| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Data Backup [UBM2307 - 26] |
0 | 1'46 | Ryan Gold, Sid Sonic | Analog sequence for sacred worlds and secret locations. | cybernetics arpeggiator investigation relentless | Gm | 162 | |||
|
Rings of Light [CEZ4370 - 1] |
1'43 | Anselm Kreuzer, Andreas Suttner | Underscore. Contant, neutral, twinkling & patient. Keyboard, synth, | science steady cyclic delicate | Fm | 118 | ||||
|
Rings of Light Alternate [CEZ4370 - 21] |
Alt. | 1'43 | Anselm Kreuzer, Andreas Suttner | Underscore. Contant, neutral, twinkling & patient. Keyboard, chimes | steady science cyclic delicate | Fm | 120 | |||
|
Rings of Light Alternate 2 [CEZ4370 - 22] |
Alt. | 1'43 | Anselm Kreuzer, Andreas Suttner | Underscore. Contant, neutral, twinkling & patient. Synth & hang drum. | science cyclic neutral patient | Fm | 119 | |||
|
Rings of Light Alternate 3 [CEZ4370 - 23] |
Alt. | 1'44 | Anselm Kreuzer, Andreas Suttner | Underscore / electro minimalism. Constant, minimalist & neutral. | steady science sparse interrogative | Fm | 80 | |||
|
Woodcraft [CEZ4370 - 12] |
2'17 | Anselm Kreuzer, Andreas Suttner | Underscore / dramedy. Patient, constant, careful & serious. Cello | investigation narrative patient pizzicato | Cm | 100 | ||||
|
Woodcraft Alternate [CEZ4370 - 59] |
Alt. | 2'17 | Anselm Kreuzer, Andreas Suttner | Underscore. Patient, constant, careful & serious. Cello pizz, | interrogative investigation relentless pizzicato | Cm | 100 | |||
|
Woodcraft Alternate 2 [CEZ4370 - 60] |
Alt. | 2'16 | Anselm Kreuzer, Andreas Suttner | Underscore. Patient, constant, careful & serious. Cello pizz, guitar | interrogative investigation narrative relentless | Cm | 100 | |||
|
The Time Factor [CEZ4351 - 20] |
2'30 | Elisabeth Skornik, Guy Skornik | Repetitive, punctuated & mechanical. Percussion & string ensemble. | relentless suspense jerky horror | Gm | 162 | ||||
|
The Time Factor Alternate [CEZ4351 - 48] |
Alt. | 2'22 | Elisabeth Skornik, Guy Skornik | Alternate underscore version without percussion. | suspense investigation mechanical mysterious | Cm | 100 | |||
|
The Time Factor Alternate 2 [CEZ4351 - 49] |
Alt. | 2'21 | Elisabeth Skornik, Guy Skornik | Alternate underscore version without percussion. | time (tick-tock) interrogative investigation suspense | Cm | 100 | |||
|
Black Bow [CEZ4348 - 4] |
2'25 | Stephen Yang | Trailer/spy movie. Mysterious & percussive intro. Tense atmospheric & | historical conflict relentless disturbing retrogaming | Dm | 102 | ||||
|
Black Bow Alternate [CEZ4348 - 18] |
Alt. | 1'37 | Stephen Yang | Trailer/spy movie. Without intro. Tense & punctuated bass synth line, | historical conflict mechanical relentless suspense | Cm | 102 | |||
|
Black Bow Alternate 2 [CEZ4348 - 19] |
Alt. | 2'25 | Stephen Yang | Trailer/spy movie. Without cinematic percussion. Tense atmospheric & | historical conflict disturbing mechanical suspense | Dm | 102 | |||
|
Black Bow Alternate 3 [CEZ4348 - 20] |
Alt. | 2'25 | Stephen Yang | Trailer/spy movie & electro glitch. Sound design and fx tracks only. | relentless inexorable disturbing suspense | Bm | 102 | |||
|
La Route du Rosé [CEO2063 - 1] |
1'26 | Pablo Pico | Jazzy & confident. Pizz, glockenspiel, musical glasses, strings & | do-it-yourself confident dramedy jazzy | Em | 100 | ||||
|
La Route du Rosé 2 [CEO2063 - 7] |
Alt. | 2'07 | Pablo Pico | Urgent but light. Harpsichord, piano, strings, mandolin & celesta. | charming French retro comedy confident crystalline | Em | 107 | |||
|
La Route du Rosé 3 [CEO2063 - 8] |
