| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
A Room with a view [CEZ4054 - 27] |
0 | 3'20 | Manuel Galvin | Gentle melody, meandering & flowing. Acoustic & electric guitar led | road movie country ballad melancholic 1970 | D | 131 | |||
|
Friend or Foe [CEZ4000 - 15] |
0 | 1'12 | Jean Michel Hervé | Intriguiging strings & sound design. | crescendo desolate action movie high seas | B | 136 | |||
|
Heroes [CEZ4051 - 15] |
0 | 2'02 | Daniel Darras | Pride. Classic dark drone with ethereal chords fading in. | rumbling drone mysterious dreamy | Db | 129 | |||
|
Bamako Street [CEZ4036 - 3] |
0 | 1'04 | Rico Brinx, Anne Rakotofiringa | Unusual & hesitant. Female vocal, acoustic guitar & percussion. | Central Africa geopolitics undefined percussion folk guitar | Dm | 104 | |||
|
Dji [CEZ4036 - 17] |
0 | 1'48 | Rico Brinx, Baba Toumani Keita | Simple & light. Kalimba duet. (Africa) | Africa sanza primitive art insects | Fm | 130 | |||
|
Bantou School [CEZ4035 - 44] |
0 | 0'41 | Rico Brinx, Baba Toumani Keita | Children voices in a schoolyard & kalimba. (Africa) | sanza Africa fx children peaceful | Am | 154 | |||
|
Hine Kitchen [CEZ4035 - 49] |
0 | 1'40 | Rico Brinx, Baba Toumani Keita | Guitar, cora, women's voices & kitchen sounds. (Africa) | kora Africa fx cooking fx voice | Ab | 162 | |||
|
Gaia Science [CEZ4034 - 6] |
0 | 1'42 | Elisabeth Skornik, Guy Skornik | Natural & organic. Drone with piano & flute. | confident corporate (all) didjeridoo suspended atmosphere | C | 79 | |||
|
Vegetal Origin [CEZ4034 - 7] |
0 | 1'51 | Elisabeth Skornik, Guy Skornik | Mysterious & light. Ethereal guitar chords & piano. | 1970 1980 electro ambient synthesizer | C | 113 | |||
|
Gene Coding [CEZ4034 - 24] |
0 | 1'36 | Elisabeth Skornik, Guy Skornik | Slow groove with organic vs mechanic feel. | jerky metallic robotic unclassifiable | C | 101 | |||
|
Amoebic Groove [CEZ4034 - 33] |
0 | 1'31 | Elisabeth Skornik, Guy Skornik | Constant ethereal chords hypnotic groove. | industry steady investigation pulsation | Em | 115 | |||
|
Dancing Branches [CEZ4031 - 20] |
0 | 2'56 | Didier Malherbe | Meditative & mysterious. Wild life. Solo bansuri flute. | alto flute antiquity birds sensual | Db | 114 | |||
|
House by the Olive Trees [CEZ4030 - 14] |
0 | 2'17 | Pierre-André Athané | Nostalgic & sentimental. Mediterranean. Classical guitar, mandolin & | country & garden moving everyday life melancholic | Cm | 68 | |||
|
Whoosh Hit 28 1 [CSDL1001 - 164] |
0'08 | Flaviu Ioan Ciocan, Florian Presslaber | Agressive & violent woosh hit | swoosh/whoosh hits aggressive & violent hits percussive | Gm | 106 | ||||
|
Whoosh Hit 28 [CSDL1001 - 163] |
Alt. | 0'43 | Flaviu Ioan Ciocan, Florian Presslaber | Sound Design element. 5 Agressive & violent woosh hits | swoosh/whoosh hits aggressive & violent hits percussive | Dm | 118 | |||
|
Chop Chop Alternate [CEZ4592 - 17] |
1'53 | Thomas Didier | Alternate no percussion. | TV game show quiz patient cyclic dramedy | C | 115 | ||||
|
Chop Chop [CEZ4592 - 2] |
Alt. | 1'53 | Thomas Didier | Suspenseful, ticking bed. Playful, light & mischievous. Accelerando @ | patient time (tick-tock) TV game show quiz cyclic | C | 115 | |||
|
The Mousetrap Alternate 2 [CEZ4327 - 23] |
2'24 | Barthélémy Corbelet | Mysterious, suspenseful & interrogative. String orchestra, acoustic | investigation suspended atmosphere crime movie interrogative | Bm | 130 | ||||
|
The Mousetrap [CEZ4327 - 9] |
Alt. | 2'26 | Barthélémy Corbelet | Mysterious, introspective & interrogative. String orchestra, acoustic | suspense crime movie interrogative geopolitics | Bm | 130 | |||
|
Those Were The Days 2 [CCB1030 - 23] |
3'07 | Gilles Maugenest | Melancholic & retro. Clarinet, zither, trumpet & accordion. | melancholic moving melodic swaying | Gm | 99 | ||||
|
Those Were The Days [CCB1030 - 6] |
Alt. | 3'07 | Gilles Maugenest | Melancholic & retro. Kazoo, zither, trumpet & accordion. | circus music kazoo melodic tragi-comic | Gm | 99 | |||
|
In a Police Car (Ending) [CEO2032 - 14] |
3'59 | Selma Mutal | Remastered version. Weird, whirling & bitter-sweet. Accordion, barrel | ironical & mischievous whirling funfair tragi-comic | Am | 89 | ||||
|
In a Police Car (Ending) [CEO2032 - 9] |
Alt. | 4'00 | Selma Mutal | Weird, whirling & bitter-sweet. Accordion, barrel organ & electronics. | weird whirling funfair circus music | Em | 89 | |||
|
Fits and Starts 2 [CEZ4226 - 33] |
2'05 | Simon Goubert | Interrogative & melodic. Solo drums. | solo drums intermittent percussive | Gm | 103 | ||||
|
Fits and Starts [CEZ4226 - 11] |
Alt. | 2'18 | Simon Goubert | Interrogative & melodic. Solo drums. | drums percussive solo jazz club | Bbm | 178 | |||
|
Le Commissaire Revient 2 [CEZ4207 - 30] |
2'18 | Alain Bernard Denis | Dark & interrogative. Flute, jazz guitar, strings & rhythm. | 1960 French cinema 1950 France | Cm | 105 | ||||
|
Le Commissaire Revient [CEZ4207 - 17] |
Alt. | 2'18 | Alain Bernard Denis | Dark & interrogative. Trumpet, jazz guitar, strings & rhythm. | 1960 1950 French cinema film noir | Cm | 105 |