| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Cannabis Industry [CEO2092 - 1] |
1'48 | Stéphane Lopez | Dub. Determined & constant. Hammond organ & rhythm. fx delay. Break @ | driving dub investigation nocturnal | Bm | 92 | ||||
|
Cannabis Industry Alternate 1 [CEO2092 - 21] |
Alt. | 2'16 | Stéphane Lopez | Dub. Determined & changing. Strings, Hammond organ & rhythm. | investigation relentless dub disturbing | Bm | 92 | |||
|
Cannabis Industry Alternate 2 [CEO2092 - 22] |
Alt. | 0'41 | Stéphane Lopez | Crime movie / spy movie. Urgent & disturbing. Strings, sound design & | disturbing politics string section crime movie | Bm | 92 | |||
|
Strategy for Tragedy [CEG5009 - 7] |
2'12 | Abaji | Underscore. Suspense. Threatening & insidious. Sequencing, strings & | historical conflict suspended atmosphere action movie sinister | Cm | 120 | ||||
|
Strategy for Tragedy Alternate [CEG5009 - 28] |
Alt. | 2'12 | Abaji | Underscore. Suspended, threatening & sparse. Violin & sequencing. | scary historical conflict disturbing suspended atmosphere | Cm | 117 | |||
|
Gladiator [UBM2295 - 9] |
0 | 2'32 | Ryan Gold, Sid Sonic | Post apocalyptic guitar with big drums. Perfect for trailers and | historical conflict inexorable aggressive & violent cinematic rock | G | 65 | |||
|
Adrenalin [CET9007 - 6] |
2'12 | Gabriel Saban, Philippe Briand | Hypnotic synth arpeggio over a pulsing synth line. Building up with | scary horror chase building | C | 140 | ||||
|
Adrenalin - No Perc [CET9007 - 20] |
Alt. | 2'12 | Gabriel Saban, Philippe Briand | Alternate version without percussion. | horror disturbing inexorable insidious | C | 140 | |||
|
Sentenced to Life [CET9007 - 8] |
2'08 | Gabriel Saban, Philippe Briand | Surreal synth fx & moody piano arpeggio building gradually to climax | scary horror suspense sinister | C | 74 | ||||
|
Sentenced to Life - No Perc [CET9007 - 22] |
Alt. | 2'08 | Gabriel Saban, Philippe Briand | Alternate version without percussion. | disturbing suspense scary paranormal | C | 74 | |||
|
Investigation Montage [UBM2274 - 19] |
0 | 2'03 | Felix Halbe | Sober, almost neutral track, ideal for images of development and | spy science investigation anticipation | B | 162 | |||
|
The Year of the Dragon [CEG5002 - 1] |
2'21 | Abaji | China. Geopolitics. Solemn & determined. Hulusi, cymbals, taiko & | geopolitics hulusi China world music | Am | 100 | ||||
|
The Year of the Dragon 2 [CEG5002 - 21] |
Alt. | 1'23 | Abaji | Geopolitics. Solemn & determined. Cymbals, taiko & bells. | geopolitics investigation Asia relentless | Am | 100 | |||
|
On the Threshold of Becoming [CEZ4312 - 4] |
2'27 | Elisabeth Skornik, Guy Skornik | Shivering, bizarre but serious. Female vocal with fx, staccato | interrogative celebs sampled female voice advertising | Bb | 120 | ||||
|
On the Threshold of Becoming
[CEZ4312 - 22] |
Alt. | 1'53 | Elisabeth Skornik, Guy Skornik | Détermined & rigorous. Beatlesque. String orchestra playing staccato. | neo-classical music England driving string orchestra | Bb | 120 | |||
|
On the Threshold of Becoming
[CEZ4312 - 23] |
Alt. | 2'22 | Elisabeth Skornik, Guy Skornik | Obstinate & rigorous. Electronics, sampled voice & electric guitar @ | celebs relentless advertising suspended atmosphere | Bb | 120 | |||
