| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Ostinato Sempre [CEZ4172 - 4] |
0 | 2'30 | Patrick Chartol, Daniel Finot, Claire Michael, Jean-Michel Vallet | Constant & haunting. Repetitive music. 4 hands piano. | steady cyclic architecture & design driving | Cm | 96 | |||
|
The Power and the Glory [CEZ4163 - 11] |
1'33 | Gréco Casadesus | Martial & solemn. Military drums, harmonica @ 0'42 & symphony | solemn cinematic United States of America suspended atmosphere | Am | 98 | ||||
|
The Power and The Glory 2 [CEZ4163 - 27] |
Alt. | 1'35 | Gréco Casadesus | Martial & solemn. Military drums & symphony orchestra. | solemn cinematic patriotism funereal | Am | 61 | |||
|
Ringo el Gringo [CEZ4163 - 17] |
0 | 2'27 | Julien Vega | Carefree & relax. Tempo changing @ 1'30. Guitar, banjo, jew's harp, | Italian western jew's harp ballad wandering | Am | 96 | |||
|
Drop Down [MAG6001 - 24] |
0 | 2'12 | Chomsk' | Beat making. Implacable & acid. Synth, samples & rhythm. | falling celebs modern beat making | Dm | 88 | |||
|
Delta Wave [MAG6002 - 11] |
0 | 3'21 | Rémo | Electronica. Organic & solar. Electronics & rhythm. | electronica modern confident wandering | F | 100 | |||
|
No Surprises [CEZ4153 - 17] |
0 | 1'14 | Julien Vega | Interrogative & patient. Piano & electronics. | suspended atmosphere interrogative metallic patient | Bm | 100 | |||
|
Questions of the Heart [CEZ4152 - 5] |
0 | 1'57 | Mederic Bourgue, Célia Reggiani | Patient & interrogative. Piano & cello. | interrogative suspended atmosphere patient string section | A | 68 | |||
|
The Pitiless Sand [CEZ4161 - 20] |
0 | 3'36 | David Reyes | En suspens & threatening. Drone, ngoni (African guitar), cora & | suspended atmosphere wandering steady interrogative | Bbm | 111 | |||
|
Winter Reveries [CEZ4161 - 21] |
0 | 1'51 | David Reyes | Sentimental & intimate. Piano & strings orchestra. | suspended atmosphere introspective acoustic piano moving | Bbm | 100 | |||
|
A Step Forward [CEZ4151 - 2] |
2'21 | Elisabeth Skornik, Guy Skornik | Confident & emotional. Piano & string orchestra. Builds up gradually. | corporate (all) arpeggio confident uplifting | G | 112 | ||||
|
A Step Forward 2 [CEZ4151 - 18] |
Alt. | 2'38 | Elisabeth Skornik, Guy Skornik | Bizarre & répétitive. Sampled guitar & string orchestra. Builds up | arts & crafts relentless complex unclassifiable | G | 112 | |||
|
A Step Forward 3 [CEZ4151 - 19] |
Alt. | 2'04 | Elisabeth Skornik, Guy Skornik | Repetitive & emotional. String orchestra. Builds up gradually. | relentless politics decrescendo driving | Bm | 167 | |||
|
A Step Forward 4 [CEZ4151 - 20] |
Alt. | 1'45 | Elisabeth Skornik, Guy Skornik | Repetitive & emotional. Solo piano playing arpeggio. | corporate video cyclic repetitive music politics | G | 112 | |||
|
The Future Past [CEZ4151 - 7] |
1'47 | Guy Skornik, Elisabeth Skornik | Urgent, mysterious & determined. String orchestra & woodwind | neo-classical music corporate (all) driving string orchestra | Am | 167 | ||||
|
The Future Past 2 [CEZ4151 - 30] |
Alt. | 2'02 | Elisabeth Skornik, Guy Skornik | Urgent & determined. Piano, string orchestra & woodwind enesemble @ | neo-classical music trains repetitive music acoustic piano | Am | 172 | |||
|
The Future Past 3 [CEZ4151 - 31] |
Alt. | 2'01 | Elisabeth Skornik, Guy Skornik | Urgent but melancholic. Solo piano. Forward fx @ 1'18. | steady repetitive music acoustic piano tracking shot | Am | 172 | |||
|
The Future Past 4 [CEZ4151 - 32] |
Alt. | 0'44 | Elisabeth Skornik, Guy Skornik | Urgent. Short version. Intro with reverse fx. String orchestra. | neo-classical music politics strict final | Am | 166 | |||
|
Bernie's Bar [CEZ4149 - 9] |
0 | 2'41 | Alain Bernard Denis | Lazy & end of night blues. Solo piano. | piano bar bluesy 1940 1950 | Cm | 111 | |||
|
La Linea del Sur [CCB1017 - 1] |
0 | 6'11 | Renaud Garcia-Fons | Determined & melancholic. Bowed double-bass, flamenco guitar, | world music driving geopolitics bowed double bass | Gm | 83 | |||
|
Chokr [CCB1014 - 13] |
0 | 1'33 | Renaud Garcia-Fons | Wandering & sad. Double bass bowed pizzicato solo. | double bass world music bowed double bass contemporary jazz | Cm | 144 | |||
|
Aube [CCB1010 - 2] |
0 | 4'05 | Renaud Garcia-Fons | Obstinate & fiery. Bowed double-bass ensemble. | double bass ensemble relentless urgent bowed double bass | C | 102 | |||
|
Megalithe [EOS09 - 12] |
0 | 2'27 | Johane Myran | Weird & obsessive. Strings & piano. | dissonant scary complex disturbing | Am | 120 | |||
|
Reflecting Waters [CEZ4145 - 20] |
0 | 1'53 | Mederic Bourgue, Célia Reggiani | Peaceful, pensive & sparse. Ngoni, cello & electronics. | narrative atmospheric intermittent introspective | E | 69 | |||
|
High Plain Drifting [CEZ4145 - 24] |
0 | 1'47 | Dino de Lucca Jr, Silvano Michelino | Aery, arid & distant. Treated acoustic guitar & percussion. | desolate atmospheric panoramic natural disaster | Fm | 155 | |||
|
Bear's Dance [CEZ4148 - 16] |
0 | 3'31 | Jean Schwarz | Urgent & disturbing. Ethnic percussion & electronics. | electroacoustic music synthesizer xylorimba primitive art | Cm | 123 | |||
|
Creepy Night [CEZ4148 - 20] |
0 | 2'21 | Pascal Delage, François Gillardot, Marc Piera | Supernatural & strange. Clarinet, percussion electronics. | twenty first century music disturbing suspended atmosphere paranormal | Am | 108 |