jean-Francois Morin | Soulless & sad. Reflective arpeggio guitar with ambient fx. | distorted electric guitar interrogative investigation wandering | Am | 89 | |||
|
Harassment [CEZ4056 - 30] |
0 | 1'58 | Nicolas Mizrachi, Jean-Francois Morin | Serious & threatening. Discordant cellos with hard groove @ 0'30 & | downtempo nocturnal urban landscape atmospheric | Am | 81 | |||
|
Before Stormfall [CEZ4054 - 17] |
0 | 2'25 | Nicolas Mizrachi, Jean-Francois Morin | Approaching danger. Brooding synth drones with arpeggio guitar & | wandering atmospheric desolate electric guitar | Em | 63 | |||
|
Roadhouse Blues [CEZ4054 - 28] |
0 | 2'30 | André Charlier, Michel Gaucher, Benoît Sourisse | Flickerin neon light... Jazzy blues band with sax. Cool swing. | tenor saxophone jazz be-bop jazz (all) new wave (cinema) | Dm | 137 | |||
|
Smiling Monster [CEZ4051 - 9] |
0 | 1'51 | Guy Skornik | After-reality. Deep bass with manipulated string crescendos. | disturbing investigation electric bass nocturnal | A | 89 | |||
|
Noche de Acapulco [CEZ4049 - 6] |
0 | 2'56 | Pajaro Canzani | A typical elegant, sophisticated & sensual bolero. Tenor sax, | exotic bolero patient sensual | G | 93 | |||
|
Pueblo Piragua [CEZ4049 - 11] |
0 | 4'36 | Pajaro Canzani | Rhythm from the Colombian Amazons. Exalting & mysterious. Cuatro, | Colombia exotic confident cuatro | G | 92 | |||
|
Ruta de la Serpiente [CEZ4049 - 28] |
0 | 2'11 | Pajaro Canzani | Urban jungle. Suspense. Dark & determined. Electric & acoustic | exotic confident driving latin pop | Em | 130 | |||
|
Zulu [CEZ4047 - 9] |
0 | 1'48 | Césarius Alvim | Primal & intense. Double bass & percussion. | primitive art bowed double bass wild savanna | Ab | 135 | |||
|
Happening [CEZ4047 - 17] |
0 | 2'30 | Claire Michael | Jazz improvisation. Beat poetry. Tenor sax solo. | jamming pop art tenor saxophone 1960 | Ebm | 136 | |||
|
Art News [CEZ4047 - 34] |
0 | 1'35 | André Charlier, Michel Gaucher | Light & improvised be-bop. Fresh. Tenor sax & drums. | jazz club tenor saxophone jazz be-bop new wave (cinema) | C | 136 | |||
|
The Waters Edge [CEZ4046 - 21] |
0 | 2'46 | Christof Déjean | Eerie & tense. Steady bass pulse with echoing fx & minor piano. | investigation social drama sparse wandering | Gbm | 84 | |||
|
Wind In The leaves [CEZ4046 - 23] |
0 | 2'50 | Christof Déjean | Spacious & dreamy. Piano chords with revolving sound design & warm | atmospheric sparse cold desolate | Em | 62 | |||
|
Black and White [CEZ4044 - 26] |
0 | 4'04 | Manuel Galvin, Jean Gobinet, Benoît Sourisse | "Like a good old ""whodunit"". Flugelhorn, keyboards & guitar." | flugel horn nocturnal new wave (cinema) jazz ballad | Dm | 61 | |||
|
Backstreet Stomp [CEZ4042 - 3] |
0 | 2'15 | Silvano Michelino | Unison street stomp. Urban. Metal cans as percussion. | can (instrument) metallic rhythmic wild | Gbm | 110 | |||
|
Cornered [CEZ4040 - 2] |
0 | 1'59 | Elisabeth Skornik, Guy Skornik | Gritty & tense. Cyclic riff with eerie stabs. | politics investigation jerky urgent | Ab | 102 | |||
|
Dark Web [CEZ4040 - 4] |
0 | 1'36 | Elisabeth Skornik, Guy Skornik | Oppressive & tense. Filmic. Strings with synth loop. | investigation spy action movie sinister | Cm | 155 |