| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Polluted Water [EOS06 - 2] |
0 | 3'16 | Olivier Samouillan, Eric Volpatti | Electro minimalism. Mysterious & hypnotic. Electronics, pizzicati, | cyclic science calm sparse | A | 106 | |||
|
Metallic Sand [EOS06 - 4] |
0 | 3'49 | Olivier Samouillan, Eric Volpatti | Electro ambient. Serious & interrogative. Electronics, pizzicati, | sparse science beds steady | C | 156 | |||
|
Progress in Investigation [UBM2199 - 11] |
0 | 2'24 | Anselm Kreuzer | Investigate, lost in thought, illustrative. | suspended atmosphere interrogative atmospheric investigation | Gm | 120 | |||
|
Pino La Grenouille [EOS04 - 2] |
0 | 4'42 | Stephane Bularz | Lively, obstinate & funny. Gypsy guitar, mandoline, double bass & | East European Gypsies geopolitics jazzy mandolins (all) | Am | 140 | |||
|
Sugar Cane [CEZ4118 - 14] |
0 | 2'06 | Imade Saputra | Creole song. Determined & plaintive. Male voice & drum. Lyrics | Song and theme sung in Creole vocal traditional male soloist voice | Gbm | 108 | |||
|
Slaves' Lament [CEZ4118 - 15] |
0 | 2'08 | Imade Saputra | Accentuated & patient. Bobre (berimbau) & percussion. | traditional instrumental ensemble ethnic percussion ensemble ethnic & traditional (all) Reunion | Gbm | 92 | |||
|
Petite Terre [CEZ4118 - 22] |
0 | 1'35 | Imade Saputra | Determined & cyclic. Solo dzenze la chi tsuva (zither). | dzenze la chi tuva ethnic & traditional (all) Mayotte geopolitics | Bb | 178 | |||
|
Dandaru [CEZ4118 - 24] |
0 | 1'35 | Imade Saputra | Accentuated & patient. Percussion ensemble. Dandaru rhythm | traditional instrumental ensemble ethnic percussion ensemble ethnic & traditional (all) Mayotte | Bm | 96 | |||
|
Hidden Scar [EOS03 - 1] |
0 | 1'44 | Eric Volpatti | Cyclic & obstinate. Electronics, piano & strings. | simple science beds delicate | Em | 124 | |||
|
Last Breath [EOS03 - 15] |
0 | 2'26 | Thomas Kpade, Anthony Mowat, Johane Myran, Olivier Samouillan | Wandering & nocturnal. Piano, synth, double bass & trumpet solo @ | wandering inexorable interrogative investigation | Dm | 152 | |||
|
A Last Glance [CEZ4120 - 16] |
0 | 2'39 | Pierre-André Athané, Loïs Blanca | Wandering & grave. Solo piano. | romantic social drama interrogative country & garden | C | 84 | |||
|
The Coronation [CEZ4116 - 1] |
0 | 1'27 | Gréco Casadesus | Majestic & solemn overture. Symphony orchestra. | historical ceremony heritage swashbuckler introduction | A | 148 | |||
|
Princess Promenade [CEZ4116 - 6] |
0 | 0'50 | Gréco Casadesus | Solemn & peaceful. Oboe & string orchestra. | heritage 19th century swashbuckler romantic music | C | 69 | |||
|
The Moses Legacy [CEO2017 - 10] |
0 | 2'19 | Armand Frydman | Oriental theme. Sensual & swaying. Soprano sax, darbuka & double-bass. | Middle-East & Maghreb docu fiction Judaism derbouka | E | 126 | |||
|
Under History Wheel [CEO2012 - 1] |
2'03 | Bruno Alexiu | Tragic & imposing overture. Orchestra with French horns & timpanies. | Soviet Russia historical conflict inexorable warlike | A | 128 | ||||
|
Under History Wheel #2 [CEO2012 - 2] |
Alt. | 1'37 | Bruno Alexiu | Urgent & lyrical. Symphonic orchestra. Constant progression. Powerful | historical conflict inexorable tragic warlike | Am | 124 | |||
|
Under History Wheel #3 [CEO2012 - 3] |
Alt. | 0'54 | Bruno Alexiu | Threatening & heavy. Symphonic orchestra. | warlike historical narrative historical conflict inexorable | D | 136 | |||
|
Under History Wheel #4 [CEO2012 - 4] |
Alt. | 0'45 | Bruno Alexiu | Tragic & lyrical. Symphonic orchestra. | historical conflict inexorable historical narrative politics | Gm | 126 | |||
|
Under History Wheel #5 [CEO2012 - 5] |
Alt. | 1'07 | Bruno Alexiu | Tragic & powerful. Symphonic orchestra & mixed choir @ 0'31. | historical conflict inexorable historical narrative tragic | Gm | 122 | |||
|
Under History Wheel #6 [CEO2012 - 6] |
Alt. | 1'19 | Bruno Alexiu | Tragic & threatening. Symphonic orchestra & mixed choir @ 0'18. | tragic historical conflict scansion punctuated | Gm | 108 | |||
|
Under History Wheel #7 [CEO2012 - 7] |
Alt. | 0'56 | Bruno Alexiu | Tragic & dark. Symphonic orchestra & mixed choir @ 0'18. | historical conflict destiny historical narrative inexorable | Gbm | 110 | |||
|
Under History Wheel #8 [CEO2012 - 8] |
Alt. | 0'59 | Bruno Alexiu | Interrogative & narrative wait. Symphonic orchestra. | historical narrative destiny historical conflict sinister | Abm | 83 | |||
|
Time Runs Out [CEZ4113 - 4] |
2'08 | Daniel Diaz | Determined & serious. Synth, electronics, tick tock fx & alarm clock | time (tick-tock) fx tick-tock corporate (all) industry | Em | 144 | ||||
|
Pacific Time [CEZ4113 - 3] |
Alt. | 2'08 | Daniel Diaz | Determined & serious. Electric guitar, rhythm, electronics, tick tock | time (tick-tock) fx tick-tock fx stopwatch industry | Em | 144 | |||
|
Run Rabbit Run [CEZ4113 - 23] |
0 | 2'35 | Daniel Diaz | Urgent & childlike. Alarm clock, guitars & electronics. 112 BPM. | time (tick-tock) fx tick-tock corporate (all) urgent | Em | 112 | |||
|
Chronometry [CEZ4113 - 28] |
2'06 | Guillaume Martel | Urgent with chronometer fx. Electronics & electric guitar. | time (tick-tock) fx stopwatch corporate video urgent | Gm | 120 | ||||
|
Chronometry 2 [CEZ4113 - 33] |
Alt. | 2'06 | Guillaume Martel | Urgent & tense. Chronometer fx. Electronic percussion. | time (tick-tock) fx stopwatch electronic percussion mechanical sport | Gm | 120 | |||
|
Glass Echo [CEZ4112 - 13] |
0 | 1'40 | Piotr Moss | Mysterious & haunting. Cymbal played with a bow - like a glass | paranormal primitive art atmospheric cymbal con arco | C | 74 | |||
|
The Last Decade [CEO2014 - 1] |
0 | 1'18 | Elisabeth Skornik, Guy Skornik | Sudden & tragical. Piano & electronics. | tragic historical conflict natural disaster scary | C | 90 |