|
Stroke by Stroke [CEZ4312 - 5] |
2'28 | Elisabeth Skornik, Guy Skornik | Crystalline, punctuated & obstinate. Staccato strings & vibrato @ | crystalline contemporary history patient mark tree | Cm | 120 | ||||
|
Stroke by Stroke Alternate 1 [CEZ4312 - 24] |
Alt. | 2'27 | Elisabeth Skornik, Guy Skornik | Mechanical & punctuated. Electronics, percussion @ 1'04 & strings @ | punctuated crystalline unclassifiable industry | C | 120 | |||
|
Stroke by Stroke Alternate 2 [CEZ4312 - 25] |
Alt. | 2'28 | Elisabeth Skornik, Guy Skornik | Mechanical, mysterious & rigorous. Electronics. Build up gradually. | mechanical contemporary history relentless building | C | 120 | |||
|
Stroke by Stroke Alternate 3 [CEZ4312 - 26] |
Alt. | 2'26 | Elisabeth Skornik, Guy Skornik | Cyclic, regular & urgent. Electronics | cyclic social drama falling docu fiction | C | 120 | |||
|
Stroke by Stroke Alternate 4 [CEZ4312 - 27] |
Alt. | 2'27 | Elisabeth Skornik, Guy Skornik | Cyclic, crystalline & mysterious. Electronics. | crystalline cyclic contemporary history docu fiction | C | 120 | |||
|
Stroke by Stroke Alternate 5 [CEZ4312 - 28] |
Alt. | 1'06 | Elisabeth Skornik, Guy Skornik | Fast action. Determined, obstinate & serious. String orchestra. Neo | driving contemporary history jerky staccato | Cm | 120 | |||
|
Klondike [CEO2044 - 21] |
0'51 | Gréco Casadesus | Determined, serious & staccato. String orchestra, horn & percussion. | historical narrative disturbing staccato inexorable | Dm | 74 | ||||
|
Klondike Alternate Version 1 [CEO2044 - 54] |
Alt. | 0'50 | Gréco Casadesus | Determined & serious. Staccato string ensemble. | historical narrative jerky staccato relentless | Dm | 74 | |||
|
Unchained [CEZ4114 - 2] |
1'46 | Baptiste Thiry | Epic rock. Powerful & uplifting. Orchestra, choir @ 0'56, electric | action movie adventure powerful & imposing team sport | Dbm | 144 | ||||
|
Unchained 2 [CEZ4114 - 13] |
Alt. | 1'45 | Baptiste Thiry | Epic rock. Powerful & uplifting. Orchestra, electric guitar & rhythm. | fiery powerful & imposing relentless building | Dbm | 144 | |||
|
Cul-De-Sac [CEZ4092 - 27] |
2'16 | Hoosky | Mysterious & uneasy. Steady beat with hand-claps & deep synth bass | abstract hip-hop investigation sport drama urban landscape | C | 88 | ||||
|
Cul-De-Sac (Voice Edit) [CEZ4092 - 38] |
Alt. | 2'20 | Hoosky | Dark & haunting. Outro. Synth, samples, pitched voices & rhythm. | abyss muffled hypnotic relentless | C | 88 | |||
|
Reaction Time [CEZ4702 - 3] |
2'04 | Louis Edlinger | Electronica bed. Suspended, interrogative & patient. Synth & rhythm. | patient teaching cyclic beds | Dm | 110 | ||||
|
Reaction Time Alternate 1 [CEZ4702 - 25] |
Alt. | 2'04 | Louis Edlinger | Alternate underscore. | Dm | 147 | ||||
|
Reaction Time Alternate 2 [CEZ4702 - 26] |
Alt. | 2'04 | Louis Edlinger | Alternate version. | Dm | 110 | ||||
|
Reaction Time Edit 60 sec [CEZ4702 - 27] |
Alt. | 1'00 | Louis Edlinger | 60 second cut. | Dm | 110 | ||||
|
Reaction Time Edit 30 sec [CEZ4702 - 28] |
Alt. | 0'30 | Louis Edlinger | 30 second cut. | Dm | 110 | ||||
|
Reaction Time Edit 20 sec [CEZ4702 - 29] |
