| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Psycho 19 [UBM2139 - 19] |
0 | 2'13 | Bernhard Hering, Matthias Krüger-Wendel, Martin Wester | Dizziness, trauma, beat. | falling suspended atmosphere cold sequencing | Abm | 164 | |||
|
Family Affair 7 [CEO2002 - 7] |
0 | 0'34 | Arnaud de Buchy | Suspense. | falling string orchestra funereal tragic | Cm | 89 | |||
|
Eurus [CEZ4058 - 19] |
0 | 2'22 | Denis Levaillant | Welcoming. Warm & rich arpeggios with playful feel. Solo piano. | luminous undulating rising falling | Em | 120 | |||
|
Catharsis [CEZ4041 - 34] |
0 | 1'30 | Marc-Olivier Dupin | Weird. Atonal sliding strings with rhythmic motif. | cold dissonant psychological drama glissando | A | 114 | |||
|
Day by Day - Piano version [CEZ4700 - 11] |
0 | 2'48 | Elisabeth Skornik, Guy Skornik | Solo piano version. Airy, ethereal, almost diaphanous, luminous & | waterfall steady cyclic luminous | Bb | 78 | |||
|
In-Phase [CEZ4486 - 8] |
0 | 2'33 | Elisabeth Skornik, Guy Skornik | Punctuated, introspective, narrative & regular. Staccato strings, | science mysterious cybernetics disturbing | Fm | 89 | |||
|
Cause and Effect [ISC002 - 3] |
0 | 2'02 | Gabriel Saban | Very fast & implacable staccato string movement like a machinery. | action movie relentless cinematic industry | Cm | 120 | |||
|
Bumblebees [CEZ4474 - 4] |
0 | 2'11 | Sebastijan Duh from P.D. | Modern classical arrangement, electro, trap, 8-bit music. Urgent, | classical arrangement chase urgent swirling | Gm | 144 | |||
|
The End of Humanity [CEZ4443 - 10] |
0 | 03'02 | Benoit Cimbé | Tragic & cyclic. String ensemble, sequencing & cinematic percussion. | destiny opening credits TV politics rising | Am | 120 | |||
|
Simplicity [CEZ4370 - 6] |
1'37 | Anselm Kreuzer, Andreas Suttner | Underscore / human ressources. Tranquil, pastoral & confident. Piano, | narrative cyclic patient arts & crafts | Am | 110 | ||||
|
Simplicity Alternate [CEZ4370 - 35] |
Alt. | 1'37 | Anselm Kreuzer, Andreas Suttner | Underscore. Tranquil, pastoral & simple. Piano, guitar, percussion & | narrative cyclic patient arts & crafts | Am | 110 | |||
|
Simplicity Alternate 2 [CEZ4370 - 36] |
Alt. | 1'37 | Anselm Kreuzer, Andreas Suttner | Underscore. Tranquil, pastoral, simple & sparse. Guitar, percussion & | patient time-lapse narrative suspended atmosphere | C | 110 | |||
|
Simplicity Alternate 3 [CEZ4370 - 37] |
Alt. | 1'37 | Anselm Kreuzer, Andreas Suttner | Underscore. Tranquil, pastoral, minimalist & simple. Piano & guitar. | narrative patient acoustic piano time-lapse | Am | 110 | |||
|
Soft Evidence [CEO2064 - 15] |
1'55 | Elisabeth Skornik, Guy Skornik | Suspended, doubtful & narrative. Electronics, brass pad, piano & | investigation steady crime movie disturbing | Dm | 89 | ||||
|
Soft Evidence Alternate [CEO2064 - 20] |
Alt. | 1'50 | Elisabeth Skornik, Guy Skornik | Insidious, descending & mysterious. Electronics & fx. | crime movie investigation mysterious anticipation | Dm | 89 | |||
|
Mère et Fils [CEO2059 - 7] |
0 | 0'54 | Jérôme Lemonnier | Moving, romantic & sensitive. Classical solo piano. | passionate arts romantic music 19th century | Dbm | 114 | |||
|
L'Esprit de l'Escalier [CEO2056 - 3] |
0 | 2'09 | Elisabeth Skornik, Guy Skornik | Weird, insidious, interrogative & sparse. Piano & backward fx. | investigation mysterious interrogative rising | B | 90 | |||
|
Stroke by Stroke Alternate 3 [CEZ4312 - 26] |
2'26 | Elisabeth Skornik, Guy Skornik | Cyclic, regular & urgent. Electronics | cyclic social drama falling docu fiction | C | 120 | ||||
|
Stroke by Stroke [CEZ4312 - 5] |
Alt. | 2'28 | Elisabeth Skornik, Guy Skornik | Crystalline, punctuated & obstinate. Staccato strings & vibrato @ | crystalline contemporary history patient mark tree | Cm | 120 | |||
|
A Difficult Start [CEZ4299 - 8] |
0 | 1'47 | Julien Vega | Lazy but gradually accelerating. Pizz & small instrumental ensemble. | funny animals pizzicato interiors & cooking shy | Bm | 130 | |||
|
The Valley of the Moon
[CEO2044 - 60] |
1'14 | Gréco Casadesus | Underscore. Sad & desolate. String ensemble. | social drama falling desolate hollywood classic | Db | 79 | ||||
|
The Valley of the Moon [CEO2044 - 15] |
Alt. | 1'46 | Gréco Casadesus | Interrogative & still. Piano & string orchestra. | destiny romantic restrained hollywood classic | E | 117 | |||
|
Les Écoliers [CCB1025 - 10] |
0 | 5'16 | Renaud Garcia-Fons | Unusual, changing & jazzy. Accordion, double-bass & percussion. | chromatic accordion changing bowed double bass bouncy | Dm | 137 | |||
|
Diving Into the Blue [CEZ4243 - 27] |
0 | 0'23 | Piotr Moss | Peaceful, flowing & undulating. Solo harp. | link magical underwater harp | Fm | 99 | |||
|
Twist of Fate [UBM2174 - 5] |
0 | 2'33 | Anselm Kreuzer | Wondrous, calm, deep; somewhat mystic. | calm falling suspended atmosphere mysterious | A | 60 | |||
|
Work in Progress [CEZ4151 - 13] |
1'50 | Elisabeth Skornik, Guy Skornik | Urgent & serious. Piano & string orchestra. Builds up. | corporate (all) strict scansion falling | G | 144 | ||||
|
Work in Progress 2 [CEZ4151 - 42] |
Alt. | 1'37 | Elisabeth Skornik, Guy Skornik | Dark & urgent. Electronics, piano & string orchestra. | corporate (all) falling inexorable action movie | Gm | 144 | |||
|
Work in Progress 3 [CEZ4151 - 43] |
Alt. | 1'22 | Elisabeth Skornik, Guy Skornik | Moody & introspective. Solo piano. | falling social drama introspective corporate (all) | Gm | 72 |