| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
A Shadow of a Doubt [MAG6053 - 9] |
3'29 | Hiroki Ishikura | Ambient electro. Interrogative, glitchy & reflective. Fx reverse & | muffled introspective nocturnal steady | Em | 100 | ||||
|
A Shadow of a Doubt
[MAG6053 - 13] |
Alt. | 3'29 | Hiroki Ishikura | Ambient electro. Interrogative, glitchy & reflective. Sound design & | introspective intimate atmospheric social drama | Bm | 100 | |||
|
Unveiled [CEG5023 - 2] |
0 | 4'02 | Bill Laswell | Obstinate, tense & gloomy. Dub. bass, Hammond organ, mutted trumpet | dub nocturnal relentless urban landscape | Abm | 127 | |||
|
Tilting at Windmills [CEZ4393 - 17] |
0 | 2'46 | Eric Lohrer | Suspended, atmospheric & dreamy in a Middle-Eastern spirit. electric | underwater atmospheric dreamy suspended atmosphere | Am | 60 | |||
|
Watermill [CEZ4390 - 5] |
0 | 2'27 | Elisabeth Skornik, Guy Skornik | Peaceful, flowing & undulating. Piano in a reverse fx. | fx backwards interrogative luminous arpeggio | Dm | 108 | |||
|
Rage [CEZ4355 - 7] |
0 | 2'30 | Thomas Danigo | Trailer / war movie / trap / cinematic. Aggressive, trash & | aggressive & violent horror trash (texture) chase | G | 110 | |||
|
Here They Come [CEZ4355 - 20] |
0 | 2'58 | Vincent Dumas | Action movie / cinematic / adventure. Threatening, warlike & | inexorable action movie aggressive & violent cinematic | Gm | 60 | |||
|
Together Forever [CEZ4354 - 4] |
2'28 | Narumi Omori | Dream pop / indie pop. Heavy intro. Dreamy, peaceful & misty. | dreamy dream pop fx reverb airy | G | 100 | ||||
|
Together Forever 2 [CEZ4354 - 17] |
Alt. | 2'28 | Narumi Omori | Dream pop / indie pop. Heavy intro. Dreamy, peaceful & misty. | dream pop fx reverb dreamy modern | G | 100 | |||
|
A Breath of Fear [CEZ4311 - 6] |
0 | 1'37 | Gregory Cotti | Impacts. Trailers. Descending. Sudden, intense & creepy. Tribal @ | cinematic aggressive & violent action movie historical conflict | C | 98 | |||
|
Time for Crime [CEZ4311 - 8] |
1'36 | Gregory Cotti | Impacts. Trailers. Action. Sudden, evil & cavernous. Cinematic | cinematic action movie trailer fx reverb | Cm | 120 | ||||
|
Time for Crime Alternative
[CEZ4311 - 23] |
Alt. | 1'35 | Gregory Cotti | Action, trailer, investigation. Mysterious & frightening. Sequencing | crime movie cinematic action movie disturbing | C | 120 | |||
|
A Watery Grave [CEZ4311 - 18] |
0 | 1'38 | Mathieu Laurent | Impacts. Trailers. Action. Sparse, sudden & frightening. Cinematic | cinematic percussion cinematic aggressive & violent crime movie | Cm | 64 | |||
|
All Day [CEZ4189 - 3] |
2'28 | Plaisir de France | Airy & dreamy. Female singer, electric guitar, bass & rhythm.Lyrics | pop ballad advertising sensual airy | Bm | 100 | ||||
|
All Day 2 [CEZ4189 - 17] |
Alt. | 2'28 | Plaisir de France | Relax & panoramic. Electric guitar, bass & rhythm. | panorama pop ballad melancholic panoramic | D | 100 | |||
|
DNA Extraction [EOS15 - 5] |
0 | 3'09 | Eric Volpatti | Wandering & atmospheric. Synth, piano & electric guitar. Fx delay & | atmospheric interrogative mysterious social drama | Am | 162 | |||
|
Brain Processing [CEZ4175 - 20] |
0 | 2'33 | Emmanuel Geoffroy | Mysterious & abstract. Piano & electronics. | bustling atmospheric dark ambient fx insects | Gm | 77 | |||
|
A Critical Moment [CEZ4153 - 1] |
0 | 1'21 | Arnaud de Boisfleury | Sudden & disturbing . Cello & synth. | narrative suspense suspended atmosphere spy | A | 111 | |||
|
Fossil Shell [EOS08 - 11] |
0 | 2'45 | Eric Volpatti | Patient & interrogative. Piano & electronics. Fx reverse & delay. | fx backwards cold desert suspended atmosphere wandering | Bm | 129 | |||
|
Toxic [UBM2190 - 11] |
0 | 2'08 | Felix Halbe | Inexorable and uncanny. Increasing intensity of drums, then eerie | fx backwards atmospheric fx delay inexorable | Em | 120 | |||
|
Modern Gladiator [CEZ4139 - 4] |
2'49 | Mark Alberts | Powerful & epic @ 0'46. Electric guitar, synth, scratch & drums. | road movie sport drama electric guitar progressive rock | Am | 144 | ||||
|
Modern Gladiator 2 [CEZ4139 - 28] |
Alt. | 2'38 | Mark Alberts | Epic & powerful. Strings, electric guitar, synths, scratch & drums. | cinematic explosive fx flanger fx distorsion | Am | 144 | |||
|
Modern Gladiator 3 [CEZ4139 - 29] |
Alt. | 2'10 | Mark Alberts | Interrogative & powerful. Electric guitar, strings, synths, scratch & | electric guitar cinematic explosive fx distorsion | Am | 144 | |||
|
Modern Gladiator 4 [CEZ4139 - 30] |
Alt. | 0'11 | Mark Alberts | Link. Tense. Electric guitar, strings & drums. | link drums action movie electric guitar | Gbm | 144 | |||
|
Modern Gladiator 5 [CEZ4139 - 31] |
Alt. | 0'12 | Mark Alberts | Link. Crescendo. Strings & bass. | link electric bass crescendo action movie | Gbm | 153 | |||
|
Modern Gladiator 6 [CEZ4139 - 32] |
Alt. | 0'09 | Mark Alberts | Sting. Interrogative. Electric guitar & pads. | sting electric guitar instrumental interrogative | Em | 86 | |||
|
Modern Gladiator 7 [CEZ4139 - 33] |
Alt. | 0'18 | Mark Alberts | Link. Disturbing. Fuzz guitar with flanger fx. | link action movie fx flanger distorted electric guitar | A | 136 | |||
|
Painful Secret [EOS03 - 2] |
0 | 2'06 | Eric Volpatti | Psychotic & sparse. Electronics, synth, pianet & electronic | science beds fx delay cold | G | 129 | |||
|
On the Rebound [CEZ4110 - 16] |
0 | 2'31 | Daniel Diaz, Daniel Finot, Arnaud Rozenblat | Insistent & determined. fx delay. Builds up gradually. | fx delay slapping electric bass relentless | Em | 144 | |||
|
Lethal Engine [UBM2145 - 20] |
0 | 1'52 | Daniel Backes, Peter Moslener | Distorted drone with threatening underscore and bubbly noises. | muffled abyss steady horror | Eb | 97 |