| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Aibo [CEZ4069 - 17] |
0 | 2'03 | Daniel Diaz | Punctuated & quirky. Solo percussion with fx | metallic scansion primitive art heavy | Abm | 163 | |||
|
Worm Wheel [CEZ4069 - 23] |
0 | 2'34 | Jean-François Vrod | Circular & weird. Minimalist electro-noise music. | muffled pulsation abyss electro industrial | Bm | 76 | |||
|
Guilty [CEZ4067 - 31] |
0 | 2'20 | Nicolas Mizrachi, Jean-Francois Morin | Dramatic, toxic & oppressive. Electronics & rhythm. | cold nocturnal social drama heavy | B | 103 | |||
|
Family Affair 22 [CEO2002 - 22] |
0 | 0'42 | Arnaud de Buchy | Trouble & danger. | scary high-pitched paranormal strident | Dm | 105 | |||
|
Family Affair 23 [CEO2002 - 23] |
0 | 0'27 | Arnaud de Buchy | Eminent danger. | scary paranormal strident disturbing | Am | 99 | |||
|
Family Affair 30 [CEO2002 - 30] |
0 | 0'55 | Arnaud de Buchy | Suspense. Step by step in the dark. | suspense insidious falling symphony orchestra | Gm | 86 | |||
|
Terre Brûlée [CEV3002 - 29] |
0 | 2'06 | Marc-Olivier Dupin | Oppressive & tormented. Cello & col legno strings. | cello ensemble sinister col legno scary | D | 114 | |||
|
The Hours [CEZ4062 - 33] |
0 | 2'44 | Alice Guerlot Kourouklis | Clock movement. Repetitive, crystalline & sad. Glockenspiel, keyboard | time (tick-tock) patient steady crystalline | Am | 77 | |||
|
Soul of the Underground [CEZ4059 - 15] |
0 | 2'48 | Romuald Tual | Resonant & unworldly. Dark & mysterious pads with simple digital | disturbing underground 2000 atmospheric | Ab | 162 | |||
|
Innuendo [CEZ4056 - 32] |
0 | 1'40 | Nicolas Mizrachi, Jean-Francois Morin | Creeping & unpleasant. Slow strings & reverse guitar with subtle loop. | investigation social drama sinister anticipation | Gbm | 95 | |||
|
Inanga [CEZ4019 - 27] |
0 | 1'10 | Jean-Jacques Birgé | Sampled sounds. | chaotic unclassifiable wild intermittent | Bm | 129 | |||
|
Un Temps pour Tout [CEZ4021 - 20] |
0 | 1'16 | Bernard Parmegiani | Voices. Keybords & violin. | electroacoustic music quirky sequencing contemporary art | Abm | 62 | |||
|
Wild-Eyed [CEZ4015 - 6] |
0 | 1'12 | Gilles Racot | Violent, cahotic & psychotic. Symphony orchestra. | complex chaotic tormented symphony orchestra | Gbm | 104 | |||
|
Urban Guerilla [CEZ4051 - 16] |
0 | 3'02 | Bruno Alexiu | Alert & wary. Modern percussive fx with distant held drone. | drone unstable jerky wild | Dbm | 96 | |||
|
Dada [CEZ4047 - 20] |
0 | 0'53 | Didier Goret | Burlesque, absurd & eccentric. Clarinets, violin, piano & bass drum. | animation & cartoons abstract art clumsy German realism | Bb | 92 | |||
|
Circus of War [CEZ4043 - 22] |
0 | 1'32 | Piotr Moss | Marching. Absurd & irreverent. Sax, viola & drums. | scansion historical conflict disturbing contemporary serious music (all) | Dm | 117 | |||
|
Dark Delusion [CEZ4041 - 37] |
0 | 1'38 | Bruno Letort | Uneasy & worrying. Loss of asnity. Filmic strings with Fx. | cold disturbing paranormal vibrating | F | 70 | |||
|
Phone Tapping [CEZ4040 - 20] |
0 | 1'38 | Elisabeth Skornik, Guy Skornik | Layered voices and scanner FX over synth drone. | spy fx radio fx phone mysterious | C | 127 | |||
|
Microclues [CEZ4040 - 31] |
0 | 1'44 | Elisabeth Skornik, Guy Skornik | Scientific. Swirling synths with breathy woodwind. | spy disturbing investigation atmospheric | Fm | 108 | |||
|
The Last Sanctuary [ISC117 - 10] |
2'35 | Caleb Swift | Hybrid Dystopian Trailer. Sparse & frightening with distressing synth | scary horror sci-fi anticipation | Em | 120 | ||||
|
The Last Sanctuary Alternate [ISC117 - 25] |
Alt. | 2'35 | Caleb Swift | Version without percussion. | scary horror sci-fi anticipation | E | 90 |