| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Of One Mind [CEZ4393 - 8] |
0 | 2'20 | Kevin Seddiki | Urgent, bouncy & constant. Electric guitar solo. | cavalcade clean electric guitar strict industry | Em | 130 | |||
|
Viral Evolution [CEG5020 - 1] |
0 | 2'22 | Guy Skornik, Elisabeth Skornik | Urgent, worried & mysterious. Synth & electronic percussion. | cybernetics disturbing investigation social drama | Gbm | 120 | |||
|
Blue Lights [CEG5020 - 8] |
0 | 1'54 | Christian Zanesi | Bizarre, worried & nocturnal. Synth pads & electronics. | disturbing anticipation electroacoustic music ufo | Am | 64 | |||
|
Meditari [UBM2326 - 6] |
0 | 4'16 | Tobias Laemmert | Mr. Strange goes for a walk. Electronic beat with tasteful licks. | hypnotic investigation cyclic spy | E | 136 | |||
|
Colluvies [UBM2326 - 18] |
0 | 3'19 | Tobias Laemmert | Lyric, singing line submerged in a space of synths. | suspended atmosphere mysterious science unclassifiable | C | 123 | |||
|
Traffic [UBM2326 - 26] |
0 | 2'40 | Michael Hornek | Fast uptempo ambient drum and bass for motorways and highways running | jungle (genre) relentless urban landscape chase | Db | 122 | |||
|
Lunch with Newman [UBM2323 - 8] |
0 | 1'57 | David Bernbach, David Mann | Light, dynamic track featuring clarinets, mallets and piano. Busy, | patient suspended atmosphere science corporate video | E | 105 | |||
|
Meeting With Our Dead [CEZ4386 - 20] |
0 | 2'37 | Piotr Moss | Frightening but funny & old-fashionned. The Dead Speak! Piano with | halloween atonal music funny scary dissonant | Gbm | 107 | |||
|
Ritmo de Favela [CEZ4388 - 1] |
1'51 | Vermair | Wild, lively & driving. Percussion ensemble. | carnival percussion ensemble wild team sport | Abm | 110 | ||||
|
Ritmo de Favela Alternate [CEZ4388 - 25] |
Alt. | 0'47 | Vermair | Wild, lively & driving. Percussion ensemble. 45 seconds version. | carnival wild percussion ensemble team sport | Abm | 109 | |||
|
Ritmo de Favela Alternate 2 [CEZ4388 - 26] |
Alt. | 0'33 | Vermair | Wild, lively & driving. Percussion ensemble. 30 seconds version. | carnival wild percussion ensemble team sport | Gbm | 110 | |||
|
Tribal Rites [CEZ4388 - 10] |
0 | 1'24 | Sebastien Forrester | Tribal, swirling & relentless. Percussion ensemble | percussion ensemble chase derbouka relentless | Gbm | 137 | |||
|
Random Patterns [CEZ4388 - 12] |
1'16 | Boris Popov | Relentless & rigorous. Electronic percussion. | percussion ensemble electronic percussion rhythm section relentless | Am | 140 | ||||
|
Random Patterns Alternate [CEZ4388 - 38] |
Alt. | 0'33 | Boris Popov | Relentless & rigorous. Electronic percussion. 30 seconds version. | percussion ensemble electronic percussion rhythm section relentless | Am | 140 | |||
|
Running in Large Space [EOS37 - 5] |
0 | 2'18 | Jocelyn Mienniel | Repetitive music / contemporary western. Hypnotic, relentless & | hypnotic relentless steady repetitive music | Gm | 86 | |||
|
Social Sharing [CEZ4387 - 21] |
0 | 2'22 | Colo Colo | Spy movie. Atmospheric, tense & suspended. Synth & rhythm. | modern investigation mysterious chillwave | Dm | 114 | |||
|
The Pendulum Clock 2 [CEZ4390 - 10] |
0 | 2'07 | Elisabeth Skornik, Guy Skornik | Serious & punctuated but with elegance. Piano, marimba & string | patient steady politics corporate (all) | Bbm | 110 | |||
|
Every Picture Tells a Story 2 [CEZ4390 - 14] |
0 | 2'22 | Elisabeth Skornik, Guy Skornik | Narrative, bouncy, mischievous & bitter-sweet. Piano & cello. | corporate video interrogative acoustic piano politics | Fm | 94 | |||
|
Fritz Bauer, Procureur [CEO2100 - 6] |
0 | 1'53 | Baptiste Thiry | Post-classical. Restrained & suspended. Agitato, virtuoso & urgent @ | poignant tragic destiny post-classical | A | 86 | |||
|
Les Plumes d'Orphéus [CEO2100 - 10] |
0 | 3'12 | Alice Guerlot Kourouklis | Mysterious, crystalline, dreamy & delicate. Fender Rhodes piano, | dreamy crystalline luminous electro ambient | Dbm | 113 | |||
|
A Road to Phirilongwe [CEO2100 - 28] |
0 | 2'13 | Thomas Dappelo | Underscore. Determined & tense. Acoustic guitar, string section & | tracking shot adventure relentless panoramic | D | 89 | |||
|
Caméra au Poing [CEG5018 - 20] |
0 | 1'44 | Vincent Leibovitz | Intro with fade in. Arid, panoramic, narrative & moving. Busy banjo, | natural disaster geopolitics panorama suspended atmosphere | Em | 102 | |||
|
Obscura [CET9014 - 1] |
2'22 | Martin Emilio Insaurgarat | Brutal, creepy & ghostly. Heavy percussion with clock & trailer weird | scary anticipation horror paranormal | Em | 163 | ||||
|
Obscura Alternate [CET9014 - 13] |
Alt. | 2'20 | Martin Emilio Insaurgarat | Alternate without percussion. Discontinuous, clanchy, creepy & | scary disturbing anticipation horror | E | 110 |