| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Fire Alarm [CEZ4214 - 15] |
0 | 1'46 | Powell | Trap. Perilous & bouncy. Synth & rhythm. | sport drama extreme & fighting sport trap (music) modern | Am | 139 | |||
|
Dazzling Lights [MAG6011 - 3] |
0 | 4'08 | Heuphrasia | House music. Rhythmic & nocturne. Synth & rhythm. | house club lively fashion | Cm | 127 | |||
|
Malpractice [CEZ4213 - 7] |
0 | 2'13 | Gabriel Saban, Philippe Briand | Cinematic. Tense & determined. Strings, electronics &rhythm. | spy politics driving disturbing | Am | 120 | |||
|
Perpetuum Mobile [MAG6010 - 10] |
3'27 | Henning Schmitz | Electronica. Curious & unique. Uninterrupted tempo acceleration & | electronica unclassifiable industry relentless | Gm | 185 | ||||
|
Perpetuum Mobile 2 [MAG6010 - 14] |
Alt. | 3'29 | Henning Schmitz | Electronica. Curious & unique. Uninterrupted tempo acceleration & | fx breathing rhythmic electronica unclassifiable | Gm | 185 | |||
|
Leadership Contest [CEZ4208 - 15] |
0 | 2'06 | Gabriel Saban, Philippe Briand | Serious & tense. String orchestra, piano & percussion. | opening credits TV investigation politics chaotic | Dbm | 120 | |||
|
Les Bords de Marne [CEZ4207 - 21] |
2'26 | Alain Bernard Denis | Valse musette. Peaceful & dancing. Accordion, piano, strings & rhythm. | bal musette France waltz musette 1940 | G | 86 | ||||
|
Les Bords de Marne 2 [CEZ4207 - 32] |
Alt. | 1'55 | Alain Bernard Denis | Peaceful & confident. String ensemble with pizz. | 1930 old-fashioned France string orchestra | Cm | 166 | |||
|
Tender is the Night [CEZ4203 - 4] |
0 | 2'13 | Alice Guerlot-Kourouklis | Electro pop. Mechanical & confident. Synth & rhythm. | modern driving electro pop mechanical | Gbm | 100 | |||
|
Golden Vision [CEZ4203 - 16] |
0 | 2'11 | Nicolas Gueguen | Lounge music. Chillout & patient. Outro. Synth & rhythm. | modern final chill-out music nocturnal | Bm | 85 | |||
|
Trip Down Memory Lane [CEZ4203 - 18] |
0 | 2'53 | Union Analogtronics | Abstrach hip hop beat. Atmospheric & groovy. Synth & rhythm. | abstract hip-hop modern driving nocturnal | Gm | 96 | |||
|
Water Sprites [CEZ4201 - 19] |
0 | 2'11 | Julien Vega | Sad & magical. Constant progression. Symphony orchestra & female | fantasy adventure mysterious halloween | Bbm | 100 | |||
|
Survival Instinct [CEZ4204 - 3] |
3'03 | Philippe Bozec | Explosive & inevitable. Synth, electric guitar & rhythm. | gimmick inexorable social drama explosive | Cm | 97 | ||||
|
Survival Instinct (extended) [CEZ4204 - 19] |
Alt. | 3'22 | Philippe Bozec | Explosive & inevitable. Synth, electric guitar & rhythm. | social drama gimmick inexorable explosive | Cm | 97 | |||
|
Neon Blast [CEZ4204 - 5] |
0 | 2'36 | Rémo | Future beat. Massive & percussive. Synth & rhythm. | future beat social drama powerful & imposing modern | Gm | 80 | |||
|
Crash and Burn [CEZ4204 - 8] |
0 | 2'41 | Nicolas Gueguen | Abstract hip hop beat. Tense & powerful.Climax. Synth & rhythm. | abstract hip-hop explosive percussive powerful & imposing | Gm | 94 | |||
|
Homeland Security [UBM2241 - 3] |
0 | 1'52 | Bernhard Hering, Matthias Krüger-Wendel | Neutral electronic underscore for modern topics such as data | electric bass spy strict beds | Gbm | 120 | |||
|
Watching the Game [UBM2241 - 21] |
0 | 2'15 | Bernhard Hering, Matthias Krüger-Wendel | Cautious mood; piano, ride cymbal, percussive electronics and warm | beds cymbal investigation mysterious | Am | 107 | |||
|
Corpses in the Everglades [UBM2240 - 2] |
0 | 2'19 | Sebastian Parche | Sinister & tense. Synth, strings & rhythm @ 1'49. | sinister beds desolate sparse | D | 88 | |||
|
Agitate the Matter [UBM2238 - 2] |
0 | 2'01 | Daniel Backes, Peter Moslener | Strange & sinister. Synth & rhythm. | horror fx breathing interrogative sinister | Cm | 130 | |||
|
Wicked Clouds [UBM2238 - 8] |
0 | 2'17 | Daniel Backes, Peter Moslener | Inexorable & patient. Synth. | calm desolate inexorable patient | B | 62 | |||
|
Exposure Rate [UBM2238 - 10] |
0 | 2'03 | Daniel Backes, Peter Moslener | Tense & progressive. Crescendo. Synth. | disturbing inexorable interrogative investigation | Bm | 98 | |||
|
The Time it Takes [CEZ4197 - 3] |
2'26 | Elisabeth Skornik, Guy Skornik | Careful & crystalline. Keyboards & electronics. | arts & crafts corporate video patient time (tick-tock) | D | 120 | ||||
|
The Time it Takes 2 [CEZ4197 - 22] |
Alt. | 2'26 | Elisabeth Skornik, Guy Skornik | Minimalist & sparse. Piano, echo fx & pads. Build-up. | peaceful arts & crafts refined childhood | D | 120 |