| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Deadly Electricity [UBM2221 - 16] |
0 | 2'37 | Anselm Kreuzer, Queens Road | Discontinuous & sparse. Synth. | patient beds sparse science | F | 106 | |||
|
Blow of Fate [UBM2221 - 20] |
0 | 1'50 | Anselm Kreuzer, Queens Road | Melancholic & constant. Piano, synth & rhythm. | destiny acoustic piano calm desolate | Bm | 138 | |||
|
Melancholic Thoughts [UBM2219 - 9] |
0 | 2'37 | Tony Delmonte, Anselm Kreuzer | Melancholic & wandering. Violin & synth. | melancholic desolate sad wandering | Am | 100 | |||
|
The Last Shift [MAG6003 - 13] |
0 | 2'06 | DoubtingThomas | Electro dub. Wandering & weary. Synth & rhythm. Fx traffic @ 0'52. | electro dub wandering fx delay fx traffic | G | 64 | |||
|
Battle of Britain [CEO2021 - 2] |
0 | 2'26 | Bruno Alexiu | Suspended then dramatic progression. Orchestra & electronics. | historical conflict destiny suspended atmosphere war (movies) | Gm | 75 | |||
|
Dawn of Darkness [CEO2021 - 8] |
0 | 1'40 | Bruno Alexiu | Solemn but threatening. Orchestra. | historical narrative brass ensemble war (movies) panoramic | Em | 64 | |||
|
Innocent Victims [CEO2021 - 18] |
0 | 1'36 | Bruno Alexiu | Sad & tragic. Orchestra with clarinet. | inexorable historical narrative historical conflict war (movies) | Cm | 61 | |||
|
France After the Flood [CEO2021 - 21] |
0 | 1'23 | Bruno Alexiu | Sad & desolate. Orchestra with accordion. | destiny desolate tragic historical conflict | Dm | 77 | |||
|
The Ages of Humanity [CEZ4173 - 25] |
0 | 2'56 | Gréco Casadesus | Frightening & celestial. A capella choir & timpani. | mixed choir space atonal music mystical | Am | 118 | |||
|
Emptiness [EOS14 - 10] |
0 | 3'03 | Johane Myran | Hostile & vaporous. Beds with Japonese bowls. | atmospheric wandering desolate suspended atmosphere | Dm | 108 | |||
|
Beware the Calm [CEZ4153 - 13] |
0 | 1'52 | Vincent Courtois, John Greaves | Interrogative & constant. Fender Rhodes & cello. | steady suspended atmosphere interrogative beds | Am | 111 | |||
|
No Reply [CEZ4153 - 31] |
0 | 2'07 | Marc-Olivier Dupin | Interrogative & suspended. Solo piano. | silence beds sparse wandering | Fm | 93 | |||
|
The Old Clock [CEZ4153 - 38] |
0 | 2'05 | Christophe Zurfluh | Patient & sparse. Piano & metallic fx. | beds crystalline cold desert suspended atmosphere | Dm | 63 | |||
|
Mnemosyne [EOS13 - 5] |
0 | 3'12 | Anthony Mowat, Olivier Samouillan | Slow & sparse. Solo viola. | dissonant sparse Twentieth century music desolate | D | 118 | |||
|
Parallaxe [EOS13 - 6] |
0 | 3'08 | Anthony Mowat, Olivier Samouillan | Wandering & desolate. Viola duet. | Twentieth century music desolate dissonant suspended atmosphere | A | 90 | |||
|
Industrial Icon 3 [CEZ4151 - 39] |
2'40 | Elisabeth Skornik, Guy Skornik | Sparse & suspended. Electric guitar, piano & electronics @ 0'52. | desolate social drama suspended atmosphere investigation | D | 110 | ||||
|
Industrial Icon [CEZ4151 - 11] |
Alt. | 2'24 | Elisabeth Skornik, Guy Skornik | Serious & linear. Staccato strings, piano & electronics. | strict corporate (all) industry inexorable | Dm | 110 | |||
|
Voyage à Jeyhounabad [CCB1018 - 6] |
0 | 5'54 | Renaud Garcia-Fons | Wandering & sad then urgent & happy @ 5'00. Solo double bass. | Iran Middle-East & Maghreb crescendo desolate | Gm | 89 | |||
|
Oryssa [CCB1012 - 4] |
0 | 7'18 | Renaud Garcia-Fons | Mysterious & wandering. Tempo changing @ 3'41, urgent & frightful. | geopolitics world music wandering disturbing | G | 141 | |||
|
Cherokee Turnpike [CEZ4145 - 4] |
0 | 1'55 | Eric Lohrer | Wandering but obstinate. Banjo & acoustic guitar @ 0'23. | United States of America bluegrass banjo old time panorama | G | 89 | |||
|
Salida de Noche [CEZ4145 - 26] |
0 | 1'42 | Renaud Garcia-Fons | Introspective & nocturnal. Spanish inspiration. Solo double-bass. | double bass wandering sparse Spain | Cm | 72 |