Alt. | 0'54 | Pablo Pico | Interrogative & anticipating. @ 0'19 urgent & atmospheric. Celesta, | magical Italy confident high-pitched | Em | 162 | |||
|
La Route du Rosé 4 [CEO2063 - 9] |
Alt. | 1'24 | Pablo Pico | Jazzy & interrogative. Piano, double bass, snaps, vibraphone, strings | snare drum with brushes suspended atmosphere jazz shuffle interrogative | Em | 120 | |||
|
La Route du Rosé 5 [CEO2063 - 10] |
Alt. | 1'10 | Pablo Pico | Jingle. Dreamy & interrogative. Glockenspiel, pizz & double bass. | police comedy interrogative driving suspended atmosphere | Em | 100 | |||
|
La Route du Rosé 6 [CEO2063 - 11] |
Alt. | 0'25 | Pablo Pico | Link. Dreamy & interrogative. Glockenspiel, pizz & double bass. | link dreamy crystalline docu fiction | Am | 132 | |||
|
Women in Black [CEG5003 - 7] |
2'00 | Abaji | Plaintive & threatening. Dumbek, afghan rubab, mey, kemencheh & | geopolitics Non Arab Middle East mystical atmospheric | Cm | 104 | ||||
|
Women in Black 2 [CEG5003 - 32] |
Alt. | 1'57 | Abaji | Plaintive & threatening. Afghan rubab, mey, kemencheh & percussion. | geopolitics atmospheric suspended atmosphere Non Arab Middle East | Cm | 82 | |||
|
Women in Black 3 [CEG5003 - 33] |
Alt. | 1'58 | Abaji | Plaintive & threatening. Dumbek, afghan rubab, & percussion. | geopolitics interrogative Non Arab Middle East atmospheric | Gbm | 104 | |||
|
Women in Black 4 [CEG5003 - 34] |
Alt. | 1'58 | Abaji | Plaintive & threatening. Afghan rubab & mey. | lost civilizations geopolitics Non Arab Middle East atmospheric | Cm | 65 | |||
|
Family Secrets [CEG5001 - 11] |
2'48 | Abaji | Tv series. Investigation. Suspense. Crime series. Disturbing & | investigation beds mysterious insidious | Bb | 60 | ||||
|
Family Secrets 2 [CEG5001 - 30] |
Alt. | 2'48 | Abaji | Tv series. Investigation. Suspense. Disturbing & unavoidable. Piano, | investigation beds interrogative adventure game | Ebm | 60 | |||
|
The Tutorial [CEZ4702 - 7] |
1'52 | Louis Edlinger | Electronica bed. Interrogative, kind & simple. Synth & rhythm. Ideal | teaching confident driving neutral | C | 114 | ||||
|
The Tutorial Alternate 1 [CEZ4702 - 49] |
Alt. | 1'52 | Louis Edlinger | Alternate version. | C | 114 | ||||
|
The Tutorial Alternate 2 [CEZ4702 - 50] |
Alt. | 1'51 | Louis Edlinger | Alternate underscore. | Gm | 114 | ||||
|
The Tutorial Edit 60 sec [CEZ4702 - 51] |
Alt. | 0'59 | Louis Edlinger | 60 second cut. | C | 113 | ||||
|
The Tutorial Edit 30 sec [CEZ4702 - 52] |
Alt. | 0'30 | Louis Edlinger | 30 second cut. | C | 114 | ||||
|
The Tutorial Edit 20 sec [CEZ4702 - 53] |
Alt. | 0'20 | Louis Edlinger | 20 second cut. | C | 113 | ||||
|
The Tutorial Edit Sting [CEZ4702 - 54] |
Alt. | 0'11 | Louis Edlinger | Sting. | C | 113 | ||||
|
Joke's On Me [CEZ4704 - 5] |
1'59 | Baptiste Thiry | In a 70s retro spirit. Mischievous, comical & joker. Piano, Fender | French retro comedy kitsch & cheesy police comedy ironical & mischievous | Am | 124 | ||||
|
Joke's On Me Alternate [CEZ4704 - 25] |
Alt. | 1'58 | Baptiste Thiry | Alternate no drums. | French retro comedy kitsch & cheesy police comedy ironical & mischievous | Am | 125 | |||
|
The Butler Did It [CEZ4704 - 7] |
1'54 | Benoit Cimbé | Small ensemble. Playful, secret & clever. Piano, marimba, pizzicati, | animation & cartoons funny animals ironical & mischievous circus | Bm | 105 | ||||
|
The Butler Did It Alternate 1 [CEZ4704 - 27] |
Alt. | 1'54 | Benoit Cimbé | Alternate no drums. | animation & cartoons funny animals ironical & mischievous circus | Bm | 105 | |||
|
The Butler Did It Alternate 2 [CEZ4704 - 28] |
Alt. | 1'47 | Benoit Cimbé | Alternate no piano no drums. | animation & cartoons funny animals ironical & mischievous circus | Bm | 105 | |||
