| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Why we fight [CEZ4051 - 10] |
0 | 2'30 | Bruno Alexiu | Heavy & dark loops with metallic chimes & soundtrack fx. | historical conflict toxic drone action movie | Cm | 148 | |||
|
Massive Destruction [CEZ4051 - 13] |
0 | 2'41 | Bruno Alexiu | Apocalyptic soundscape. Vibrating drone & random low strings. | rumbling drone muffled toxic | E | 112 | |||
|
Secret Experience [CEZ4051 - 21] |
0 | 2'03 | Daniel Finot, Arnaud Rozenblat | Discovery. Slow repetitive bass note with synth bubbles fx. | drone sparse investigation science | C | 126 | |||
|
Ill Wind [CEZ4051 - 24] |
0 | 1'30 | Denis Levaillant | Seismic. Wind drone with large shifting ambient chords. | sci-fi cold fx wind toxic | Dbm | 123 | |||
|
Black Heart [CEZ4041 - 38] |
0 | 1'38 | Loïs Blanca | Building tension. Dark drone with heartbeat. | drone natural disaster sinister desolate | Bbm | 86 | |||
|
Psychotic Behaviour [CEZ4041 - 40] |
0 | 2'19 | Loïs Blanca | Very dark & unstable. Dissonant strings with Fx. | paranormal psychotic horror psychological drama | Cm | 68 | |||
|
Incarceration [CEZ4040 - 24] |
0 | 1'47 | Elisabeth Skornik, Guy Skornik | Dark shimmering drone with FX stabs. | cold steady desolate sparse | D | 172 | |||
|
The Morgue [CEZ4040 - 34] |
0 | 1'49 | Elisabeth Skornik, Guy Skornik | Cold & empty. Synth drone with dynamic FX. | drone sinister abyss historical conflict | C | 129 | |||
|
Cul-De-Sac [CEZ4092 - 27] |
2'16 | Hoosky | Mysterious & uneasy. Steady beat with hand-claps & deep synth bass | abstract hip-hop investigation sport drama urban landscape | C | 88 | ||||
|
Cul-De-Sac (Voice Edit) [CEZ4092 - 38] |
Alt. | 2'20 | Hoosky | Dark & haunting. Outro. Synth, samples, pitched voices & rhythm. | abyss muffled hypnotic relentless | C | 88 | |||
|
Ambient I [EOS148 - 2] |
0 | 2'54 | Mathieu Harlaut | Deep, floating & toxic. Analog synth soundscape & sequence. | space analog synth Ambient (all) wandering | Cm | 112 | |||
|
Ethereal Waves [AUD049 - 1] |
2'10 | Richard Mortier | Dreamy, bright & linear synth pad. Ethereal wave. | synth pad cosmic music calm suspended atmosphere | E | 62 | ||||
|
Ethereal Waves (Short Edit) [AUD049 - 6] |
Alt. | 0'30 | Richard Mortier | Short edit version. | cosmic music calm suspended atmosphere underwater | E | 76 | |||
|
Luminous Horizons [AUD049 - 3] |
2'10 | Richard Mortier | Bright, floating & ethereal. Underwater wave. | atmospheric synth pad calm suspended atmosphere | G | 100 | ||||
|
Luminous Horizons (Short Edit) [AUD049 - 8] |
Alt. | 0'33 | Richard Mortier | Short edit version. | atmospheric calm suspended atmosphere underwater | G | 98 | |||
|
Contradictions [CCB1069 - 9] |
2'51 | Hiroki Ishikura | Electro ambient. Ethereal, lost & alone. Synth & strings. Ideal for | suspended atmosphere sparse cold desert desolate | Am | 65 | ||||
|
Contradictions Alternate [CCB1069 - 20] |
Alt. | 2'53 | Hiroki Ishikura | Alternate with noise FX. | suspended atmosphere sparse cold desert desolate | Am | 117 | |||
|
Into the Architecture of Time [EOS129 - 5] |
0 | 3'36 | Ingrid Obled | Scary, insidious & sinister. Nyckelharpa, double bass & ice recording. | fx whale song nyckelharpa atmospheric scary | Em | 143 | |||
|
The Sound and the Fury [CEZ4650 - 10] |
0 | 2'26 | Cinematic. Eerie, secretive & haunted. Full orchestra with emotional | cinematic natural disaster soundscape wandering | Dm | 62 | ||||
|
Expose The Lies [UBM2559 - 10] |
0 | 2'02 | Axel Coon, Ralf Goebel | Nothing but lies: Like the mycelium of a fungal organism, a dense web | suspense disturbing mysterious sparse | Gm | 86 | |||
|
Down the Drain [CEZ4641 - 11] |
2'26 | Antoine Berquet | Ambient electro, dark ambient. Disturbing, boiling & deep. Ideal for | electro ambient nocturnal insidious mysterious | Fm | 60 | ||||
|
Down the Drain Alternate 1 [CEZ4641 - 17] |
Alt. | 2'26 | Antoine Berquet | Alternate no sound design. | electro ambient nocturnal insidious mysterious | Fm | 78 | |||
|
Down the Drain Alternate 2 [CEZ4641 - 18] |
Alt. | 3'28 | Antoine Berquet | Alternate extended intro. | electro ambient nocturnal insidious mysterious | Fm | 60 | |||
|
Down the Drain Alternate 3 [CEZ4641 - 19] |
Alt. | 3'27 | Antoine Berquet | Alternate extended intro no no sound design. | electro ambient nocturnal insidious mysterious | Fm | 81 | |||
|
The Mechanics of Evil
[CEZ4641 - 12] |
2'19 | Adrien Degioanni | Ambient electro, analog horror. Unstable, diabolic & worrying. Ideal | insidious electro ambient wandering weird | Bbm | 67 | ||||
|
The Mechanics of Evil
[CEZ4641 - 20] |
Alt. | 2'23 | Adrien Degioanni | Alternate no perc. | insidious electro ambient wandering weird | Bbm | 67 | |||
|
They Break Into My House [UBM2567 - 2] |
0 | 1'12 | Andreas Schulz | Abstract prepared piano for eerie, disturbing scenes. Useful for | underground abyss disturbing steady | Db | 144 | |||
|
Desert Drones Part 3 [AUD025 - 3] |
1'50 | Bruno Letort | Medium-slow - Slowly rising and pulsing drone. Electronic and ethnic | hot desert anticipation heavy sound design | Em | 70 | ||||
|
Desert Drones Part 3 Alternate [AUD025 - 8] |
Alt. | 0'26 | Bruno Letort | Alternate short version. | hot desert anticipation heavy sound design | Em | 70 |