| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Change [UBM2218 - 4] |
0 | 2'50 | Felix Halbe | Dramatic & sad. Piano & strings. | French TV serie social drama sentimental contemporary series | Am | 100 | |||
|
Datenautobahn [UBM2218 - 13] |
0 | 2'11 | Felix Halbe | Urban & nocturnal. Synth & rhythm. | relentless driving social drama nocturnal | E | 90 | |||
|
Looking Back [UBM2218 - 21] |
0 | 1'14 | Felix Halbe | Intimate & pensive. Solo piano. | introspective social drama suspended atmosphere acoustic piano | Dbm | 140 | |||
|
Interior Voyage [MAG6003 - 6] |
0 | 2'15 | DoubtingThomas | Dowtempo. Ethereal & nostalgic. Synth, trumpet & rhythm. | crime movie nocturnal urban urban landscape | Ab | 78 | |||
|
No Entry [MAG6003 - 8] |
0 | 1'56 | DoubtingThomas | Ambient. Intriguing & deserted. Synth & rhythm. | introduction nocturnal electro organic electronic percussion | Gb | 94 | |||
|
The Last Shift [MAG6003 - 13] |
0 | 2'06 | DoubtingThomas | Electro dub. Wandering & weary. Synth & rhythm. Fx traffic @ 0'52. | electro dub wandering fx delay fx traffic | G | 64 | |||
|
Someone Out There [CEZ4170 - 19] |
0 | 3'52 | François Causse, Didier Malherbe | Pensive, melancholic & moving. Duduk, guitar, bass & percussion. | duduk exotic melancholic swaying | Gm | 105 | |||
|
Kaman Tché [CCB1019 - 4] |
0 | 4'16 | Derya Turkan, Renaud Garcia-Fons | Interogative & sad. Kemançe & double-bass. | kemençe Andalusi classical music bowed double bass geopolitics | Gm | 164 | |||
|
Drop Down [MAG6001 - 24] |
0 | 2'12 | Chomsk' | Beat making. Implacable & acid. Synth, samples & rhythm. | falling celebs modern beat making | Dm | 88 | |||
|
Thoughts Escaping [CEZ4153 - 4] |
0 | 1'25 | Eric Lohrer | Interrogative & lazy. Solo acoustic guitar. | suspended atmosphere sparse wandering insidious | Fm | 90 | |||
|
Black Veil [CEZ4153 - 8] |
0 | 1'45 | Selma Mutal | Desolate & sparse. Piano & synth. | narrative cold desert desolate silence | F | 121 | |||
|
Wall of Silence [CEZ4153 - 10] |
0 | 1'57 | Selma Mutal | Disturbing & sparse. Electric bass. | scary sparse beds desolate | Cm | 73 | |||
|
Toxic Waters [CEZ4153 - 24] |
0 | 1'41 | Selma Mutal | Melancholic & dreamy. Cymbalum & synth. | beds cold desert melancholic panorama | Bbm | 155 | |||
|
Prayers in Vain [CEZ4153 - 25] |
0 | 1'55 | Julien Vega | Sad & interrogative. Piano & cello. | interrogative silence beds introspective | C | 89 | |||
|
Kafka's Diaries [CEZ4153 - 29] |
0 | 1'38 | Marc-Olivier Dupin | Patient & inexorable. Cymbalum & piano. | beds cimbalom patient swaying | Fm | 84 | |||
|
Industrial Icon 3 [CEZ4151 - 39] |
2'40 | Elisabeth Skornik, Guy Skornik | Sparse & suspended. Electric guitar, piano & electronics @ 0'52. | desolate social drama suspended atmosphere investigation | D | 110 | ||||
|
Industrial Icon [CEZ4151 - 11] |
Alt. | 2'24 | Elisabeth Skornik, Guy Skornik | Serious & linear. Staccato strings, piano & electronics. | strict corporate (all) industry inexorable | Dm | 110 | |||
|
Work in Progress 3 [CEZ4151 - 43] |
1'22 | Elisabeth Skornik, Guy Skornik | Moody & introspective. Solo piano. | falling social drama introspective corporate (all) | Gm | 72 | ||||
|
Work in Progress [CEZ4151 - 13] |
Alt. | 1'50 | Elisabeth Skornik, Guy Skornik | Urgent & serious. Piano & string orchestra. Builds up. | corporate (all) strict scansion falling | G | 144 | |||
|
La Linea del Sur [CCB1017 - 1] |
0 | 6'11 | Renaud Garcia-Fons | Determined & melancholic. Bowed double-bass, flamenco guitar, | world music driving geopolitics bowed double bass | Gm | 83 | |||
|
Gare Saint Charles [CCB1017 - 3] |
0 | 4'03 | Renaud Garcia-Fons | Slow waltz, moving & peacefule. Double-bass, accordion & acoustic | melancholic world music calm country & garden | Dm | 99 | |||
|
Cante del Barco [CCB1017 - 9] |
0 | 3'20 | Renaud Garcia-Fons | Sad & moving. Bowed double-bass & accordion. | world music wandering tragic bowed double bass | Gm | 102 |