| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Fiction [UBM2249 - 19] |
0 | 1'24 | Elias Cadre | Dark underscore, gloomy, threatening, scary and apocalyptic track for | sci-fi science complex rumbling | A | 61 | |||
|
March for Justice [UBM2249 - 20] |
0 | 2'17 | Elias Cadre | Technical, slow threatening sound, loopable, reduced, subtle with | complex dramedy synthesizer sound design | Fm | 60 | |||
|
Original Footage [UBM2258 - 10] |
0 | 1'40 | Felix Halbe | This threatful track starts with electronic sounds. The hunted is in | abyss cold disturbing complex | F | 132 | |||
|
Uncoiling Springs [CEZ4243 - 32] |
0 | 0'45 | Piotr Moss | Abstract & noisy. Dissonance fx on harp strings. | complex dissonant scary grating | Am | 82 | |||
|
Abstract Art [CEZ4243 - 34] |
0 | 2'05 | Piotr Moss | Bizarre & dissonant. Solo harp & fx. | contemporary art complex scary harp | Eb | 88 | |||
|
Wood Resonance [CEZ4243 - 35] |
0 | 1'56 | Piotr Moss | Weird & dissonant. Percussion & echo fx on harp. | fx wood complex natural disaster scary | Am | 98 | |||
|
Alaska - Yukon [UBM2246 - 10] |
0 | 1'50 | Karsten Lipp, Andre Matov | Echoing lone guitar notes create an atmosphere of loneliness, | desolate suspended atmosphere sci-fi atmospheric | Em | 108 | |||
|
Alaska - Fairbanks [UBM2246 - 13] |
0 | 2'00 | Karsten Lipp, Andre Matov | Reverse electric guitar and lone flageolet notes for images of the | calm dreamy sci-fi delicate | Em | 114 | |||
|
Crumbling Societies [UBM2244 - 8] |
0 | 2'09 | Tony Delmonte, Anselm Kreuzer | Constant & mysterious. Underscore. Clarinet, piano, choir synth & | interrogative complex mysterious steady | Am | 80 | |||
|
Cymbalism [CEZ4226 - 29] |
0 | 1'45 | Simon Goubert | Metallic & mysterious. Cymbals. | solo complex cymbal contemporary art | Em | 164 | |||
|
Alpha Centauri [CEZ4222 - 14] |
0 | 3'48 | Michel Redolfi | Dark, constant & worrying. Low electronic drone. | underground synth pad abyss cosmic music | G | 111 | |||
|
Galactica [CEZ4221 - 1] |
0 | 4'07 | Michel Redolfi | Mysterious & abyssal. Cluster of voices. Cosmic music. | space sci-fi atmospheric mixed choir | Gm | 65 | |||
|
Solar Orbiter [CEZ4221 - 7] |
0 | 4'44 | Michel Redolfi | Calm but with a mystery touch. Outer space. Electronics. Arpeggiator | space abyss calm science | Dm | 123 | |||
|
Interstellar Highway [CEZ4221 - 11] |
0 | 4'19 | Michel Redolfi | Bizarre, abstract & mysterious. Space voices & sound design. | space cosmic music complex fx voice | Am | 77 | |||
|
The Forest Trap [CEZ4186 - 14] |
0 | 2'34 | Frédéric Dunis, Bernard Grimaldi | Threatening, wild & mysterious. Ethnic flute, percussion & high | disturbing wild adventure complex | E | 68 | |||
|
Der Sturm [CEO2026 - 27] |
0 | 1'10 | Gréco Casadesus | Drone. Dark & tumultuous progression. Symphony orchestra & | cluster toxic scary sinister | Em | 68 | |||
|
Night Flak [CEO2021 - 12] |
0 | 1'47 | Bruno Alexiu | Frightening & grave. Faraway explosions. Electronics. | abyss drone soundscape underground | Abm | 114 | |||
|
Get it Up [MAG6001 - 17] |
0 | 1'54 | Chomsk' | Electro funk. Convulsive & dislocated. Female sampled voice, | unstable jerky beat making gimmick | Bbm | 100 | |||
|
A Step Forward 2 [CEZ4151 - 18] |
2'38 | Elisabeth Skornik, Guy Skornik | Bizarre & répétitive. Sampled guitar & string orchestra. Builds up | arts & crafts relentless complex unclassifiable | G | 112 | ||||
|
A Step Forward [CEZ4151 - 2] |
Alt. | 2'21 | Elisabeth Skornik, Guy Skornik | Confident & emotional. Piano & string orchestra. Builds up gradually. | corporate (all) arpeggio confident uplifting | G | 112 | |||
|
Ancient Threat [CEZ4148 - 19] |
0 | 3'19 | Olivier Innocenti | Dark, tense & undulating. Accordion & electronics. | complex desolate fantasy disturbing | C | 65 |