Alt. | 0'20 | Louis Edlinger | 20 second cut. | Dm | 110 | ||||
|
Reaction Time Edit Sting [CEZ4702 - 30] |
Alt. | 0'10 | Louis Edlinger | Sting. | Dm | 110 | ||||
|
Yes or No [CEZ4702 - 6] |
2'03 | Louis Edlinger | Electronica bed. Bouncy, curious & jerky. Synth & rhythm. Ideal for | beds interrogative teaching strict | Bb | 115 | ||||
|
Yes or No Alternate 1 [CEZ4702 - 43] |
Alt. | 2'03 | Louis Edlinger | Alternate version. | Bb | 115 | ||||
|
Yes or No Alternate 2 [CEZ4702 - 44] |
Alt. | 2'03 | Louis Edlinger | Alternate version. | Bb | 115 | ||||
|
Yes or No Edit 60 sec [CEZ4702 - 45] |
Alt. | 1'00 | Louis Edlinger | 60 second cut. | Bb | 115 | ||||
|
Yes or No Edit 30 sec [CEZ4702 - 46] |
Alt. | 0'30 | Louis Edlinger | 30 second cut. | Bb | 115 | ||||
|
Yes or No Edit 20 sec [CEZ4702 - 47] |
Alt. | 0'20 | Louis Edlinger | 20 second cut. | Bb | 115 | ||||
|
Yes or No Edit Sting [CEZ4702 - 48] |
Alt. | 0'09 | Louis Edlinger | Sting. | Bb | 117 | ||||
|
Pulse Reaction [AUD053 - 5] |
2'10 | Frederic Sicart | French Touch. Pulsating, groovy & hypnotic. Brass, guitar, drum | cyclic lively French touch fashion | Cm | 115 | ||||
|
Pulse Reaction (Short Edit) [AUD053 - 10] |
Alt. | 0'26 | Frederic Sicart | Short edit version | cyclic lively French touch fashion | Cm | 115 | |||
|
Pulse Reaction (No Theme) [AUD053 - 15] |
Alt. | 2'10 | Frederic Sicart | Underscore version | cyclic lively French touch fashion | Cm | 115 | |||
|
Orchestral Pieces No10 [AUD052 - 5] |
2'03 | Bruno Letort | Avant-garde classical. Edgy, adventurous & tense. String orchestra & | suspense historical conflict disturbing atonal music | G | 60 | ||||
|
Orchestral Pieces No10 (Short
[AUD052 - 10] |
Alt. | 0'36 | Bruno Letort | Short edit version | post-classical suspense historical conflict disturbing | G | 105 | |||
|
The Snooper [CEG5061 - 11] |
2'12 | Thomas Didier | Cinematic. Haunting, ticking & mysterious. Break @ 0'58. Piano, clock | cinematic interrogative politics cyclic | Am | 100 | ||||
|
The Snooper Alternate 1 [CEG5061 - 32] |
Alt. | 2'13 | Thomas Didier | Version without percussion | cinematic interrogative politics cyclic | Am | 100 | |||
|
The Snooper Alternate 2 [CEG5061 - 33] |
Alt. | 2'13 | Thomas Didier | Underscore version | cinematic interrogative politics cyclic | Am | 100 | |||
|
We Came to Win [CEZ4676 - 3] |
2'24 | Lionel Fabert | Orchestral swagger hip-hop, stadium hip-hop. Powerful, cocky & Lyrics | hip-hop trailer team sport powerful & imposing trap (music) | Gm | 92 | ||||
|
We Came to Win Instrumental [CEZ4676 - 19] |
Alt. | 2'24 | Lionel Fabert | Alternate instrumental. | hip-hop trailer team sport powerful & imposing trap (music) | Gm | 92 | |||
|
We Came to Win Edit 60 sec [CEZ4676 - 20] |
Alt. | 1'00 | Lionel Fabert | 60 second cut. | hip-hop trailer team sport powerful & imposing trap (music) | Gm | 92 | |||
|
We Came to Win Edit 30 sec [CEZ4676 - 21] |
Alt. | 0'30 | Lionel Fabert | 30 second cut. | hip-hop trailer team sport powerful & imposing trap (music) | Gm | 92 | |||
|
We Came to Win Edit 20 sec [CEZ4676 - 22] |
Alt. | 0'20 | Lionel Fabert | 20 second cut. | hip-hop trailer team sport powerful & imposing trap (music) | Gm | 93 | |||
