| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Veiled Sun [CEO2013 - 8] |
0 | 1'52 | Alain Kremski | Constant & ponctuated. Piano, cello & koto. | steady geopolitics Japan historical narrative | Gm | 62 | |||
|
Ormoc City [CEZ4121 - 7] |
0 | 2'22 | Imade Saputra | Naive & persistent. Bamboo orchestra & bass flutes. | bandurria bamboo orchestra Philippines traditional instrumental ensemble | C | 165 | |||
|
Slaves' Lament [CEZ4118 - 15] |
0 | 2'08 | Imade Saputra | Accentuated & patient. Bobre (berimbau) & percussion. | traditional instrumental ensemble ethnic percussion ensemble ethnic & traditional (all) Reunion | Gbm | 92 | |||
|
Kabare [CEZ4118 - 16] |
0 | 2'08 | Imade Saputra | Detemined & urgent. Percussion ensemble. | ethnic percussion ensemble ethnic & traditional (all) Reunion folk ball | Bm | 95 | |||
|
Dandaru [CEZ4118 - 24] |
0 | 1'35 | Imade Saputra | Accentuated & patient. Percussion ensemble. Dandaru rhythm | traditional instrumental ensemble ethnic percussion ensemble ethnic & traditional (all) Mayotte | Bm | 96 | |||
|
The Coronation [CEZ4116 - 1] |
0 | 1'27 | Gréco Casadesus | Majestic & solemn overture. Symphony orchestra. | historical ceremony heritage swashbuckler introduction | A | 148 | |||
|
Orient at Sunrise [CEO2017 - 5] |
0 | 2'21 | Armand Frydman | Martial & proud. Ethnic flute ensemble & percussion. | Middle-East & Maghreb peplum antiquity lost civilizations | Em | 135 | |||
|
Occident [CEO2017 - 11] |
0 | 3'00 | Armand Frydman | Sad & solemn. Cello & double-bass duet. | poignant tormented cello steady | Bbm | 60 | |||
|
Babel [CEO2017 - 16] |
0 | 1'42 | Armand Frydman | Carefree & confident. Soprano sax, vibraphone & cello. | confident geopolitics carefree Israel | Cm | 113 | |||
|
The Way Back [EOS02 - 1] |
0 | 3'23 | Anthony Mowat, Olivier Samouillan | Detached & dreamy. Electric guitar, banjo, percussion & viola. | lazy geopolitics panoramic patient | Gm | 90 | |||
|
Calamity [EOS02 - 2] |
0 | 3'05 | David Poirier, Sébastien Saint-Lezin | Melancholic & wandering. Electric guitar, bass, synth & rhythm. Delay | social drama scary fx delay undulating | Am | 126 | |||
|
Sirius [EOS01 - 5] |
0 | 4'00 | Anthony Mowat | Confident & inevitable. Marimba, violin, cristal Baschet, melotron, | cyclic time (tick-tock) arts & crafts swaying | Gbm | 110 | |||
|
Galileo [EOS01 - 6] |
0 | 4'14 | Anthony Mowat, Olivier Samouillan | Sinister & tense. Violin, harpsichord, electronics & rhythm. | building suspense cyclic social drama | Dm | 140 | |||
|
Roma 1922 [CEO2012 - 9] |
3'00 | Bruno Alexiu | Solemn & tragic. Symphonic orchestra. | destiny historical narrative tragic inexorable | Gm | 118 | ||||
|
Roma 1922 #2 [CEO2012 - 10] |
Alt. | 2'20 | Bruno Alexiu | Interrogative & heavy. Symphonic orchestra. | historical narrative tragic historical conflict destiny | Bm | 75 | |||
|
Roma 1922 #3 [CEO2012 - 11] |
Alt. | 1'44 | Bruno Alexiu | Sad & interrogative wait. Symphonic orchestra. | destiny inexorable historical narrative tragic | Gm | 66 | |||
|
Roma 1922 #4 [CEO2012 - 12] |
Alt. | 1'26 | Bruno Alexiu | Sad & interrogative wait. Symphonic orchestra. | historical narrative historical conflict sinister tragic | D | 91 | |||
|
Roma 1922 #5 [CEO2012 - 13] |
Alt. | 0'56 | Bruno Alexiu | Interrogative & melancholic. Symphonic orchestra. | destiny inexorable historical narrative tragic | Dm | 93 | |||
|
Roma 1922 #6 [CEO2012 - 14] |
Alt. | 1'12 | Bruno Alexiu | Interrogative & narrative wait. Symphonic orchestra. | inexorable destiny historical narrative tragic | Bm | 65 | |||
|
On the Wall [CEZ4110 - 2] |
0 | 2'03 | Daniel Diaz, Daniel Finot, Arnaud Rozenblat | Urgent & determined. Bass guitars with delay fx. | electric bass steady industry relentless | E | 95 | |||
|
Spires of Dream [CEZ4110 - 5] |
0 | 2'26 | Daniel Diaz, Daniel Finot, Arnaud Rozenblat | Constant & haunting. Descending effect @ 1'03. Bass guitars with | falling suspended atmosphere science fretless bass | Dm | 148 | |||
|
Wander With Wonder [CEZ4110 - 11] |
0 | 2'24 | Daniel Diaz, Daniel Finot, Arnaud Rozenblat | Haunting & determined. Bass guitars. Solo played fretless. | electric bass fretless bass investigation relentless | Am | 118 | |||
|
On the Rebound [CEZ4110 - 16] |
0 | 2'31 | Daniel Diaz, Daniel Finot, Arnaud Rozenblat | Insistent & determined. fx delay. Builds up gradually. | fx delay slapping electric bass relentless | Em | 144 | |||
|
Quartz Time [CEZ4113 - 11] |
0 | 2'48 | Elisabeth Skornik, Guy Skornik | Patient & minimal. Electronics. 60 BPM. | investigation steady cold patient | Em | 60 | |||
|
Death Knell [CEZ4112 - 17] |
0 | 0'56 | Piotr Moss | Funereal & mournful. Death knell, bass drum, drone & percussion. | funereal sinister historical conflict funerals | Gb | 103 |