| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Around Every Corner [CEZ4202 - 7] |
0 | 2'12 | Thierry Caroubi | Wizards meeting. Spooky. Cyclic & inexorable. Symphony orchestra. | funny scary fantasy inexorable symphony orchestra | Dm | 120 | |||
|
Ticking Threat [UBM2227 - 20] |
0 | 1'56 | Daniel Backes, Peter Moslener | Nervous track suggesting time pressure and approaching danger. | suspense spy fx timer disturbing | Dm | 114 | |||
|
Machine Gun Billie [CEZ4194 - 4] |
0 | 2'59 | Luigi Marletta, Morgan Sansous | Riffie & wild. Rock band & electronics fx. | horror mechanical sport dubstep metal fx distorsion | E | 130 | |||
|
Epic Game [CEZ4194 - 13] |
0 | 2'55 | Luigi Marletta, Morgan Sansous | Haunting & determined. Rock band & electronics. | horror fx distorsion dubstep metal action game | Am | 141 | |||
|
Sphere ML 02 [UBM2140 - 23] |
0 | 2'56 | Ralv Gielen | Noisy sequences, light tension, expectation, nerve-wracking. | atmospheric steady synthesizer relentless | F | 111 | |||
|
Scrambled Code [EOS17 - 9] |
0 | 2'06 | Mathieu Harlaut | Sad & wandering. Synth & rhythm. | noisy wandering desolate social drama | Ebm | 78 | |||
|
The Question of Doping [CEO2022 - 6] |
0 | 1'30 | Bruno Alexiu | Mechanical & grave. Slowing down @ 0'47. Orchestra & electronic. | jerky sport drama contemporary history investigation | Gm | 123 | |||
|
Liquid Waste [UBM2222 - 19] |
0 | 2'07 | Daniel Backes, Peter Moslener | Disembodied & monotonous. Synth. | atmospheric relentless synthesizer toxic | Am | 70 | |||
|
Metallic Train [UBM2216 - 28] |
0 | 2'04 | Achim Zweschper | Toxic & anxious. Synth. | natural disaster horror disturbing undulating | Db | 165 | |||
|
Awareness [EOS14 - 9] |
0 | 2'23 | Johane Myran | Grave & determined. Progression. Synth, piano & strings @ 0'48. | interrogative investigation relentless suspense | Eb | 149 | |||
|
An Alternative Solution 2 [CEZ4151 - 33] |
2'21 | Elisabeth Skornik, Guy Skornik | Suspended & mysterious. Marimba & string orchestra. | suspended atmosphere patient time (tick-tock) interrogative | Am | 84 | ||||
|
An Alternative Solution [CEZ4151 - 8] |
Alt. | 2'08 | Elisabeth Skornik, Guy Skornik | Confident & repetitive. Piano arpeggio, organ & string orchestra. | corporate (all) cyclic neo-classical music repetitive music | Am | 167 | |||
|
Mer Blanche [CCB1013 - 4] |
0 | 1'28 | Renaud Garcia-Fons | Obstinate & abstract. Spectral chase. Accordion, double-bass & | bowed double bass trains chromatic accordion chaotic | Fm | 126 | |||
|
White Hot Arena [CEZ4147 - 10] |
0 | 1'45 | Silvano Michelino, Baptiste Thiry | Modern samba/batucada in a cinematic mood. Imposing & thrilling. | team sport Brazil percussive extreme & fighting sport | Em | 100 | |||
|
Hit and Run [CEZ4139 - 1] |
2'54 | Mark Alberts | Powerful & resolute. Electric guitar, saturated bass, electronics, | riff extreme & fighting sport powerful & imposing rock (all) | Em | 107 | ||||
|
Hit and Run 2 [CEZ4139 - 16] |
Alt. | 2'33 | Mark Alberts | Powerful & resolute. Electric guitar, saturated bass, electronics, | fuzz bass drums cinematic lively | Em | 107 | |||
|
Hit and Run 3 [CEZ4139 - 17] |
Alt. | 0'07 | Mark Alberts | Sting. Resolute. Electric guitar, saturated bass & strings. | sting fuzz bass driving suspended atmosphere | E | 140 | |||
|
Hit and Run 4 [CEZ4139 - 18] |
Alt. | 0'12 | Mark Alberts | Sting. Resolute. Electric guitar & cymbals. | sting cymbal driving distorted electric guitar | Em | 109 | |||
|
Hit and Run 5 [CEZ4139 - 19] |
Alt. | 0'13 | Mark Alberts | Link. Quiet & patient. Guitar appeggio & strings. | link driving electric guitar instrumental | E | 148 | |||
|
Post 80's Generation [CEZ4133 - 6] |
1'55 | Claude Samard | Bizarre & unusual.Chinese electro/trap. Ethnic instruments, chinese | electro world China gong arpeggiator | Am | 145 | ||||
|
Post 80's Generation 2 [CEZ4133 - 23] |
Alt. | 1'58 | Claude Samard | Bizarre & unusual. Electro chinoise/trap. Ethnic instruments & | China electro world kung fu fashion | Am | 144 | |||
|
Chemical Water [EOS06 - 9] |
0 | 1'52 | Eric Volpatti | Electro minimalism/drone. Tense & inevitable. Electronics, strings, | bustling beds drone cold | A | 120 | |||
|
Narcoleptic Moments [EOS06 - 10] |
0 | 2'20 | Olivier Samouillan, Eric Volpatti | Electro minimalism. Mysterious & sinister. Electronics, bass & | disturbing patient time (tick-tock) beds | F | 127 | |||
|
Blitz [CEZ4124 - 9] |
1'43 | Baptiste Thiry | Dramatic, sudden & warlike. Symphony orchestra. | historical conflict war (movies) warlike inexorable | Dbm | 125 | ||||
|
Blitz #2 [CEZ4124 - 38] |
Alt. | 1'27 | Baptiste Thiry | Dramatic & warlike scansion. Symphony orchestra. | historical conflict relentless war (movies) staccato | Dbm | 125 | |||
|
Words in the Wall (part 1) [CEZ4014 - 45] |
0 | 0'13 | Denis Levaillant | Unusual. Sampled women voices. | loop sting sampled female voice whispering | Am | 76 | |||
|
Cygnus X [EOS01 - 11] |
0 | 3'12 | Anthony Mowat, Choi Young Shin | Alarming & lugubrious. Viola, synth, electronics & percussion @ 1'48. | building drone metallic sinister | Gm | 60 |