| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Touaregs in the Desert [CEO2054 - 12] |
0 | 1'21 | Eric Lohrer | Disturbing & atmospheric. Electric guitar & cinematic strings. | atmospheric suspended atmosphere cinematic steady | Ab | 84 | |||
|
Black Virgin [CEZ4308 - 17] |
0 | 3'50 | Piotr Moss | Pensive, solitary & mysterious. String ensemble. | Twentieth century music destiny string quartet sad | Db | 65 | |||
|
Traces of the Tsunami [CEO2052 - 8] |
0 | 1'33 | Baptiste Thiry | Patient & melancholic. Cinematic strings, harp & sequencing. | natural disaster mysterious beds atmospheric | Cm | 115 | |||
|
Eruption Dating [CEO2052 - 14] |
0 | 1'28 | Baptiste Thiry | Suspense. Sad & wandering. | atmospheric interrogative science investigation | Dm | 120 | |||
|
Mirror of Time [EOS24 - 4] |
0 | 2'35 | Clinton Charles, Sandy Mahut | Dreamy & introspective. Acoustic guitar, female choir, piano, synth, | airy suspended atmosphere panorama dreamy | E | 65 | |||
|
Dead End [EOS24 - 5] |
0 | 2'45 | Clinton Charles, Sandy Mahut | Introspective & desolate. Synth, piano, electric guitar, sound | synthesizer atmospheric electric guitar introspective | G | 90 | |||
|
Hunting Under Stress [EOS24 - 8] |
0 | 1'58 | Clinton Charles, Sandy Mahut | Nocturnal & desolated. Synth, sound design, sequencing, electronic | nocturnal science synthesizer atmospheric | Gm | 98 | |||
|
Before the Blow Out [EOS24 - 9] |
0 | 2'08 | Clinton Charles, Sandy Mahut | Desolated & introspective. Synth, sound design, sequencing, | nocturnal science synthesizer atmospheric | Dm | 96 | |||
|
Time Passing [EOS23 - 5] |
0 | 2'49 | Laurent Rochelle | Introspective & rigorous. String section, piano, electronic | acoustic piano social drama introspective patient | Gm | 114 | |||
|
Hope Held Hostage Alternate
[CEZ4288 - 30] |
1'39 | Mathieu Laurent | Sad & disturbing. Cinematic strings & electronics. | social drama investigation beds sequencing | Em | 111 | ||||
|
Hope Held Hostage [CEZ4288 - 17] |
Alt. | 3'00 | Mathieu Laurent | Underscore. Anxiously waiting. Electronics & percussion. | suspense investigation social drama crime movie | Em | 93 | |||
|
Killed in Action [CEZ4285 - 12] |
0 | 2'12 | Lucas Napoleone | Sad & desolate. Constant progression. Cinematic orchestra, trumpet @ | desolate social drama tragic sad | C | 94 | |||
|
Reconnaissance Squadron [CEZ4285 - 18] |
2'05 | Julien Vega | Underscore. Threatening & inexorable. Constant progression. | historical conflict scary horror cinematic | F | 120 | ||||
|
Reconnaissance Squadron
[CEZ4285 - 32] |
Alt. | 2'06 | Julien Vega | Underscore. Violent & percussive. Electronics. | historical conflict paranormal aggressive & violent horror | Fm | 120 | |||
|
Chanting Bowls [UBM2271 - 9] |
0 | 2'00 | Daniel Backes, Peter Moslener | Steady ticking and a dark, mysterious background create an ideal | suspense anticipation rumbling investigation | Dm | 64 | |||
|
Lost Village [UBM2271 - 17] |
0 | 1'49 | Daniel Backes, Peter Moslener | More neutral track, still with a threatening undertone. Synthesizer. | science atmospheric industry sound design | Cm | 109 | |||
|
Dusky India [UBM2266 - 12] |
0 | 3'02 | Achim Zweschper | Threatening, dark, dangerous. Creates suspense and fear. Percussion. | complex horror percussive beds | Gm | 88 | |||
|
Dull Places [UBM2266 - 15] |
0 | 3'04 | Achim Zweschper | Dull, wistful, hollow. Ideal for images of abandoned places and | complex beds desolate horror | Gm | 88 | |||
|
Deceiving Peace [UBM2266 - 19] |
0 | 1'57 | Achim Zweschper | Ambivalent track. Shifting between emerging hope and threat. Cello, | hunting wild beds tropical forest | Bm | 85 | |||
|
The Enemy Approaches [UBM2266 - 23] |
0 | 2'09 | Achim Zweschper | Fearful, dark, strained. The enemy approaches. Hopeless. | beds scary horror abyss | G | 84 | |||
|
Underground Echoes [EOS20 - 1] |
0 | 3'43 | Anthony Mowat, Olivier Samouillan | Mysterious & strange. Sequencing, synth, electronic percussion, bass, | investigation mysterious crime movie disturbing | B | 86 | |||
|
The Corridors of Power [CEO2039 - 6] |
0 | 1'21 | Suspensful, tense & ambiguous. Piano & string orchestra. | suspense falling horror disturbing | Cm | 111 |