| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
ARP [UBM2557 - 2] |
0 | 1'11 | Andreas Schulz | Ghostly, noisy piano with a melody that promises slight hope. The | sparse acoustic piano original score destiny | Am | 136 | |||
|
Blue Film [UBM2557 - 5] |
0 | 1'23 | Andreas Schulz | The noisy beginning develops into a comparatively lively piano motif. | anticipation mysterious soundscape suspense | F | 88 | |||
|
Beloved Brethren [UBM2548 - 5] |
0 | 2'28 | Achim Zweschper | Public Day at the morgue. Eerie synth choirs with a tribal beat. | synth choir cyclic funereal adventure game | G | 86 | |||
|
Ubik [UBM2548 - 15] |
0 | 1'52 | Achim Zweschper | Swarms of mechanical insects pollinate the fields of the newly | mysterious sci-fi cyclic electro ambient | C | 127 | |||
|
Substance-D [UBM2548 - 17] |
0 | 1'47 | Achim Zweschper | Endless production lines are the motor of our economy. Busy, | cybernetics electro ambient insidious steady | Em | 86 | |||
|
Martian Sunset [UBM2548 - 18] |
0 | 2'19 | Achim Zweschper | The sunset glows red on the horizon of the cratered desert. Another | insidious sci-fi analog synth original score | D | 86 | |||
|
Urbanisation [UBM2301 - 2] |
0 | 4'02 | Michael Hornek | Starting with an ambient atmosphere, the track slowly builds into a | action movie retrogaming time-lapse drum & bass | Cm | 137 | |||
|
Altitude [UBM2301 - 3] |
0 | 2'06 | David Mate | Airy, neutral, light. A nice easy going backdrop. | atmospheric architecture & design confident time-lapse | Am | 126 | |||
|
Mono Twice [UBM2301 - 5] |
0 | 3'03 | David Mate | Heartbeat and gloomy synths. Starts as a mysterious, enigmatic track | urban landscape synth bass action movie heavy | Cm | 156 | |||
|
Neutrinos [UBM2301 - 14] |
0 | 4'53 | David Mate | A brisk beginning, then the trippy beat sets in. Atmospheric, warm, | beat making synthesizer time-lapse electronic percussion | D | 88 | |||
|
Radiation [UBM2301 - 15] |
0 | 4'46 | David Mate | Cryptic, distant, mesmerizing, hypnotizing. With an inquisitive, | synthesizer time-lapse IDM electronic percussion | Gm | 88 | |||
|
Plasma [UBM2301 - 17] |
0 | 3'08 | David Mate | Intriguing, mysterious atmospheric. Warm synthesizer pads with a | synthesizer time-lapse atmospheric downtempo | Dbm | 121 | |||
|
Urban Style [UBM2301 - 21] |
0 | 3'02 | Michael Hornek | A light drum and bass filled composition for a nightly fly over the | percussive arty intermittent architecture & design | G | 152 | |||
|
Flying Romance [UBM2301 - 22] |
0 | 3'53 | David Mate | Vocal bits, punchy beat and floating synthesizers. Ambient drum and | drum & bass urban landscape electronic percussion urban | Dm | 87 | |||
|
Deluxe [UBM2301 - 24] |
0 | 2'43 | David Mate | Fast tempo, between jungle and drum and bass with acoustic guitar | time-lapse steady industry mysterious | Fm | 172 | |||
|
On the Shores of Despair [CEZ4641 - 8] |
3'23 | Rémo | Ambient electro, dark ambient. Sinister, distressing & hypnotic. | sinister electro ambient wandering disturbing | Ebm | 117 | ||||
|
On the Shores of Despair
[CEZ4641 - 16] |
Alt. | 3'05 | Rémo | Alternate ambient. | sinister electro ambient wandering disturbing | Ebm | 77 | |||
|
Soft Pillow [UBM2521 - 9] |
0 | 4'02 | Hans Guenter Wagener | Not just for small children: adults can also meditate and find inner | lullaby crystalline peaceful delicate | Db | 96 | |||
|
Empty Corridors [UBM2567 - 7] |
0 | 2'02 | Andreas Schulz | Flowing, unobtrusive score for cinematic dramas and documentaries | investigation original score independent cinema steady | Gb | 123 | |||
|
The Party Spoiler [CEC8057 - 10] |
1'45 | Bo Tian | Humorous suspense/on tiptoes. Questioning, quirky & mysterious. | dramedy interrogative ironical & mischievous swaying | Am | 132 | ||||
|
The Party Spoiler Alternate [CEC8057 - 20] |
Alt. | 1'45 | Bo Tian | Version without percussion | dramedy interrogative ironical & mischievous swaying | Am | 132 | |||
|
Data Intrusion Detected [CEC8056 - 3] |
3'27 | Pei Zhao, Haojie Zheng | Electronic score. Synthetic, pulsating & technological. Intro with | cybernetics sound design insidious investigation | A | 120 | ||||
|
Data Intrusion Detected Edit
[CEC8056 - 19] |
Alt. | 1'00 | Pei Zhao, Haojie Zheng | 60 second cut | cybernetics sound design insidious investigation | A | 120 | |||
|
Data Intrusion Detected Edit
[CEC8056 - 20] |
Alt. | 0'30 | Pei Zhao, Haojie Zheng | 30 second cut | cybernetics sound design insidious investigation | A | 120 | |||
|
Data Intrusion Detected Edit
[CEC8056 - 21] |
Alt. | 0'15 | Pei Zhao, Haojie Zheng | 15 second cut | cybernetics sound design insidious investigation | A | 120 |