|
Possibly An Accident [CEZ4701 - 3] |
3'20 | Piotr Moss | Parody of Carmen's Habanera. Tragicomic, tipsy, haughty, sarcastic & | tragi-comic mockumentary blooper ironical & mischievous | G | 112 | ||||
|
Possibly An Accident Alternate [CEZ4701 - 17] |
Alt. | 3'20 | Piotr Moss | Version without drums | tragi-comic mockumentary blooper ironical & mischievous | G | 112 | |||
|
A Web of Manipulation [CEG5061 - 12] |
1'43 | Nill O'maha | Cinematic. Resilient, melancholic & reflective. Piano, light beat, | suspense investigation steady insidious | F | 97 | ||||
|
A Web of Manipulation
[CEG5061 - 34] |
Alt. | 1'43 | Nill O'maha | Version without percussion | suspense investigation steady insidious | F | 97 | |||
|
A Web of Manipulation
[CEG5061 - 35] |
Alt. | 1'43 | Nill O'maha | Underscore version | suspense investigation steady insidious | F | 123 | |||
|
Oscillation Dreams [CCB1073 - 10] |
2'52 | Xavier Jamaux | Synth Pop / French Touch. Ethereal, downtempo & shimmering. Analog | dreamy uplifting urban landscape synthwave | Ebm | 68 | ||||
|
Oscillation Dreams Edit 1 (60
[CCB1073 - 50] |
Alt. | 1'00 | Xavier Jamaux | 60 second cut | dreamy uplifting urban landscape synthwave | Ebm | 68 | |||
|
Oscillation Dreams Edit 2 (30
[CCB1073 - 51] |
Alt. | 0'30 | Xavier Jamaux | 30 second cut | dreamy uplifting urban landscape synthwave | Ebm | 68 | |||
|
Oscillation Dreams Edit 3 (20
[CCB1073 - 52] |
Alt. | 0'20 | Xavier Jamaux | 20 second cut | dreamy uplifting urban landscape synthwave | Ebm | 68 | |||
|
Oscillation Dreams Edit 4
[CCB1073 - 53] |
Alt. | 0'16 | Xavier Jamaux | Sting | dreamy uplifting urban landscape synthwave | Bbm | 112 | |||
|
Your Eyes Are Landscapes [EOS148 - 7] |
0 | 2'27 | Mathieu Harlaut | Tender, floating & nostalgic. Analog synth. Suggested for ending | outro (end credits) contemporary series slow motion analog synth | Ab | 81 | |||
|
Hoping for Rain [CEL7047 - 25] |
2'27 | Luiz De Aquino Junior, Veronique Le Berre De Aquino | Wild, narrative, mysterious & suspenseful. 7-string guitar, prepared | wandering geopolitics mysterious hot desert | Cm | 93 | ||||
|
Hoping for Rain Alternate 1 [CEL7047 - 72] |
Alt. | 2'27 | Luiz De Aquino Junior, Veronique Le Berre De Aquino | Version without percussion | wandering geopolitics mysterious hot desert | Cm | 92 | |||
|
Hoping for Rain Alternate 2 [CEL7047 - 73] |
Alt. | 2'27 | Luiz De Aquino Junior, Veronique Le Berre De Aquino | Version guitars only | wandering geopolitics mysterious hot desert | Cm | 92 | |||
|
Heaven-Sent Raindrops [CEL7047 - 27] |
2'08 | Luiz De Aquino Junior, Veronique Le Berre De Aquino | Anticipating, rootsy, mysterious & narrative. Water drum, | humid anticipation acoustic organic interrogative | G | 106 | ||||
|
Heaven-Sent Raindrops
[CEL7047 - 75] |
Alt. | 2'07 | Luiz De Aquino Junior, Veronique Le Berre De Aquino | Version without strings | humid anticipation acoustic organic interrogative | Gm | 106 | |||
|
A New Birth - Electro version [CEZ4700 - 15] |
0 | 2'35 | Elisabeth Skornik, Guy Skornik | Electronic version. Interrogative, investigative & regular. Synth & | original score cyclic investigation building | Gm | 96 | |||
|
What Tomorrow Holds - Piano
[CEZ4700 - 17] |
0 | 2'50 | Elisabeth Skornik, Guy Skornik | Solo piano version. The same note is repeated from beginning to end. | social drama sparse narrative historical narrative | F | 110 | |||
|
Maybe I'm Dreaming - Electro
[CEZ4700 - 30] |
0 | 2'05 | Elisabeth Skornik, Guy Skornik | Electronic version. Corporate, confident & steady. Processed piano, | steady electronic score investigation suspense | Bbm | 89 |