| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Shades of Investigation [UBM2274 - 2] |
0 | 2'03 | Sebastian Parche | The investigations are going on. Ideal for crime and thriller. | suspended atmosphere wandering science atmospheric | Fm | 134 | |||
|
Cartel [UBM2274 - 5] |
0 | 2'07 | Felix Halbe | Strictly tapped track which can be looped into sequences, ticking | time (tick-tock) suspended atmosphere crime movie relentless | Gm | 90 | |||
|
Rush Hour [UBM2274 - 12] |
0 | 2'07 | Sebastian Parche | Stop and go are also heard in this track, as is the switch of traffic | time (tick-tock) interrogative cyclic crime movie | Fm | 89 | |||
|
Time Perception [UBM2274 - 13] |
0 | 3'20 | Felix Halbe | Tick tack, time is tight. The tension rises like the tempo in this | fx tick-tock time (tick-tock) suspense spy | Em | 105 | |||
|
Search [UBM2274 - 14] |
0 | 2'15 | Felix Halbe | Warm piano and dangerous sounding synths create a dramatic tension | time (tick-tock) interrogative disturbing investigation | Em | 107 | |||
|
Spycam [UBM2274 - 15] |
0 | 2'17 | Felix Halbe | The danger is imminent. Ideal for exciting thrillers and images of | time (tick-tock) spy suspended atmosphere disturbing | Bm | 120 | |||
|
Wait Tense [UBM2274 - 17] |
0 | 1'49 | Felix Halbe | The calm before the storm is audible. The tension increases. | time (tick-tock) suspended atmosphere crime movie interrogative | G | 90 | |||
|
Step Counter [UBM2274 - 20] |
0 | 1'53 | Sebastian Parche | Exciting, creepy track, ideal for scenes of technical progress, | suspense anticipation crime movie relentless | B | 130 | |||
|
Towards Nightfall [CEZ4342 - 12] |
0 | 2'16 | Bruno Alexiu | Inexorable, tragic, thoughful. Symphony orchestra. | melancholic poignant romantic destiny | Am | 63 | |||
|
Adagio pour clarinettes part 2 [CEO2066 - 7] |
0 | 3'16 | François Elie-Roulin | Adagio for bass-clarinet & strings. Sentimental, introspective & | natural disaster moving original score destiny | F | 63 | |||
|
Duluth [CEZ4327 - 7] |
2'05 | Barthélémy Corbelet | Melancholic, drifting but inexorable. Acoustic guitar, rhythm @ 0'44 | wandering geopolitics investigation melancholic | Dm | 97 | ||||
|
Duluth rhythm part [CEZ4327 - 18] |
Alt. | 1'21 | Barthélémy Corbelet | Sad, drifting & inexorable. Rhythm with piano & organ. | wandering suspended atmosphere crime movie geopolitics | Dm | 97 | |||
|
Duluth Alternate 2 [CEZ4327 - 19] |
Alt. | 2'05 | Barthélémy Corbelet | Moody, drifting & lonely. Acoustic guitar, piano @ 0'44 & organ. | geopolitics desolate investigation atmospheric | Dm | 97 | |||
|
Duluth Alternate 3 [CEZ4327 - 20] |
Alt. | 2'06 | Barthélémy Corbelet | Moody, drifting & lonely. Acoustic guitar & drums @ 0'44. | desolate social drama anticipation suspended atmosphere | Dm | 145 | |||
|
Fugitive [CEZ4327 - 11] |
0 | 1'43 | Barthélémy Corbelet | Urgent, sporadic, staccato & changing. String orchestra. | historical narrative suspense film noir insidious | Eb | 126 | |||
|
Surrounded on all Sides [CEO2064 - 16] |
0 | 2'13 | Elisabeth Skornik, Guy Skornik | Questioning, insistent & narrative. Electronics, staccato strings & | crime movie disturbing suspense investigation | D | 140 | |||
|
Descent into Hell [CEO2064 - 17] |
0 | 2'05 | Elisabeth Skornik, Guy Skornik | Narrative, dark, constant & descending. Staccato strings, tom tom & | inexorable suspense falling disturbing | Cm | 60 | |||
|
The Mollahs are Here [CEG5003 - 13] |
0 | 2'46 | Abaji | Frightening & insidious. Santur, cymbals, cello, kemencheh, daf, | suspended atmosphere geopolitics Non Arab Middle East lost civilizations | Fm | 101 | |||
|
Distant Rumbling [CEG5003 - 14] |
0 | 3'02 | Abaji | Threatening & dark. Saz, cello & percussion. | lost civilizations Non Arab Middle East desolate social drama | Eb | 132 | |||
|
Resistance 2 [CEG5003 - 35] |
2'02 | Abaji | Solemn & obstinate. Constant crescendo. Male choir. | lost civilizations Non Arab Middle East punctuated geopolitics | Bb | 60 | ||||
|
Marching for Freedom [CEG5003 - 11] |
Alt. | 2'57 | Abaji | Solemn & obstinate. Constant crescendo. Afghan rubab, male choir, | geopolitics Non Arab Middle East suspense lost civilizations | Bb | 120 | |||
|
The Opium Trade [CEG5002 - 10] |
2'17 | Abaji | China. Geopolitics. TV series. Threatening & desolate. Erhu, strings, | geopolitics investigation mysterious suspended atmosphere | Cm | 90 | ||||
|
The Opium Trade [CEG5002 - 28] |
Alt. | 2'17 | Abaji | Geopolitics. TV series. Threatening & desolate. Strings, percussion, | geopolitics investigation mysterious Asia | Cm | 90 | |||
|
The Lost Temple [CEG5002 - 11] |
0 | 2'54 | Abaji | Chine. Geopolitics. Aftermath. Desolate & panoramic. Dizi flute, | geopolitics investigation lost civilizations desolate | Dm | 111 | |||
|
Mongol Warriors 2 [CEG5002 - 32] |
2'57 | Abaji | Geopolitics. Obstinate & frightening. Drums, bass, cymbals & | geopolitics investigation mystical non occidental ceremony | C | 140 | ||||
|
Mongol Warriors [CEG5002 - 13] |
Alt. | 2'57 | Abaji | China. Tibet. Mongolia. Geopolitics. Obstinate & frightening. Throat | geopolitics relentless chase cavalcade | C | 140 |