| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Her Majesty [CEZ4116 - 5] |
0 | 2'29 | Gréco Casadesus | Romantic & peaceful. String orchestra. | heritage destiny romantic music symphony orchestra | Am | 65 | |||
|
Princess Promenade [CEZ4116 - 6] |
0 | 0'50 | Gréco Casadesus | Solemn & peaceful. Oboe & string orchestra. | heritage 19th century swashbuckler romantic music | C | 69 | |||
|
L'Invention de l'Occident [CEO2017 - 1] |
0 | 3'26 | Armand Frydman | Melancholic & sensitive. Duduk, cello & percussion @ 0'34. | duduk Armenia geopolitics Israel | A | 131 | |||
|
La Città del Vaticano [CEO2012 - 29] |
0 | 1'21 | Bruno Alexiu | Solemn & meditative. Organ & symphonic orchestra. | catholic solemn religious celebration church organ | D | 66 | |||
|
Villa d'Este [CEO2012 - 33] |
0 | 1'31 | Bruno Alexiu | Tender & peaceful. Solo piano. | old-fashioned Italy peaceful acoustic piano | Bm | 110 | |||
|
Army of Shadows [CEO2012 - 37] |
0 | 1'16 | Bruno Alexiu | Tragic & restrained. Symphonic orchestra. | tragic historical conflict destiny suspended atmosphere | Fm | 112 | |||
|
Of One Accord [CEZ4112 - 18] |
0 | 2'36 | Piotr Moss | Solemn & ceremonial. Clarinet duet. | solemn destiny historical narrative desolate | Fm | 96 | |||
|
Catching the Cobra [CEO2011 - 2] |
0 | 0'55 | Bruno Alexiu | Majestic & cinematic. Orchestra & ethnic percussion. | adventure docu fiction geopolitics destiny | G | 115 | |||
|
Blue City [CEO2011 - 11] |
0 | 1'32 | Bruno Alexiu | Mystical & solemn. female vocal, strings & electronics. | hypnotic mystical atmospheric panoramic | A | 72 | |||
|
The Shaman's Eyes [CEO2011 - 17] |
0 | 0'53 | Bruno Alexiu | Sparse a suspended atmosphere. Strings played with harmonics. | suspended atmosphere desolate sparse high-pitched | Bb | 62 | |||
|
Mystical Desert [CEO2011 - 19] |
0 | 1'20 | Bruno Alexiu | Wandering & uncertain. Strings played in the Arabian style & | hot desert bazantar desolate docu fiction | G | 110 | |||
|
The Night Crossing [CEZ4109 - 3] |
0 | 2'47 | Stephan Oliva | Sad & wandering. Piano, double bass & drums. | jazz ballad acoustic piano contemporary jazz double basses (all) | Bm | 112 | |||
|
Tuxedo Moonlight [CEZ4108 - 2] |
1'21 | John Greaves | Sensual & nostalgic. Muted trumpet & piano. | film noir new wave (cinema) nocturnal muted trumpet | Ab | 153 | ||||
|
Tuxedo Moonlight 2 [CEZ4108 - 3] |
Alt. | 1'29 | John Greaves | Pensive & nostalgic. Solo muted trumpet. | muted trumpet new wave (cinema) retro cinema cinematic jazz | Eb | 68 | |||
|
Quai De Seine [CEZ4107 - 21] |
0 | 1'26 | John Greaves | Nostalgic & wandering. Accordion, piano & trumpet. | French cinema social drama 1950 chromatic accordion | Gbm | 65 | |||
|
Shine [CEZ4105 - 1] |
0 | 2'10 | Mark Alberts | Anthemic Brit-pop ballad. Pop band with lead guitar. | rock ballad pop ballad uplifting England | G | 146 | |||
|
Sweet Summer Days [CEZ4105 - 2] |
0 | 2'36 | Mark Alberts | Beatles-esque Brit-pop ballad. Positive & proud. Pop band with piano | rock ballad England pop ballad 1990 | Am | 73 | |||
|
Forever Yours [CEZ4105 - 5] |
0 | 3'55 | Mark Alberts | Cool & intimate growing positive. Pop band with piano & lead guitar. | pop ballad slow (dance) sentimental retro American serie | A | 124 | |||
|
Lonesome Street [CEZ4105 - 18] |
0 | 2'42 | Mark Alberts | Cinematic ballad with a touch of 70's. Lead guitar & mellotron. | tracking shot pop ballad rock ballad melancholic | Dbm | 124 | |||
|
Aporia [CEZ4103 - 26] |
0 | 2'22 | Elisabeth Skornik, Guy Skornik | Interrogative & wandering. Piano, strings & harp. | tormented beds suspended atmosphere unstable | Bb | 92 | |||
|
Doubt and Proof [CEZ4103 - 28] |
0 | 2'12 | Elisabeth Skornik, Guy Skornik | Wandering & sparse. Keyboard with flange fx & strings. | inexorable vibrating atmospheric wandering | E | 109 |