|
We Came to Win Edit Sting [CEZ4676 - 23] |
Alt. | 0'12 | Lionel Fabert | Sting. | hip-hop trailer team sport powerful & imposing trap (music) | Gm | 93 | |||
|
Win the Game [CEZ4676 - 6] |
2'35 | Lionel Fabert, Kenddy Marie-Emilie | Orchestral swagger hip-hop, stadium hip-hop. Percussive, strong & Lyrics | hip-hop trailer extreme & fighting sport attitude action movie | Gbm | 150 | ||||
|
Win the Game Instrumental [CEZ4676 - 34] |
Alt. | 2'35 | Lionel Fabert, Kenddy Marie-Emilie | Alternate instrumental. | hip-hop trailer extreme & fighting sport attitude action movie | Gbm | 151 | |||
|
Win the Game Edit 60 sec [CEZ4676 - 35] |
Alt. | 0'30 | Lionel Fabert, Kenddy Marie-Emilie | 60 second cut. | hip-hop trailer extreme & fighting sport attitude action movie | Gbm | 151 | |||
|
Win the Game Edit 30 sec [CEZ4676 - 36] |
Alt. | 1'00 | Lionel Fabert, Kenddy Marie-Emilie | 30 second cut. | hip-hop trailer extreme & fighting sport attitude action movie | Gbm | 151 | |||
|
Win the Game Edit 20 sec [CEZ4676 - 37] |
Alt. | 0'20 | Lionel Fabert, Kenddy Marie-Emilie | 20 second cut. | hip-hop trailer extreme & fighting sport attitude action movie | Gbm | 149 | |||
|
Win the Game Edit Sting [CEZ4676 - 38] |
Alt. | 0'15 | Lionel Fabert, Kenddy Marie-Emilie | Sting. | hip-hop trailer extreme & fighting sport attitude action movie | Gbm | 96 | |||
|
BEAST BEAT [CEM3026 - 3] |
1'50 | Léo Natale | Phonk trap. Medium. Massive, proud & arrogant. Sampled & pitched male | aggressive & violent powerful & imposing heavy masculine | Am | 148 | ||||
|
BEAST BEAT Alternate 1 [CEM3026 - 31] |
Alt. | 1'50 | Léo Natale | Instrumental version | heavy masculine phonk mechanical sport | Am | 148 | |||
|
BEAST BEAT Alternate 2 [CEM3026 - 32] |
Alt. | 2'08 | Léo Natale | Slowed version | heavy masculine phonk mechanical sport | Gbm | 128 | |||
|
BEAST BEAT Alternate 3 [CEM3026 - 33] |
Alt. | 2'08 | Léo Natale | Instrumental slowed version | heavy masculine phonk mechanical sport | Gm | 127 | |||
|
BEAST BEAT Edit 1 (60 sec) [CEM3026 - 34] |
Alt. | 1'00 | Léo Natale | 60 second cut | heavy masculine phonk mechanical sport | Am | 148 | |||
|
BEAST BEAT Edit 2 (30 sec) [CEM3026 - 35] |
Alt. | 0'30 | Léo Natale | 30 second cut | heavy masculine phonk mechanical sport | Am | 99 | |||
|
BEAST BEAT Edit 3 (20 sec) [CEM3026 - 36] |
Alt. | 0'20 | Léo Natale | 20 second cut | heavy masculine phonk mechanical sport | Am | 99 | |||
|
BEAST BEAT Edit 4 (sting) [CEM3026 - 37] |
Alt. | 0'08 | Léo Natale | Sting | heavy masculine phonk mechanical sport | Am | 148 | |||
|
BEAST BEAT Edit 5 (60 sec
[CEM3026 - 38] |
Alt. | 1'00 | Léo Natale | 60 second slowed cut | heavy masculine phonk mechanical sport | Gbm | 127 | |||
|
BEAST BEAT Edit 6 (30 sec
[CEM3026 - 39] |
Alt. | 0'30 | Léo Natale | 30 second slowed cut | heavy masculine phonk mechanical sport | Gbm | 128 | |||
|
BEAST BEAT Edit 7 (20 sec
[CEM3026 - 40] |
Alt. | 0'20 | Léo Natale | 20 second slowed cut | heavy masculine phonk mechanical sport | Ebm | 99 | |||
|
BEAST BEAT Edit 8 (sting
[CEM3026 - 41] |
Alt. | 0'09 | Léo Natale | Slowed sting | heavy masculine phonk mechanical sport | Ebm | 97 |