| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Rise of the Cyborgs [CEO2053 - 7] |
0 | 2'09 | Stéphane Lopez | Analog electro. Intriguing & nocturne. Anticipation. Analog synth | cybernetics beds sci-fi analog synth | Am | 136 | |||
|
Burnt Earth [CEO2052 - 21] |
0 | 2'21 | Baptiste Thiry | Destiny. Landscapes. Tragic & suspended. Urgent & rhythm @ 1'43. | scary natural disaster disturbing investigation | Ebm | 117 | |||
|
Babad Lambok [CEO2052 - 23] |
0 | 1'01 | Baptiste Thiry | Landscapes. Adventure. Suspended & atmospheric. Determined @ 0'41. | atmospheric panorama mysterious panoramic | Em | 117 | |||
|
Cooling Temperature [CEO2052 - 24] |
0'58 | Baptiste Thiry | Disturbing & interrogative. Cinematic orchestra & sequencing. | adventure cinematic orchestra beds panorama | C | 60 | ||||
|
Cooling Temperature 1 [CEO2052 - 29] |
Alt. | 0'55 | Baptiste Thiry | Drone. Tense & suspended. Progression. Sad & desolate @ 0'23. | adventure cinematic orchestra panorama atmospheric | Cm | 60 | |||
|
The Murderer's Dilemma [CEZ4311 - 19] |
0 | 1'43 | Thierry Caroubi | Impacts. Trailers. Action. Frightening & mysterious. Constant | crime movie aggressive & violent scary action movie | Gm | 162 | |||
|
The Grave [CEZ4311 - 21] |
0 | 1'38 | Mathieu Laurent | Impacts. Trailers. Action. Violent, inexorable & frightening. | crime movie atmospheric scary sudden | Am | 82 | |||
|
Inner City [MAG6025 - 3] |
0 | 1'33 | Yann Kesz | Real hip hop / beatmaking. Tense, obstinate & urban. Synth, strings, | beat making attitude urban landscape relentless | Dm | 83 | |||
|
Stroke by Stroke [CEZ4312 - 5] |
2'28 | Elisabeth Skornik, Guy Skornik | Crystalline, punctuated & obstinate. Staccato strings & vibrato @ | crystalline contemporary history patient mark tree | Cm | 120 | ||||
|
Stroke by Stroke Alternate 1 [CEZ4312 - 24] |
Alt. | 2'27 | Elisabeth Skornik, Guy Skornik | Mechanical & punctuated. Electronics, percussion @ 1'04 & strings @ | punctuated crystalline unclassifiable industry | C | 120 | |||
|
Stroke by Stroke Alternate 2 [CEZ4312 - 25] |
Alt. | 2'28 | Elisabeth Skornik, Guy Skornik | Mechanical, mysterious & rigorous. Electronics. Build up gradually. | mechanical contemporary history relentless building | C | 120 | |||
|
Stroke by Stroke Alternate 3 [CEZ4312 - 26] |
Alt. | 2'26 | Elisabeth Skornik, Guy Skornik | Cyclic, regular & urgent. Electronics | cyclic social drama falling docu fiction | C | 120 | |||
|
Stroke by Stroke Alternate 4 [CEZ4312 - 27] |
Alt. | 2'27 | Elisabeth Skornik, Guy Skornik | Cyclic, crystalline & mysterious. Electronics. | crystalline cyclic contemporary history docu fiction | C | 120 | |||
|
Stroke by Stroke Alternate 5 [CEZ4312 - 28] |
Alt. | 1'06 | Elisabeth Skornik, Guy Skornik | Fast action. Determined, obstinate & serious. String orchestra. Neo | driving contemporary history jerky staccato | Cm | 120 | |||
|
Mind the Clock [CEZ4312 - 8] |
0 | 2'11 | Elisabeth Skornik, Guy Skornik | Naked version of tr 7 Mind at Work based on the clock fx. | steady time (tick-tock) destiny anticipation | D | 120 | |||
|
Data Center [CEZ4309 - 4] |
0 | 2'05 | Thomas Didier | Analog electro. Percussive, heavy & tense. Analog synth & rhythm. | relentless electro beat horror disturbing | Fm | 90 | |||
|
Lost in Computerland [CEZ4309 - 13] |
0 | 3'35 | Arno Riva | Analog electro. Deep, cosmic & mysterious. Analog synth & rhythm. | nocturnal 1980 electro beat space | Fm | 80 | |||
|
After Dark [CCB1027 - 7] |
2'55 | Eric Lohrer, David Taieb | Electro beat. Mysterious, unstable & nocturne. Synth, electric guitar | social drama mysterious atmospheric electro beat | Gm | 65 | ||||
|
After Dark Alternative
[CCB1027 - 18] |
Alt. | 2'30 | Eric Lohrer, David Taieb | Electro beat. Dark, wandering & mysterious. Synth, electric guitar & | sinister desolate wandering disturbing | F | 128 | |||
|
Dark Groove [CCB1027 - 8] |
0 | 1'39 | Eric Lohrer, David Taieb | Electro beat. Anticipation, urgent & inevitable. Synth, electric | electro beat relentless chase social drama | E | 120 | |||
|
Last Chance [CCB1026 - 2] |
0 | 2'02 | Ray Bartok | Experimental rock. Intriguing, mysterious & relax. Rock band. | experimental rock 1990 band investigation | Gbm | 136 | |||
|
Blunted Scalpel [EOS22 - 1] |
0 | 2'36 | Eric Volpatti | Sound design. Interrogative, sad & cold. Piano, glitch & electronics. | sad cold desert desolate fx backwards | Em | 65 | |||
|
Anxiety and Sweating [EOS22 - 2] |
0 | 2'12 | Eric Volpatti | Sound design. Inevitable, serious & intimate. Piano, electronics & | strict suspense social drama inexorable | Am | 130 | |||
|
Oxygen Therapy [EOS22 - 3] |
0 | 3'30 | Eric Volpatti | Sound design. Suspended, urgent & constant. Synth, piano & | desolate fx backwards investigation mysterious | Ebm | 109 | |||
|
Dropping Bottle [EOS22 - 4] |
0 | 3'07 | Eric Volpatti | Sound design. Mysterious, obstinate & dark. Synth, piano & | interrogative investigation science social drama | Bbm | 148 | |||
|
3D Printed Brainstem [EOS22 - 5] |
0 | 2'52 | Eric Volpatti | Sound design. Introspective, serious & tense. Synth, piano & | introspective interrogative investigation mysterious | Dbm | 142 | |||
|
Narcotic Overdose [EOS22 - 6] |
0 | 2'35 | Eric Volpatti | Sound design. Interrogative, cyclic & constant. Piano & electronics. | strict fx backwards interrogative investigation | A | 144 |