| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Kyoto Shadows [CEG5002 - 2] |
2'51 | Abaji | Japan. Geopolitics. TV series. Mysterious & patient. Shakuhashi, | geopolitics investigation mysterious steady | G | 60 | ||||
|
Kyoto Shadows 2 [CEG5002 - 22] |
Alt. | 2'51 | Abaji | Geopolitics. TV series. Mysterious & patient. Bass, synths & | geopolitics investigation mysterious suspense | G | 60 | |||
|
The Eyes of the Shaman [CEG5002 - 9] |
3'09 | Abaji | Tibet. Geopolitics. Mystical & desolate. Low throat singing, gong, | lost civilizations geopolitics mystical introspective | Ab | 81 | ||||
|
The Eyes of the Shaman 2 [CEG5002 - 29] |
Alt. | 3'09 | Abaji | Geopolitics. TV series. Aftermath. Mystical & desolate. Gong, synths | lost civilizations mystical geopolitics introspective | Ab | 123 | |||
|
The Eyes of the Shaman 3 [CEG5002 - 30] |
Alt. | 3'09 | Abaji | Geopolitics. Mystical & desolate. Low throat singing, gong, synths & | lost civilizations mystical geopolitics introspective | Ab | 111 | |||
|
The Eyes of the Shaman 4 [CEG5002 - 31] |
Alt. | 3'08 | Abaji | Geopolitics. Mystical & desolate. Guzheng, low throat singing, gong, | lost civilizations mystical geopolitics introspective | Abm | 84 | |||
|
Sur le Champs de Bataille 2 [CEO2059 - 14] |
2'00 | Jérôme Lemonnier | Sad & sentimental. Constant crescendo. 2nd theme @ 1'38. Piano, | destiny string orchestra tragic desolate | Dbm | 65 | ||||
|
Sur le Champs de Bataille [CEO2059 - 1] |
Alt. | 3'41 | Jérôme Lemonnier | Tragic, dark & poignant. Orchestra with timpany. | destiny original score moving string orchestra | Gbm | 100 | |||
|
Brome [CEO2055 - 13] |
0 | 1'57 | Baptiste Charvet | Investigation. Desolate & tense. Piano, pizz & sequencing. | suspense wandering disturbing politics | A | 100 | |||
|
Going to Gaza 2 [CEO2054 - 32] |
1'55 | Eric Lohrer | Wide open space. Determined & strange. Electric guitar, ebow, | geopolitics introspective panorama tracking shot | Am | 110 | ||||
|
Going to Gaza [CEO2054 - 9] |
Alt. | 0'55 | Eric Lohrer | Travel. Wide open Space. Cyclic & determined. Electric guitar, | geopolitics tracking shot panorama panoramic | Am | 100 | |||
|
Endless Horizon [EOS24 - 14] |
0 | 2'24 | Clinton Charles, Sandy Mahut | Peaceful & enlightened. Choir synth, sequencing, sound design, | synth choir suspended atmosphere peaceful panorama | C | 91 | |||
|
Grands Sauts [CEO2048 - 13] |
0 | 2'52 | Emmanuel Denis | Underscore. Tense & minimalist. @ 1'42 urgent & tense. Rhythm & | sport drama building suspense changing | Gm | 60 | |||
|
The River's Memory [CCB1029 - 12] |
0 | 2'06 | Christophe Zurfluh | Geopolitics. Africa. Lost civilizations. Mysterious & mystical. | geopolitics undefined percussion lost civilizations sequencing | Am | 122 | |||
|
And So It Goes... [CEZ4292 - 10] |
0 | 2'24 | Colo Colo | Dream pop. Ethereal, lively & catchy. Electric guitar, synth & rhythm. | dream pop open air 2000 confident | Gm | 128 | |||
|
Brain Damage [CEZ4288 - 5] |
2'05 | John Greaves, Baptiste Thiry | Frightening & inexorable. Electronics & rhythm. | crime movie disturbing investigation beds | Ebm | 100 | ||||
|
Brain Damage Alternate Version [CEZ4288 - 37] |
Alt. | 1'29 | John Greaves, Baptiste Thiry | Psychotic & frightful. Electronics, hang & rhythm. | crime movie investigation beds scary | Eb | 100 | |||
|
Brain Damage Alternate
[CEZ4288 - 38] |
Alt. | 1'29 | John Greaves, Baptiste Thiry | Disturbing & urgent. Electronics, hang & rhythm. | crime movie disturbing suspense social drama | Eb | 100 | |||
|
Gloomy Alley [UBM2266 - 4] |
0 | 3'18 | Achim Zweschper | Creepy track, ideal for increasing tension. Vocals, percussion. | arid hot desert desolate beds | D | 88 | |||
|
Dreary Hazard [UBM2266 - 5] |
0 | 3'10 | Achim Zweschper | Wistful, sinister, hopeless. Appropriate for reportages of war and | arid hot desert desolate beds | Cm | 100 | |||
|
Mysterious Choir [UBM2266 - 10] |
0 | 3'17 | Achim Zweschper | Sinister, creepy, daunting. Ideal for impressive images and scenes. | synth choir drone complex mysterious | D | 88 | |||
|
Tiptoeing Around [UBM2266 - 18] |
0 | 3'10 | Achim Zweschper | Desperate, dull. Creates the impression of danger sneaking up. Sitar, | arid hot desert desolate beds | Cm | 100 | |||
|
Pure Hatred [UBM2266 - 24] |
0 | 3'11 | Achim Zweschper | Hateful, gloomy, dangerous. Ideal for images of war and destruction. | desolate beds horror disturbing | C | 100 | |||
|
Lemon Icetea [UBM2265 - 14] |
0 | 0'51 | Daniel Backes, Peter Moslener | Comforting, refreshing, peaceful. Perfect for advertisement. | calm relaxed chill-out music peaceful | Am | 86 | |||
|
Hopeless Beggars [EOS20 - 6] |
0 | 3'00 | Anthony Mowat, Olivier Samouillan | Strange & mysterious. Violin, drums, Sequencing, synth, bass, | investigation violin film noir crime movie | Em | 93 | |||
|
Super Subway Comedian [EOS20 - 9] |
0 | 2'03 | Anthony Mowat | Nocturnal & introspective. Sequencing, synth, drums, bass, electric | nocturnal electric bass dub introspective | Am | 72 | |||
|
East Street Exit [EOS20 - 10] |
0 | 2'21 | Anthony Mowat | Hypnotic & patient. Sequencing, synth, drums, bass, electric guitar. | steady science hypnotic patient | E | 72 | |||
|
Hope is a Rare Thing [EOS20 - 11] |
0 | 2'54 | Anthony Mowat, Olivier Samouillan | Introspective & mystical. Drums, bass, piano, synth, sequencing. | nocturnal string section drums dub | Em | 70 |