| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
The Hour has Come [CET9021 - 10] |
01'31 | Philippe Briand | Anticipating, ticking, tribal & warlike. Heavy cinematic drum rolls, | historical conflict anticipation percussive time (tick-tock) | Fm | 110 | ||||
|
The Hour has Come Alternate [CET9021 - 23] |
Alt. | 01'31 | Philippe Briand | Alternate without percussion. Anticipating, tribal & warlike. Tense | anticipation cinematic rock horror fiery | Fm | 110 | |||
|
Bricks [CEO2100 - 23] |
0 | 1'05 | Elisabeth Skornik, Guy Skornik | Repetitive & urgent. Bass sequence & sound of stone. | relentless inexorable investigation spy | Am | 90 | |||
|
Psychotic Mind [CET9014 - 10] |
2'02 | Martin Emilio Insaurgarat | Unstable, weird & discontinuous. Constant clock @ 0'39. Obstinate, | horror psychotic time (tick-tock) scary | Bm | 110 | ||||
|
Psychotic Mind Alternate [CET9014 - 22] |
Alt. | 2'01 | Martin Emilio Insaurgarat | Alternate with less percussion. Wacky, uncomfortable & distressing. | horror psychotic time (tick-tock) scary | Bm | 110 | |||
|
Poisoned Soil [CEG5017 - 20] |
0 | 2'21 | Abaji | Interrogative, sparse & lightly disturbing. Kalimba, whistling, | time (tick-tock) interrogative suspense beds | Dm | 120 | |||
|
Time is on the Move [CEZ4351 - 3] |
2'37 | Guy Skornik, Elisabeth Skornik | ☆ Nominated "Best Use - Digital / Online Advertising" @Production | social drama fx tick-tock strict anticipation | Cm | 120 | ||||
|
Time is on the Move Alternate [CEZ4351 - 31] |
Alt. | 2'00 | Elisabeth Skornik, Guy Skornik | Alternate underscore rhythm version.only | relentless investigation strict driving | C | 120 | |||
|
Time is on the Move Alternate
[CEZ4351 - 32] |
Alt. | 2'37 | Elisabeth Skornik, Guy Skornik | Alternate version without timer. | relentless destiny contemporary history strict | Cm | 120 | |||
|
Time is on the Move Alternate
[CEZ4351 - 33] |
Alt. | 1'40 | Elisabeth Skornik, Guy Skornik | Alternate underscore only rhythm version. | relentless disturbing investigation time (tick-tock) | C | 120 | |||
|
Time Perception [UBM2274 - 13] |
0 | 3'20 | Felix Halbe | Tick tack, time is tight. The tension rises like the tempo in this | fx tick-tock time (tick-tock) suspense spy | Em | 105 | |||
|
Avant le Match [CEO2040 - 12] |
1'36 | Arnaud de Boisfleury | Time. Waiting. Constant. Pizz & tic-tac. | fx tick-tock time (tick-tock) steady beds | Am | 72 | ||||
|
Avant le Match Alternate
[CEO2040 - 20] |
Alt. | 1'36 | Arnaud de Boisfleury | Waiting. Constant. Pizz & tic-tac. | time (tick-tock) beds arts & crafts steady | Am | 72 | |||
|
Speed Shift [CEZ4264 - 7] |
1'42 | Eric Lohrer, Baptiste Thiry | Travelling. Urgent, panoramic & serious. Film music with a country | panorama urgent driving time (tick-tock) | Am | 148 | ||||
|
Speed Shift 2 [CEZ4264 - 31] |
Alt. | 1'11 | Eric Lohrer, Baptiste Thiry | Melancholic & panoramic. Electric guitars & synth. | panorama panoramic North America clean electric guitar | Am | 147 | |||
|
The Time it Takes [CEZ4197 - 3] |
2'26 | Elisabeth Skornik, Guy Skornik | Careful & crystalline. Keyboards & electronics. | arts & crafts corporate video patient time (tick-tock) | D | 120 | ||||
|
The Time it Takes 2 [CEZ4197 - 22] |
Alt. | 2'26 | Elisabeth Skornik, Guy Skornik | Minimalist & sparse. Piano, echo fx & pads. Build-up. | peaceful arts & crafts refined childhood | D | 120 | |||
