| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
The Angel of the Odd [CEZ4444 - 6] |
0 | 2'50 | Bruno Letort | Ancient, spectral & strange. Obsessive loop @ 1'14. Flutes ensemble & | weird mysterious insidious abstract art | Abm | 85 | |||
|
The Unfathomable [CEZ4444 - 10] |
0 | 3'28 | Bruno Letort | Suspended and disorientating. Improvised piano evolving to a dark & | weird disturbing acoustic piano arts | Em | 100 | |||
|
Cadavre Exquis [MAG6042 - 2] |
0 | 2'48 | Bernard Parmegiani | Mysterious, interrogative & suspended. Electric keyboard & constant | electroacoustic music mysterious atmospheric complex | Db | 65 | |||
|
Der Wiener Secession. [CEZ4386 - 15] |
0 | 2'45 | Piotr Moss | Interrogative, narrative & disturbing. Piano, small instrumental | mysterious suspended atmosphere suspense contemporary art | Fm | 77 | |||
|
Élucubrations Jazz [CCB1038 - 18] |
0 | 2'13 | Richard Galliano | French jazz improvisation. Bizarre & unstable. Solo accordion. | chromatic accordion complex contemporary jazz fiery | Gm | 105 | |||
|
Whistling Crystal [CEG5004 - 15] |
0 | 1'21 | Shyamal Maitra, Didier Malherbe | Metallic, serene & mystical. Cristal Baschet & bansuri flute. | complex world music bansuri geopolitics | Cm | 126 | |||
|
Ticking Threat [UBM2266 - 3] |
0 | 2'16 | Achim Zweschper | Dreary, slow, dark, increasing threat. Turkish vocals, oud. | complex toxic beds fx delay | E | 117 | |||
|
Sept Prières pour un Canard
[CEZ4020 - 9] |
0 | 1'37 | Quintette Nielsen | Abstract & unstable. Wind quintet. | complex contemporary serious music (all) crescendo Twentieth century music | Bm | 90 | |||
|
Sept Prières pour un Canard
[CEZ4020 - 10] |
0 | 1'33 | Quintette Nielsen | Worrying, unstable & growling. Wind quintet. | complex contemporary serious music (all) Twentieth century music dissonant | E | 76 | |||
|
Easy / Uneasy # 1 [CEZ4020 - 11] |
0 | 3'20 | Denis Levaillant | Abstract & unusual. Bass clarinet solo. | complex dissonant unclassifiable contemporary serious music (all) | B | 76 | |||
|
Attractions - 2nd movement [CEZ4020 - 14] |
0 | 4'10 | Quatuor Xasax | Abstract, unusual & changing. Saxophone quartet. | complex contemporary serious music (all) abstract art contemporary art | Abm | 90 | |||
|
Mounting Tension [CEZ4112 - 8] |
0 | 2'16 | Piotr Moss | Insidious & psychotic. Constant progression. Ensemble with flute, | complex unclassifiable Twentieth century music abstract art | Em | 109 | |||
|
Time Lag [CEZ4087 - 19] |
0 | 1'54 | Two Colors | Miserable & indecisive. Prepared piano & Lasry-Bachet sructures. | contemporary art complex contemporary serious music (all) calm | Bb | 115 | |||
|
The End of the Tunnel [CEZ4074 - 34] |
0 | 2'02 | Elisabeth Skornik, Guy Skornik | Part 1 tuning & crescendo Orchestra. Part 2 @ 0'57 determined | fx orchestra tuning up complex disturbing rising | Gm | 128 | |||
|
The Industrial Era [CEZ4069 - 24] |
0 | 2'24 | Jean-François Vrod | Constant & linear. Minimalist electro-noise music. | complex steady industry mechanical | E | 103 | |||
|
Astral [CEZ4015 - 30] |
0 | 1'42 | Jean-Claude Risset | Surreal & oniric. Bells & electro-acoustic. | contemporary art complex metallic high-pitched | Bbm | 96 | |||
|
Unexpressed [CEZ4015 - 38] |
0 | 1'54 | Pascal Contet, Joëlle Léandre | Unusual & sparse. Double-bass, voice & accordion @ 1'10. | complex contemporary art psychotic tormented | D | 93 | |||
|
Leonardo's Dream [CEZ4052 - 20] |
0 | 2'16 | Jean-François Vrod | Calculation. Low mechanical noise with spinning sound design. | pulsation complex drone luminous | Gbm | 98 | |||
|
Wooden Structure [CEZ4047 - 46] |
0 | 1'00 | Piotr Moss | Atmospheric. Layered wooden percussion. | complex primitive art fx delay insects | Abm | 72 | |||
|
Shock Therapy [CEZ4041 - 31] |
0 | 1'29 | Piotr Moss | Harsh & uncomfortable. Ambient. Resonant metallic Fx. | psychotic strident toxic complex | Abm | 65 |