| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Step Counter [UBM2274 - 20] |
0 | 1'53 | Sebastian Parche | Exciting, creepy track, ideal for scenes of technical progress, | suspense anticipation crime movie relentless | B | 130 | |||
|
Time Machine 2 [UBM2274 - 33] |
0 | 2'18 | Sebastian Parche | Dramatic track with oriental reminiscences. Sad, dramatic, romantic. | suspense time (tick-tock) crime movie mysterious | Fm | 130 | |||
|
Subaquatic Dream [MAG6029 - 1] |
2'57 | Hugo Lascoux | Electronica. Organic, humid & lively. Synth & rhythm. | electronica modern arty atmospheric | Fm | 123 | ||||
|
Subaquatic Dream (extended) [MAG6029 - 9] |
Alt. | 3'59 | Hugo Lascoux | Electronica. Organic, humid & lively. Synth & rhythm. | modern arty atmospheric electronica | Fm | 123 | |||
|
Hypernova [MAG6028 - 2] |
0 | 4'07 | Haring | Synthwave / electronica. Driving, percussive & steady. Analog synth, | synthwave driving analog synth steady | G | 111 | |||
|
The Expanse [MAG6028 - 4] |
0 | 3'46 | Haring | Electronica / synthwave. Hypnotic, sustained & obsessive. Analog | steady electronica electro organic atmospheric | Cm | 97 | |||
|
Prison Justice [CEO2064 - 10] |
0 | 2'19 | Elisabeth Skornik, Guy Skornik | Sudden, percussive, oppressive & regular. Electronics, cinematic | scary horror suspense insidious | Dm | 90 | |||
|
Datavision [CEZ4329 - 3] |
0 | 2'12 | Claude Samard | Electro pop. Catchy, driving & upbeat. Analog synth & rhythm. | driving 1980 confident catchy | C | 118 | |||
|
Millenials [CEZ4329 - 6] |
0 | 2'10 | Clément Issa, Adrien Saura | Synthwave. Incisive, constant & cold. Arpeggiator & rhythm. | corporate electro cybernetics synthwave driving | Am | 140 | |||
|
Human After All [CEZ4329 - 10] |
0 | 2'27 | Martin Duru, Jean-Sebastien Nouveau | Electro corporate. Energetic, sustained & optimistic. Crescendo & | medecine driving confident corporate (all) | Abm | 150 | |||
|
Cyberspace [CEZ4329 - 11] |
0 | 1'52 | Clément Issa, Adrien Saura | Synthwave. Organic, nocturnal & confident. Arpeggiator & rhythm. | driving synthwave arpeggiator catchy | Cm | 90 | |||
|
The Digital Age [CEZ4329 - 14] |
0 | 2'20 | Aurélien Ung | Electro. Ascending, lively & determined. Synth & rhythm. | lively team sport cybernetics driving | Em | 100 | |||
|
Here Today Gone Tomorrow [CEZ4329 - 16] |
2'36 | Julien Barthe | Synthwave. Inevitable, sad & nocturnal. Arpeggiator, electric guitar | cybernetics cyclic social drama inexorable | Bm | 70 | ||||
|
Here Today Gone Tomorrow 2 [CEZ4329 - 19] |
Alt. | 2'48 | Julien Barthe | Synthwave. Inevitable, sad & nocturnal. Piano, electric guitar & | cyclic social drama inexorable nocturnal | Bm | 70 | |||
|
Here Today Gone Tomorrow 3 [CEZ4329 - 20] |
Alt. | 3'05 | Julien Barthe | Synthwave. Inevitable, sad & nocturnal. Arpeggiator & electric | cyclic social drama inexorable synthwave | Bm | 70 | |||
|
Online Eternally [CEZ4329 - 17] |
0 | 2'19 | Sham Makdessi, Morgan Sansous | Electro industrial. Dark, obstinate & inexorable. Synth & rhythm. | electro industrial relentless cybernetics industry | Cm | 84 | |||
|
The Thinking Machine [CEZ4329 - 18] |
0 | 3'12 | Narumi Omori | Electro ambient. Interrogative, waiting & constant. Analog synth. | electro ambient underwater science analog synth | Bm | 110 | |||
|
Reverse Engineering [CEZ4309 - 16] |
0 | 2'09 | Claude Samard | Analog electro. Technologic, tense & driving. Intro. Arpeggiator, | arpeggiator cybernetics relentless 2000 | Cm | 100 | |||
|
Viral Spiral [CEZ4309 - 22] |
0 | 1'41 | Colo Colo | Analog electro. Sad, desolate & deep. Analog synth. | abyss desolate natural disaster drone | Am | 106 | |||
|
It's Good to be Bad [CEZ4305 - 3] |
0 | 2'20 | Eric Lohrer | Progressive rock. Wild, urgent & obstinate. Electric guitar, synth & | driving garage rock B movie electric guitar | Am | 156 | |||
|
Devasted Land [CEZ4285 - 27] |
0 | 1'56 | Gréco Casadesus, Gregory Cotti | Frightening & chaotic. Electronics & percussion. | scary aggressive & violent war (movies) warlike | Ebm | 100 | |||
|
Ambient Hit [UBM2271 - 3] |
0 | 2'31 | Daniel Backes, Peter Moslener | Accentuated track that builds up tension. Percussion, synthesizer. | abyss science arpeggiator intermittent | E | 84 | |||
|
Those Facts [UBM2271 - 6] |
0 | 1'55 | Daniel Backes, Peter Moslener | Tension, drama, time ticking away. Ideal for investigative images and | crime movie disturbing investigation mysterious | B | 100 |