| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Negative 17 [UBM2137 - 17] |
0 | 1'37 | Bernhard Hering, Matthias Krüger-Wendel, Martin Wester | Grim bolero, cumulative. | military music adventure historical conflict scary | Dm | 61 | |||
|
Negative 21 [UBM2137 - 21] |
0 | 1'38 | Bernhard Hering, Matthias Krüger-Wendel, Martin Wester | Dark, slow orchestral pulse, kettle drums. | historical conflict historical narrative spy disturbing | Fm | 66 | |||
|
Dark Water [UBM2157 - 4] |
0 | 3'57 | Anselm Kreuzer | Eerie, shocking, floating, panoramic. | suspended atmosphere disturbing mysterious sequencing | Cm | 60 | |||
|
Dynamic 03 [UBM2114 - 3] |
0 | 2'11 | Bernhard Hering, Matthias Krüger-Wendel, Martin Wester | More dynamic version of Dynamic 02, driving spiccate, accents. | historical conflict breaking news spy disturbing | Cm | 127 | |||
|
Night Trap [CEV3021 - 36] |
0 | 2'05 | Silvano Michelino | Menacing & suspended, heavy & accentuated @ 0'56. Percussion & | prehistory lost civilizations scary disturbing | Dm | 143 | |||
|
In the National Interest [CEZ4082 - 3] |
0 | 2'45 | Guillaume Feyler | Repetitive, grave & tense. Break @ 0'59 & theme @ 1'05. Cello | cello ensemble inexorable disturbing neo-classical music | Cm | 110 | |||
|
Courage [CEZ4083 - 6] |
0 | 1'27 | Bruno Riou-Maillard | March. Military & ghostly. Snare drum. | snare historical movie insidious walking | Dm | 110 | |||
|
Ruins [CEZ4083 - 31] |
0 | 2'12 | Marc-Olivier Dupin | Black & sinister. Piano solo. | scary contemporary serious music (all) funereal historical narrative | Cm | 111 | |||
|
Ennemies [CEV3016 - 18] |
0 | 0'49 | Imade Saputra | A capella men's voices ensemble. Bahasa Dani language. Dani tribe in | Papua New Guinea ethnic & traditional (all) Indonesia a cappella | Dm | 120 | |||
|
Corporate Decision [CEZ4074 - 2] |
0 | 1'43 | Elisabeth Skornik, Guy Skornik | Sudden, busy & urgent. Break @ 1'09 | urgent relentless politics jerky | Dbm | 130 | |||
|
Market Logic [CEZ4074 - 6] |
0 | 1'58 | Elisabeth Skornik, Guy Skornik | Inexorable & serious. Constant progression. Break @ 0'52. | anticipation scansion insidious walking | Em | 70 | |||
|
Robomaid [CEZ4069 - 20] |
0 | 1'43 | Daniel Diaz | Mechanical, robotic & oscillating. Solo percussion with echo & | strict complex fx delay metallic | Gbm | 89 | |||
|
Etude africaine n°3 [CEZ4019 - 6] |
0 | 2'14 | Denis Levaillant | Concert Piano. | chaotic complex fiery disturbing | Ebm | 101 | |||
|
Backstreet Stomp [CEZ4042 - 3] |
0 | 2'15 | Silvano Michelino | Unison street stomp. Urban. Metal cans as percussion. | can (instrument) metallic rhythmic wild | Gbm | 110 | |||
|
Inside the Hitman's Mind [CEC8064 - 7] |
0 | 2'45 | Zhang Hao, Qingfeng Mu | Waiting, insidious, intriguing & strategic. Oud, piano, percussion & | crime movie relentless historical movie disturbing | Am | 120 | |||
|
Trails of the Unknown [EOS108 - 3] |
0 | 2'20 | Pierre Bats | Determined, punctuated & epic. Staccato strings, bouzouki, mandolin & | scansion independent cinema destiny driving | D | 81 | |||
|
Agressive Bend SFX 4 From A
[CSDL1007 - 25] |
0 | 0'56 | Salvador Casais, Thomas Dubreuil | Sound Design element. Sudden, evolving & imposing distorted synth | aggressive & violent punctuated benders scary | Bm | 139 | |||
|
Agressive Bend SFX 5 From A
[CSDL1007 - 33] |
0 | 0'42 | Salvador Casais, Thomas Dubreuil | Sound Design element. Pitched down & distorted agressive bends with | aggressive & violent punctuated benders epic | Abm | 114 | |||
|
Agressive Bend SFX 6 From A
[CSDL1007 - 41] |
0 | 0'56 | Salvador Casais, Thomas Dubreuil | Sound Design element. Pitched down bramms/bends synth with long | aggressive & violent punctuated benders scary | Gm | 104 | |||
|
Agressive Bend SFX 7 From A
[CSDL1007 - 49] |
0 | 0'56 | Salvador Casais, Thomas Dubreuil | Sound Design element. Pitched up & down alarming bends/braams with | aggressive & violent benders scary horror | Am | 82 |