| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Pit Stop [CEZ4155 - 9] |
0 | 3'45 | Morgan Sansous | Fast action. Urgent. Heavy metal. Guitar chorus @ 2'15. Rock band. | hard rock mechanical sport driving powerful & imposing | Gbm | 95 | |||
|
Demonic Torment [CEZ4154 - 3] |
0 | 3'17 | Morgan Sansous | Urgent & virtuoso. Trash/death metal. Rock band. | noisy mechanical sport aggressive & violent chaotic | Bm | 110 | |||
|
Soulbound Crypt [CEZ4154 - 13] |
0 | 4'08 | Morgan Sansous | Loud & imposing. Trash/death metal. Disturbing break @ 0'56 & | death metal action game extreme & fighting sport action movie | Gbm | 140 | |||
|
Parallel World [CEZ4154 - 16] |
0 | 3'52 | Morgan Sansous | Solid & anthemic rock. Trash/death metal. Guitar horus @ 1'28. Rock | noisy epic metal powerful & imposing extreme & fighting sport | Bm | 110 | |||
|
Down in the Maelstrom [CEZ4154 - 17] |
0 | 2'47 | Morgan Sansous | Solid & driving riff. Trash/death metal. Final with chorus chorus & | death metal trash (texture) noisy double bass drum pedal | Gm | 140 | |||
|
Fast Lane [CEZ4162 - 11] |
0 | 2'00 | Mark Alberts | Urgent & fiery. Very fast action. Rock band. | mechanical sport driving electric guitar urgent | Em | 117 | |||
|
Lotus Seven [CEZ4166 - 12] |
0 | 1'38 | Grand David | Uplifting & speed. Retro TV series. Analogic synth, electric guitar & | 1970 daytime TV kitsch & cheesy blooper | A | 120 | |||
|
Nothing is Impossible [CEZ4160 - 1] |
2'54 | Thierry Caroubi | Positive & uplifting. Constant progression. Piano & symphony | sport event corporate video unifying repetitive music | Fm | 120 | ||||
|
Nothing is Impossible 2 [CEZ4160 - 28] |
Alt. | 1'26 | Thierry Caroubi | Positive & uplifting. Constant progression. Solo piano. | repetitive music acoustic piano delicate unifying | Fm | 118 | |||
|
Front Runner [CEZ4160 - 2] |
2'29 | Thierry Caroubi | Positive & cyclic. Constant progression. Clarinets & symphony | cyclic driving confident corporate convention | F | 120 | ||||
|
Front Runner 2 [CEZ4160 - 29] |
Alt. | 1'37 | Thierry Caroubi | Positive & cyclic. Constant progression. Solo piano. | corporate convention driving uplifting acoustic piano | Dm | 120 | |||
|
Achievement Road [CEZ4160 - 11] |
2'51 | Thierry Caroubi | Cyclic & urgent. Constant progression. Celesta, piano & string | industry neo-classical music arts & crafts rising | Bbm | 130 | ||||
|
Achievement Road 2 [CEZ4160 - 25] |
Alt. | 1'23 | Thierry Caroubi | Mysterious & cyclic. Vibraphone, piano & strings. | circus music magical interrogative string orchestra | Bbm | 130 | |||
|
Achievement Road 3 [CEZ4160 - 26] |
Alt. | 2'52 | Thierry Caroubi | Urgent & uplifting. Constant progression. String orchestra. | rising corporate convention destiny driving | Bbm | 130 | |||
|
Men at Work [CEZ4160 - 12] |
0 | 1'51 | Thierry Caroubi | Cyclic & serious. Constant progression. Clarinet, piano, flute & | cyclic unifying corporate video confident | Dm | 115 | |||
|
The Future Is Now [CEZ4160 - 16] |
2'31 | Thierry Caroubi | Uplifting & cyclic. Constant progression. Piano & string orchestra. | uplifting unifying corporate video confident | Am | 125 | ||||
|
The Future is Now 2 [CEZ4160 - 32] |
Alt. | 2'18 | Thierry Caroubi | Uplifting & cyclic. Constant progression. Solo piano. | uplifting unifying corporate video acoustic piano | Dm | 125 | |||
|
From a Train Window [CEZ4161 - 1] |
0 | 2'34 | David Reyes | Urgent & serious. Builds up gradually to climax. Symphony orchestra. | string orchestra crescendo driving staccato | Dbm | 98 | |||
|
The Future Past [CEZ4151 - 7] |
1'47 | Guy Skornik, Elisabeth Skornik | Urgent, mysterious & determined. String orchestra & woodwind | neo-classical music corporate (all) driving string orchestra | Am | 167 | ||||
|
The Future Past 2 [CEZ4151 - 30] |
Alt. | 2'02 | Elisabeth Skornik, Guy Skornik | Urgent & determined. Piano, string orchestra & woodwind enesemble @ | neo-classical music trains repetitive music acoustic piano | Am | 172 | |||
|
The Future Past 3 [CEZ4151 - 31] |
Alt. | 2'01 | Elisabeth Skornik, Guy Skornik | Urgent but melancholic. Solo piano. Forward fx @ 1'18. | steady repetitive music acoustic piano tracking shot | Am | 172 | |||
|
The Future Past 4 [CEZ4151 - 32] |
Alt. | 0'44 | Elisabeth Skornik, Guy Skornik | Urgent. Short version. Intro with reverse fx. String orchestra. | neo-classical music politics strict final | Am | 166 | |||
|
Prelude to Jazz [CEZ4149 - 34] |
0 | 2'03 | Alain Bernard Denis | And if Bach had lived in the jazz age? | piano bar retro cabaret romantic comedy jazz club | Gm | 100 | |||
|
Kalimbass [CCB1018 - 3] |
0 | 5'54 | Renaud Garcia-Fons | Wandering then urgent & obstinate @ 1'23. Double bass duet. | panoramic building crescendo driving | Gm | 79 | |||
|
Marcevol [CCB1018 - 4] |
0 | 6'23 | Renaud Garcia-Fons | Virtuoso & inspired. Solo double bass. | panorama melancholic virtuoso wandering | G | 123 | |||
|
Bajo de Guia [CCB1018 - 5] |
0 | 6'40 | Renaud Garcia-Fons | Nostalgic & dreamy then fiery & proud @ 2'34. Solo double bass. | Spain danceable fiery melancholic | Gm | 144 | |||
|
Voyage à Jeyhounabad [CCB1018 - 6] |
0 | 5'54 | Renaud Garcia-Fons | Wandering & sad then urgent & happy @ 5'00. Solo double bass. | Iran Middle-East & Maghreb crescendo desolate | Gm | 89 | |||
|
Pilgrim [CCB1018 - 9] |
0 | 4'10 | Renaud Garcia-Fons | Solemn & serious, then danceable & happy. Solo double bass. | changing solemn virtuoso danceable | G | 126 |