| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Sigh Of Relief [UBM2161 - 21] |
0 | 2'07 | Anselm Kreuzer | Peaceful, reflective, calm. | patient romantic comedy confident social drama | E | 107 | |||
|
Forbidden Path [UBM2161 - 22] |
0 | 2'26 | Anselm Kreuzer | Tension bed ; danger, distress, audacity. | chase building adventure driving | Bb | 120 | |||
|
Danger Zone [UBM2180 - 3] |
0 | 3'27 | Anselm Kreuzer | Incisive & awake, entering the trouble area. | toxic drone scary grating | B | 62 | |||
|
Dramatic Food Fight [UBM2163 - 15] |
0 | 2'30 | Anselm Kreuzer | Merciless, lively, troubled; aggressive. | explosive final building adventure | Gm | 120 | |||
|
He is Born the Divine Christ
[CEV3031 - 16] |
0 | 2'02 | Julien Vega after P.D. | Joyful & uplifting. Constant progression. After "He is Born the | traditional Cristmas building changing well-known tune | Am | 178 | |||
|
Planet TV [CEZ4091 - 15] |
0 | 3'19 | Gangpol & Mit | Dramatic suspense. Constant progression. Electronics. | funny scary quirky animation & cartoons nocturnal | Gb | 146 | |||
|
Rush Hour (Voice Edit) [CEZ4092 - 37] |
2'38 | Hoosky | Efficient & nervous. Outro. Sampled voices, synth & rhythm. | beat making introduction advertising catchy | Abm | 104 | ||||
|
Rush Hour [CEZ4092 - 25] |
Alt. | 2'15 | Hoosky | Wonky & odd electro dance beat. | advertising fashion urban landscape modern | Abm | 104 | |||
|
The Editorial Line [CEZ4090 - 2] |
0 | 1'04 | Elisabeth Skornik, Guy Skornik | Serious & cyclic. Electronics & strings. Progression. | investigation sport drama industry cyclic | Dm | 127 | |||
|
Poison Pen [CEZ4090 - 32] |
0 | 2'21 | Elisabeth Skornik, Guy Skornik | Inexorable, tense & mysterious. Twangy guitar & electronics. | insidious investigation spy mysterious | Dm | 75 | |||
|
Outside The City Limits [CEZ4084 - 6] |
0 | 2'12 | Daniel Finot, Jean-Francois Morin, Arnaud Rozenblat | Panoramic & delicate. Electric guitar & electronics. | panorama country rock driving panoramic | G | 100 | |||
|
Musique Boiteuse [CEZ4085 - 26] |
0 | 1'49 | Ivan Gruselle | Wobbly & anachronistic. Violin, clarinet, accordion, electric guitar, | clumsy circus music circus ironical & mischievous | Gb | 98 | |||
|
Mac Ronay [CEZ4086 - 9] |
0 | 2'40 | Christofer Bjurström | Drunk & ironical. Clarinet, piano, cello & drums. Rhythm @ 1'09. | circus music drunk changing melancholic | G | 148 | |||
|
March of the Lost Souls [CEZ4081 - 25] |
0 | 2'07 | Loïs Blanca | Scary & inexorable. Progression with finale. Piano, strings & timpani. | horror inexorable heavy paranormal | Dbm | 120 | |||
|
Negotiations [CEZ4082 - 10] |
0 | 2'26 | Bruno Letort | Insidious. Progression. Symphony orchestra & percussion @ 1'30. | historical movie contemporary serious music (all) historical narrative spy | Db | 111 | |||
|
Evolution [CEZ4082 - 40] |
0 | 4'39 | Armand Frydman | Uncomfortable and uncertain. Piano trio, cello & violin. Progression | historical movie tormented narrative passionate | Db | 108 | |||
|
The Watchtower [CEZ4083 - 8] |
0 | 2'30 | Bruno Letort | Menacing & inexorable. Constant progression. Symphony orchestra with | disturbing suspense action movie insidious | E | 151 | |||
|
Hadrian's Wall [CEZ4077 - 14] |
0 | 5'21 | Pierrick Hardy | Serious & panoramic. Solo folk guitar. | strict destiny moving panoramic | Dm | 163 | |||
|
Market Logic [CEZ4074 - 6] |
0 | 1'58 | Elisabeth Skornik, Guy Skornik | Inexorable & serious. Constant progression. Break @ 0'52. | anticipation scansion insidious walking | Em | 70 | |||
|
Global Market [CEZ4074 - 7] |
0 | 2'09 | Elisabeth Skornik, Guy Skornik | Drone with mixed voices of different languages. Constant progression. | weird fx voice unclassifiable fx radio | C | 90 | |||
|
Chapter 11 [CEZ4074 - 17] |
0 | 2'18 | Elisabeth Skornik, Guy Skornik | Threatening & uncomfortable. | investigation inexorable disturbing walking | Fm | 136 |