| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
The Curse of the Boobs [CEO2067 - 1] |
0 | 0'40 | Emmanuel Denis | Punk rock. Eccentric, funny & urgent. Synth, electric guitar with | quirky chase driving kitsch & cheesy | C | 161 | |||
|
Always the Same [CEO2067 - 2] |
0 | 1'34 | Emmanuel Denis | Erotic movie & contemporary soul. Groovy, relax & sensuel. Male & | funk sensual striptease funny | C | 99 | |||
|
They're my Friends [CEO2067 - 8] |
0 | 1'24 | Emmanuel Denis | Funk & underscore. Funky, confident & constant. Electric bass, | daytime TV 1990 confident steady | Fm | 97 | |||
|
Let's Go [UBM2276 - 4] |
0 | 2'48 | Bernhard Hering, Matthias Krüger-Wendel | Positive, groovy track suitable for dynamic images of beginnings or | do-it-yourself daytime TV relaxed beds | G | 95 | |||
|
Smooth Moves [UBM2276 - 16] |
0 | 2'13 | Bernhard Hering, Matthias Krüger-Wendel | Relaxed and cool jazzy track reminding of a cat on a hot tin roof. | interiors & cooking B movie daytime TV relaxed | Bbm | 85 | |||
|
Last Edition [CEO2064 - 12] |
0 | 1'24 | Elisabeth Skornik, Guy Skornik | Suspended, tense & narrative. Electronics & electric guitar harmonics. | investigation crime movie disturbing suspense | A | 162 | |||
|
Descent into Hell [CEO2064 - 17] |
0 | 2'05 | Elisabeth Skornik, Guy Skornik | Narrative, dark, constant & descending. Staccato strings, tom tom & | inexorable suspense falling disturbing | Cm | 60 | |||
|
Here Today Gone Tomorrow [CEZ4329 - 16] |
2'36 | Julien Barthe | Synthwave. Inevitable, sad & nocturnal. Arpeggiator, electric guitar | cybernetics cyclic social drama inexorable | Bm | 70 | ||||
|
Here Today Gone Tomorrow 2 [CEZ4329 - 19] |
Alt. | 2'48 | Julien Barthe | Synthwave. Inevitable, sad & nocturnal. Piano, electric guitar & | cyclic social drama inexorable nocturnal | Bm | 70 | |||
|
Here Today Gone Tomorrow 3 [CEZ4329 - 20] |
Alt. | 3'05 | Julien Barthe | Synthwave. Inevitable, sad & nocturnal. Arpeggiator & electric | cyclic social drama inexorable synthwave | Bm | 70 | |||
|
Online Eternally [CEZ4329 - 17] |
0 | 2'19 | Sham Makdessi, Morgan Sansous | Electro industrial. Dark, obstinate & inexorable. Synth & rhythm. | electro industrial relentless cybernetics industry | Cm | 84 | |||
|
Libre Diagonale Alternate [CEO2060 - 13] |
3'05 | Alice Guerlot Kourouklis | Regular, confident & patient. Electronics & rhythm. Bed. | contemporary dance architecture & design electronica patient | Em | 110 | ||||
|
Libre Diagonale [CEO2060 - 6] |
Alt. | 3'05 | Alice Guerlot Kourouklis | Regular, confident & patient. Electronics & rhythm. | contemporary dance patient architecture & design electronica | D | 110 | |||
|
Peaceful Times [EOS26 - 8] |
0 | 2'59 | Lone Kent | Haunting & atmospheric. Electric guitar, sound design & rhythm. | atmospheric suspended atmosphere introspective road movie | Am | 118 | |||
|
Stay Fit [CEZ4324 - 11] |
0 | 2'12 | Luigi Marletta | Upbeat electro. Strong, driving & steady. Synth, pitched voices & | lively modern driving fitness | Em | 120 | |||
|
Inhale Exhale [CEZ4324 - 15] |
0 | 3'23 | Romain Magnan | Upbeat electro / French touch. Groovy, nervous & arty. Sample, | French touch catchy celebs modern | Cm | 111 | |||
|
The Memory Remains [CEZ4323 - 10] |
0 | 3'34 | Sham Makdessi, Morgan Sansous | Nu metal. Dark, nostalgic & dynamic. Metal band with piano. | 2000 melancholic nu metal social drama | Cm | 105 | |||
|
East Detroit [CEO2054 - 10] |
1'34 | Eric Lohrer | Wide open Space. Investigation. Interrogative & indecisive. Electric | anticipation suspended atmosphere dreamy electric guitar | Am | 88 | ||||
|
East Detroit 2 [CEO2054 - 34] |
Alt. | 1'19 | Eric Lohrer | Wide open space. Solitary & suspended. Solo electric guitar. | anticipation suspended atmosphere steady electric guitar | Am | 89 | |||
|
Come Closer [MAG6026 - 1] |
3'40 | Penelope Antena | Contemporary R&B. Sensual, catchy & chic. Female singer, synth, Lyrics | modern arty fashion sensual | Dbm | 105 | ||||
|
Come Closer 2 [MAG6026 - 6] |
Alt. | 3'39 | Penelope Antena | Contemporary R&B. Sensual, catchy & jazzy. Synth & rhythm. | modern R' & B' advertising sensual | Dbm | 105 | |||
|
Dystopia [CEZ4309 - 15] |
0 | 1'45 | Christophe Canavaggio, Sean Henry | Electro glitch. Inevitable, disturbing & dark. Build-up. Synth, choir | disturbing electro glitch mysterious cybernetics | Bb | 130 | |||
|
Android Alive [CEZ4309 - 19] |
0 | 2'41 | Franck Fossey | Analog electro. Dynamic, sustained & driving. Arpeggiator, analog | arpeggiator cybernetics electro beat relentless | Gm | 154 | |||
|
Another Lifetime [CCB1027 - 2] |
1'07 | Eric Lohrer, David Taieb | Electro beat. Inevitable, atmospheric & wandering. Electric guitar, | wandering loop desolate electric guitar | Em | 110 | ||||
|
Another Lifetime Alternative
[CCB1027 - 16] |
Alt. | 2'01 | Eric Lohrer, David Taieb | Electro beat. Inevitable, atmospheric & wandering. Electric guitar, | social drama urban landscape wandering investigation | Em | 110 | |||
|
Another Lifetime Alternative
[CCB1027 - 17] |
Alt. | 2'02 | Eric Lohrer, David Taieb | Sinister, disturbing & wandering. Synth & electric guitar. | urban landscape sinister atmospheric investigation | Am | 108 | |||
|
Nothing is Real [CCB1027 - 6] |
0 | 2'25 | Eric Lohrer, David Taieb | Electro beat. Incisive, cyclic & driving. Synth & rhythm. Loop. | industry relentless cyclic electro beat | Em | 83 |