|
Night Inspection [UBM2219 - 3] |
0 | 2'10 | Tony Delmonte, Anselm Kreuzer | Mysterious & stressful. Bass, synth & rhythm | time (tick-tock) mysterious disturbing investigation | Dm | 120 | |||
|
Clock [UBM2218 - 3] |
0 | 2'29 | Felix Halbe | Intense & measured. Strings & fx tick-tock. | time (tick-tock) spy fx tick-tock inexorable | E | 161 | |||
|
Race Against Time [CEZ4171 - 5] |
0 | 2'12 | Christophe Zurfluh | Feverish & urgent. Electronic percussion. | time (tick-tock) electronic percussion percussive industry | Bm | 152 | |||
|
News Time [CEZ4113 - 1] |
1'47 | Guillaume Martel | Urgent & tense. Piano, strings, electric guitars & rhythm. 120 BPM. | breaking news time (tick-tock) corporate (all) strict | Gm | 120 | ||||
|
News Time 2 [CEZ4113 - 29] |
Alt. | 1'45 | Guillaume Martel | Urgent & tense. Strings, electric guitars, electronics & rhythm. 120 | corporate (all) time (tick-tock) breaking news urgent | Gm | 120 | |||
|
Pacific Time [CEZ4113 - 3] |
2'08 | Daniel Diaz | Determined & serious. Electric guitar, rhythm, electronics, tick tock | time (tick-tock) fx tick-tock fx stopwatch industry | Em | 144 | ||||
|
Time Runs Out [CEZ4113 - 4] |
Alt. | 2'08 | Daniel Diaz | Determined & serious. Synth, electronics, tick tock fx & alarm clock | time (tick-tock) fx tick-tock corporate (all) industry | Em | 144 | |||
|
Time Runs Out 2 [CEZ4113 - 30] |
Alt. | 2'04 | Daniel Diaz | Determined & serious. Rhythm, electronics, tick tock fx & alarm clock | time (tick-tock) fx tick-tock fx stopwatch industry | Em | 144 | |||
|
Run Rabbit Run [CEZ4113 - 23] |
0 | 2'35 | Daniel Diaz | Urgent & childlike. Alarm clock, guitars & electronics. 112 BPM. | time (tick-tock) fx tick-tock corporate (all) urgent | Em | 112 | |||
|
Waste of Time [CEZ4113 - 25] |
0 | 2'16 | Daniel Diaz | Patient & lazy. Bass, glockenspiel, bells & tick-tock. 54 BPM. | time (tick-tock) fx stopwatch fx tick-tock electric bass | E | 54 | |||
|
Wakey Wakey ! [CEZ4113 - 26] |
0 | 2'31 | Daniel Diaz | Urgent & stressful. Clocks & alarms ensemble. 138 BPM. | time (tick-tock) fx tick-tock fx alarm clock unclassifiable | Bm | 138 | |||
|
Horology [CEZ4113 - 27] |
2'20 | Daniel Diaz | Mechanical & urgent. Clock ensemble. 138 BPM. | time (tick-tock) fx tick-tock fx phone corporate (all) | Em | 138 | ||||
|
Horology 2 [CEZ4113 - 31] |
Alt. | 2'27 | Daniel Diaz | Mechanical & funny. Clock ensemble. | time (tick-tock) fx tick-tock patient corporate (all) | E | 108 | |||
|
Horology 3 [CEZ4113 - 32] |
Alt. | 1'42 | Daniel Diaz | Mechanical & mysterious. Clock ensemble. | time (tick-tock) fx tick-tock carillon corporate (all) | E | 96 | |||
|
Chronometry [CEZ4113 - 28] |
2'06 | Guillaume Martel | Urgent with chronometer fx. Electronics & electric guitar. | time (tick-tock) fx stopwatch corporate video urgent | Gm | 120 | ||||
|
Chronometry 2 [CEZ4113 - 33] |
Alt. | 2'06 | Guillaume Martel | Urgent & tense. Chronometer fx. Electronic percussion. | time (tick-tock) fx stopwatch electronic percussion mechanical sport | Gm | 120 | |||
|
Dance of the Neurones [CEZ4103 - 9] |
0 | 2'07 | Elisabeth Skornik, Guy Skornik | Like a strange clock. Music box, pizz & strings. Rhythm @ 0'59. | time (tick-tock) patient fx tick-tock arts & crafts | B | 85 |