| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
An Oasis in the City [CCB1029 - 10] |
0 | 3'33 | Christophe Zurfluh | Geopolitics. Lost civilizations. Mechanical & panoramic. Traditional | abstract art twenty first century music inexorable noise music | Bb | 144 | |||
|
Narcotic Overdose [EOS22 - 6] |
0 | 2'35 | Eric Volpatti | Sound design. Interrogative, cyclic & constant. Piano & electronics. | strict fx backwards interrogative investigation | A | 144 | |||
|
Murders Without Clues [CEZ4286 - 16] |
0 | 2'00 | Gabriel Saban, Philippe Briand | TV series. Disturbing & tense. Constant progression. Tempo changing @ | investigation crime movie social drama politics | Cm | 120 | |||
|
Pushy Bass [UBM2265 - 16] |
0 | 0'40 | Daniel Backes, Peter Moslener | Fast, urgent, positive. Ideal for advertisement and fairs. Bass. | double bass carefree comical world jazz | Gm | 124 | |||
|
Courbet [CEZ4281 - 11] |
0 | 2'06 | Marc-Olivier Dupin | Pensive & introspective. Solo clarinet. | temperate forest 19th century arts introspective | G | 90 | |||
|
La Charmeuse de Serpent [CEZ4281 - 16] |
0 | 1'38 | Marc-Olivier Dupin | For the Snake Charmer by Le Douanier Rousseau. Mysterious & | temperate forest alto flute post romantic music impressionism | Ab | 60 | |||
|
Dark Horizon [CEZ4279 - 15] |
0 | 2'41 | Claude Samard | Menacing & loud. Baryton guitar, pedal steel guitar & electronic pads. | road movie panorama arid docu fiction | Am | 75 | |||
|
Tango Clash Underscore [CEZ4270 - 27] |
1'46 | Norbert Galouo, José Miguel Ortegon Tovar | Electro tango. Urban, nocturnal & sensual. keyboards & electronic | nocturnal urban electro tango urban landscape | G | 95 | ||||
|
Tango Clash [CEZ4270 - 14] |
Alt. | 1'46 | Norbert Galouo, José Miguel Ortegon Tovar | Electro tango. Urban, nocturnal & sensual. Bandoneon & electronics. | nocturnal urban landscape electro tango urban | G | 95 | |||
|
Animation A [UBM2251 - 3] |
0 | 1'42 | Daniel Backes, Peter Moslener | Music for images of abandoned, unpopulated cities and places; nature | contemporary western hot desert crime movie investigation | G | 100 | |||
|
Time Resonance [CEO2035 - 9] |
0 | 1'17 | Bruno Alexiu | Inexorable & threatening. clockwork fx & drone. | time (tick-tock) drone fx tick-tock mysterious | A | 60 | |||
|
Turning Back the Time [CEZ4252 - 5] |
2'32 | Elisabeth Skornik, Guy Skornik | Emotionnal & passionate. Strings & electronics. | social drama moving docu fiction synth pad | Cm | 60 | ||||
|
Turning Back the Time 2 [CEZ4252 - 22] |
Alt. | 2'30 | Elisabeth Skornik, Guy Skornik | Emotional & passionate. Regular pulsation, guitar, backwards fx @ | social drama moving docu fiction sentimental | Cm | 60 | |||
|
Sharing the Load [CEZ4244 - 13] |
0 | 1'50 | Selma Mutal | Interrogative & careful. Solo piano. | post-classical acoustic piano everyday life arpeggio | Am | 104 | |||
|
A Proven Experiment [CEZ4240 - 11] |
0 | 2'21 | Christophe Zurfluh | Confident & peaceful. Electric guitar & electronics. | space confident science calm | D | 132 | |||
|
Startup Company [CEZ4240 - 20] |
0 | 2'24 | Christophe Zurfluh | Positive & cheerful. | fx bip bip fx telecom science steady | Gm | 120 | |||
|
Carmenita [CEZ4237 - 9] |
1'52 | Dominique Cravic, Fay Lovsky | Flamenco-ish. Decided & serious. Small instrumental ensemble & claps. | interrogative strict proud palmas | C | 113 | ||||
|
Carmenita 2 [CEZ4237 - 14] |
Alt. | 1'51 | Dominique Cravic, Fay Lovsky | Almost flamenco. Decided & serious. Female & male voices & mall | interrogative strict proud palmas | C | 113 | |||
|
Billy the Big Kid [CEZ4237 - 10] |
0 | 2'47 | Dominique Cravic, Fay Lovsky | Wide landscapes. Decided & serious. Small instrumental ensemble with | banjo panorama road movie ironical & mischievous | Cm | 77 | |||
|
Emotional Memories [UBM2244 - 1] |
0 | 1'43 | Tony Delmonte, Anselm Kreuzer | Meditative & sad. Underscore. Strings, piano. | mysterious historical narrative everyday life complex | Em | 86 | |||
|
Fate of Ancestors [UBM2244 - 2] |
0 | 1'33 | Tony Delmonte, Anselm Kreuzer | Slow & sentimental. Underscore. Strings, piano, glockenspiel. | introspective sentimental natural disaster suspended atmosphere | Dbm | 95 | |||
|
Traces of the Past [UBM2244 - 3] |
0 | 1'32 | Tony Delmonte, Anselm Kreuzer | Dark & introspective. Underscore. Piano, strings, glockenspiel. | introspective sentimental natural disaster suspended atmosphere | Dbm | 95 | |||
|
Historic Evil [UBM2244 - 6] |
0 | 1'19 | Tony Delmonte, Anselm Kreuzer | Drama & tension. Underscore. Strings, piano, electronic percussion, | disturbing film noir mysterious percussive | Gm | 86 |