| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Artificial Intelligence [CEZ4034 - 23] |
0 | 1'32 | Elisabeth Skornik, Guy Skornik | Cool & strange groove, the machines are talking... | industry robotic quirky video game | Ebm | 120 | |||
|
Gene Coding [CEZ4034 - 24] |
0 | 1'36 | Elisabeth Skornik, Guy Skornik | Slow groove with organic vs mechanic feel. | jerky metallic robotic unclassifiable | C | 101 | |||
|
Double Helix [CEZ4034 - 27] |
0 | 1'45 | Elisabeth Skornik, Guy Skornik | Organic & pulsing. Sequential synths with Fx. | pulsation industry 1970 1980 | G | 172 | |||
|
Science in Action [CEZ4034 - 29] |
0 | 1'40 | Elisabeth Skornik, Guy Skornik | Simple rhythmic sound design with filtered synths. | metallic electro industrial robotic steady | G | 96 | |||
|
A Talent for Analysis [CEZ4702 - 4] |
1'51 | Louis Edlinger | Electronica bed. Relax, confident but serious. Synth & rhythm. Ideal | teaching patient beds confident | Gm | 90 | ||||
|
A Talent for Analysis
[CEZ4702 - 31] |
Alt. | 1'51 | Louis Edlinger | Alternate no perc. | Gm | 90 | ||||
|
A Talent for Analysis
[CEZ4702 - 32] |
Alt. | 1'51 | Louis Edlinger | Alternate underscore. | Fm | 90 | ||||
|
A Talent for Analysis Edit 60
[CEZ4702 - 33] |
Alt. | 1'00 | Louis Edlinger | 60 second cut. | Gm | 178 | ||||
|
A Talent for Analysis Edit 30
[CEZ4702 - 34] |
Alt. | 0'30 | Louis Edlinger | 30 second cut. | Gm | 90 | ||||
|
A Talent for Analysis Edit 20
[CEZ4702 - 35] |
Alt. | 0'20 | Louis Edlinger | 20 second cut. | Gm | 90 | ||||
|
A Talent for Analysis Edit
[CEZ4702 - 36] |
Alt. | 0'13 | Louis Edlinger | Sting. | Gm | 178 | ||||
|
Antibody [CEG5060 - 9] |
2'58 | Arttu Silvast | Hybrid Scoring. Intro with clinical, investigative & constant | relentless inexorable social drama industry | Em | 122 | ||||
|
Antibody Alternate 1 [CEG5060 - 27] |
Alt. | 2'57 | Arttu Silvast | Version without percussion | relentless inexorable social drama industry | Em | 122 | |||
|
Antibody Alternate 2 [CEG5060 - 28] |
Alt. | 2'58 | Arttu Silvast | Underscore version with percussion | relentless inexorable social drama industry | Em | 122 | |||
|
Complexity [EOS147 - 11] |
0 | 2'29 | Simon Gruwé | Determined, jerky with determined progression. Strings, electric | driving electronic percussion synthesizer cyclic | Gm | 104 | |||
|
Acute Memory Impairment [UBM2600 - 12] |
0 | 2'01 | Florian Thaller | Beware of scams on the Internet: With increasingly devious schemes, | anticipation disturbing interrogative cyclic | C | 125 | |||
|
Forensic [EOS144 - 6] |
0 | 2'36 | Simon Gruwé | Investigative, serious & analytical. Marimba, percussion, electric | beds cyclic interrogative science | Fm | 126 | |||
|
Hidden [EOS144 - 9] |
0 | 2'10 | Simon Gruwé | Urgent, tense & stealthy. Piano, synth, percussion. | beds relentless electronic percussion disturbing | Em | 123 | |||
|
New Alternatives [EOS144 - 13] |
0 | 2'04 | Simon Gruwé | Cyclical & self-interested then confident. Ecology & renewable | beds cyclic interrogative science | Dm | 145 | |||
|
Systemic [EOS144 - 14] |
0 | 2'10 | Simon Gruwé | Neutral, analytical then worrying & insidious. Political scandal. | beds investigation mysterious synthesizer | Am | 93 | |||
|
A Little Surprise [CEZ4671 - 14] |
1'45 | Julien Vega | Dramedy. Determined, playful & mischievous. Guitar, percussion, | light tension dramedy ironical & mischievous driving | Am | 100 | ||||
|
A Little Surprise Alternate [CEZ4671 - 30] |
Alt. | 1'20 | Julien Vega | Underscore version | light tension dramedy ironical & mischievous driving | Cm | 100 | |||
|
Creative Murderer [UBM2577 - 1] |
0 | 2'02 | Florent Duclos, Benoit Jego | Electronic, medium-paced underscore for investigative scenes in tech | investigation relentless strict steady | Am | 86 | |||
|
Last Road [UBM2577 - 2] |
0 | 2'45 | Florent Duclos, Benoit Jego | The pursuers have long since picked up the trail and are following | investigation industry insidious relentless | Fm | 110 | |||
|
Nervy Driver [UBM2577 - 3] |
0 | 2'15 | Florent Duclos, Benoit Jego | The gangster boss regrets his choice of getaway driver just a few | chase urgent industry relentless | Am | 120 | |||
|
Anxious Degree [UBM2577 - 4] |
0 | 2'07 | Florent Duclos, Benoit Jego | Dark tension bed for unsettling scenes. Uncomfortable, nervous. | investigation suspense spy mysterious | C | 128 | |||
|
Quantum [UBM2577 - 9] |
0 | 2'19 | Florent Duclos, Benoit Jego | Dark machinations and sinister alliances, disturbing times and | cinematic interrogative investigation mysterious | Dbm | 93 | |||
|
Spamware [CEG5054 - 11] |
1'44 | Benjamin Doherty | Electro beat. Swarming, noisy & inexorable. Synth & sound design. | spy steady electro ambient industry | Gm | 120 | ||||
|
Spamware Alternate [CEG5054 - 59] |
Alt. | 1'43 | Benjamin Doherty | Alternate underscore. | spy steady electro ambient industry | G | 120 | |||
|
Spamware Edit 60 sec [CEG5054 - 60] |
Alt. | 0'15 | Benjamin Doherty | 60 second cut. | spy steady electro ambient industry | Gm | 118 | |||
|
Spamware Edit 30 sec [CEG5054 - 61] |
Alt. | 0'30 | Benjamin Doherty | 30 second cut. | spy steady electro ambient industry | Gm | 118 | |||
|
Spamware Edit 15 sec [CEG5054 - 62] |
Alt. | 0'59 | Benjamin Doherty | 15 second cut. | spy steady electro ambient industry | Gm | 120 | |||
|
Spamware Edit Sting [CEG5054 - 63] |
Alt. | 0'11 | Benjamin Doherty | Sting. | spy steady electro ambient industry | Gm | 118 | |||
|
Der Puls der Stadt [CEG5052 - 1] |
2'06 | Louis Edlinger | Minimal techno. Pulsating, industrial, hypnotic & futuristic. Driving | minimal techno industry urban landscape relentless | Cm | 122 | ||||
|
Der Puls der Stadt Alternate 1 [CEG5052 - 13] |
Alt. | 1'59 | Louis Edlinger | Version without rhythm. | industry urban landscape flash back relentless | Cm | 162 | |||
|
Der Puls der Stadt Alternate 2 [CEG5052 - 14] |
Alt. | 1'50 | Louis Edlinger | Version without lead synth. | minimal techno industry urban landscape relentless | Cm | 121 |