| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Shine [CEZ4105 - 1] |
0 | 2'10 | Mark Alberts | Anthemic Brit-pop ballad. Pop band with lead guitar. | rock ballad pop ballad uplifting England | G | 146 | |||
|
Hopes And Dreams [CEZ4105 - 6] |
0 | 2'02 | Mark Alberts | Psychedelic-pop ballad. Confident and dreamy.Pop band with lead | road movie pop ballad confident sting | E | 148 | |||
|
The Last Goodbye [CEZ4105 - 7] |
3'00 | Mark Alberts | Brit-pop ballad. Uplifting & determined. Progression. Pop band with | rock ballad brit rock beds England | G | 154 | ||||
|
The Last Goodbye 2 [CEZ4105 - 29] |
Alt. | 3'05 | Mark Alberts | Brit-pop ballad. Uplifting & determined. Progression. Pop band with | rock ballad beds pop ballad confident | G | 154 | |||
|
Long Time No See [CEZ4105 - 9] |
0 | 3'06 | Mark Alberts | Rock-pop ballad. Uplifting & lively. Pop band with guitars & | pop ballad confident beds brit rock | E | 150 | |||
|
Ride a Rainbow [CEZ4105 - 11] |
0 | 2'23 | Mark Alberts | Brit-pop ballad. Pop band with guitars & Hammond organ. | pop ballad brit rock England modern | G | 95 | |||
|
Mustang Girl [CEZ4105 - 13] |
0 | 2'20 | Mark Alberts | Country ballad with a Californian touch. 60's revival. Wandering & | twangy guitar melancholic road movie tracking shot | Em | 113 | |||
|
What Strikes Me... [CEZ4103 - 8] |
0 | 2'13 | Elisabeth Skornik, Guy Skornik | Bizarre & percussive. Prepared piano. Heartbeat @ 1'06. | industry percussive inexorable steady | A | 116 | |||
|
Floating the Idea [CEZ4103 - 10] |
0 | 2'33 | Elisabeth Skornik, Guy Skornik | Suspended atmosphere. Constant. Keyboards, strings & electronics. | industry investigation suspense suspended atmosphere | Ebm | 108 | |||
|
An Iota of Science [CEZ4103 - 27] |
0 | 2'49 | Elisabeth Skornik, Guy Skornik | Constant & mysterious. Loop, string fx & strange voices. | time (tick-tock) contemporary art steady architecture & design | Em | 130 | |||
|
End of Romance [CEV3038 - 14] |
1'48 | Daniel Barda | Bluesy & nostalgic Jazz ballad.Soprano sax & piano duet. | 1920 1930 1940 jazz ballad | Fm | 83 | ||||
|
End of Romance 2 [CEV3038 - 15] |
Alt. | 1'50 | Daniel Barda | Bluesy & nostalgic Jazz ballad. Solo piano. | 1940 jazz ballad intimate 1930 | Fm | 81 | |||
|
End of Romance 3 [CEV3038 - 16] |
Alt. | 1'51 | Daniel Barda | Bluesy & nostalgique jazz ballad. Solo piano like a 78 rpm recording. | 1940 old-fashioned fx 78 rpm 1930 | Fm | 82 | |||
|
Ksar [CEV3037 - 11] |
0 | 3'01 | Samir Tahar | Determined & panoramic. Nay flute & goblet drum @ 0'25. Maghreb. | Algeria ethnic & traditional (all) geopolitics nay | Cm | 84 | |||
|
A New Day Dawns [CEZ4101 - 8] |
0 | 1'46 | Gréco Casadesus | Resolute & majestic. Constant progression. Piano, horns & string | corporate video politics solemn confident | C | 123 | |||
|
In Our Children's Hands [CEZ4099 - 13] |
0 | 2'41 | Selma Mutal | Confident & interrogative. Piano, guitar & percussion. | social drama arts & crafts melancholic patient | Bm | 94 | |||
|
Wandering Minstrels [CEV3034 - 7] |
1'21 | Christian Lancry | Old-time. Dancing but serious. Fiddle & banjo. | old time fiddle violin banjos (all) United States of America | Am | 107 | ||||
|
Wandering Minstrels 2 [CEV3034 - 30] |
Alt. | 1'21 | Christian Lancry | Old-time. Dancing but serious. Fiddle & banjo & foot. | traditional instrumental ensemble fiddle violin United States of America old time | Am | 107 | |||
|
Slap That Bass [CEV3034 - 27] |
0 | 1'06 | Laurent Gonzales, Christian Lancry | Country-Swing. Suspense. Constant & groovy. Double-bass & finger | 1960 investigation sensual romantic comedy | G | 85 | |||
|
Suburban [CEZ4100 - 21] |
0 | 2'51 | Mathias Delplanque | Electro-indus. Down-tempo. Heavy & lazy. | modern heavy mechanical sequencing | Bbm | 120 | |||
|
Shockwave [CEZ4097 - 22] |
2'56 | Denis Levaillant | Violent & aggressive. Snare drums, toms, timpani & electronics. | historical conflict cinematic warlike disturbing | Am | 117 | ||||
|
Shockwave 2 [CEZ4097 - 59] |
Alt. | 2'57 | Denis Levaillant | Chilling & radiating. Treated orchestra & lectronics. | atmospheric desolate drone suspended atmosphere | Am | 93 | |||
|
Soy Un Barrio [CEV3032 - 5] |
0 | 4'29 | Pajaro Canzani | Milonga groove. Carefree & urban. Silde, acoustic & electric guitars, | geopolitics Central America South America tracking shot | Em | 88 | |||
|
Jungla Urbana [CEV3032 - 6] |
3'08 | Daniel Diaz | Andino groove. Mysterious & restrained. Flutes, charango, double-bass | geopolitics Latin-American Indians Peru Bolivia | Em | 164 | ||||
|
Jungla Urbana 2 [CEV3032 - 54] |
Alt. | 3'08 | Daniel Diaz | Andino groove. Powerful & serious. Flutes, electronics & rhythm. | South America driving Andes flute geopolitics | Em | 164 | |||
|
Paisanito [CEV3032 - 27] |
0 | 2'24 | Daniel Diaz | Peaceful & bucolic. Quena, acoustic bass & percussion. | Latin-American Indians kena Bolivia Peru | G | 68 |