| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Summer Siesta [CEZ4096 - 3] |
0 | 2'11 | Dominique Depret, Claire Vailler | Peaceful & languid. Electric guitars & rhythm. | romantic comedy lazy relaxed swaying | Em | 107 | |||
|
Nearly Nothing [CEZ4096 - 18] |
0 | 2'12 | Dominique Depret, Claire Vailler | Interrogative & dreamy. Solo piano. | intimate country & garden interiors & cooking acoustic piano | Bbm | 72 | |||
|
The Land Of Nod [CEZ4096 - 22] |
0 | 2'36 | John Greaves | Nocturnal & cyclic. Keyboard, Baschet Structures, electronics & man's | humming male voice childhood peaceful patient | Abm | 80 | |||
|
Industrial Movement [CEZ4094 - 8] |
0 | 1'20 | Elisabeth Skornik, Guy Skornik | Urgent & determined. Strings, percussion & electronics. Break @ 0'53. | breaking news relentless urban landscape jerky | G | 110 | |||
|
Investigative 09 [UBM2176 - 9] |
0 | 1'54 | Bernhard Hering, Matthias Krüger-Wendel, Martin Wester | Brusque, ominous, tumultuous. | beds 1990 spy investigation | Cm | 112 | |||
|
Technology Groove [UBM2179 - 7] |
0 | 2'35 | Forceful, decided ; technical flair. | 1980 beds kitsch & cheesy sequencing | Cm | 90 | ||||
|
The Bass Is The Boss [UBM2179 - 12] |
0 | 2'07 | Cheeky, joyful, cool. | beds 1970 1960 confident | Em | 95 | ||||
|
Aeronautic Travel [UBM2179 - 14] |
0 | 2'39 | Floating, psychedelic, playful. | 1970 atmospheric wah-wah guitar 1980 | Fm | 144 | ||||
|
Beautiful Mental Circuits [UBM2179 - 16] |
0 | 3'01 | Reflective; steadily busy. | investigation panoramic science synthesizer | Dm | 110 | ||||
|
Science For A Better Place [UBM2179 - 23] |
0 | 3'41 | Optimistic, content, energetic. | electric bass beds 1980 wandering | Em | 100 | ||||
|
Slow Commute [UBM2162 - 7] |
0 | 1'47 | Achim Zweschper | Propulsive & spherical, confident, awake. | industry investigation mechanical jerky | Ebm | 88 | |||
|
Ticking [UBM2162 - 11] |
0 | 2'03 | Achim Zweschper | Tension & suspense ; space and underwater. | fx timer drone space underwater | Fm | 86 | |||
|
Killing Softly [UBM2180 - 11] |
0 | 2'33 | Anselm Kreuzer | Mean, sad, fateful. | investigation spy disturbing mysterious | Gm | 166 | |||
|
Tapering Suspicion [UBM2180 - 15] |
0 | 2'13 | Anselm Kreuzer | Corruption, admission of guilt, hesitant yet inevitable. | investigation patient restrained suspended atmosphere | Am | 84 | |||
|
In Those Days [UBM2170 - 14] |
0 | 2'14 | Bernhard Hering, Matthias Krüger-Wendel, Martin Wester | Melancholic, sentimental, dreamy. | geopolitics marimba beds social drama | Cm | 100 | |||
|
Swing Yummy Thing [UBM2158 - 4] |
0 | 1'22 | Daniel Backes, Tobias Ellenberg | Cosy piano, guitar and brushes drums. | circus music circus carefree jazzy | D | 83 | |||
|
Downtempo [UBM2158 - 27] |
0 | 2'12 | Daniel Backes, Tobias Ellenberg | Pads with acoustic guitars and synths. | beds chill-out music sequencing relaxed | Em | 83 | |||
|
Darkscape [UBM2158 - 30] |
0 | 2'04 | Daniel Backes, Tobias Ellenberg | Drone tune with reverse effects and percussion. | synth pad sequencing beds atmospheric | G | 96 | |||
|
I Wish you a Merry Christmas 2 [CEV3031 - 20] |
0 | 1'17 | Scott Taylor | Soft & melancholic. After " We Wish you a Merry Christmas"Male voice, | traditional Cristmas male singer intimate introspective | C | 118 | |||
|
I Wish you a Merry Christmas 4 [CEV3031 - 22] |
0 | 0'55 | Scott Taylor | Soft & melancholic. After " We Wish you a Merry Christmas". Male | traditional Cristmas male singer moving intimate | A | 60 |