| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Effervescence [CEV3026 - 3] |
0 | 3'03 | Loïc Schild | Circular & mechanical. Solo marimba. | marimba lively carefree interrogative | Fm | 93 | |||
|
Silk Mill [CEV3026 - 8] |
0 | 2'26 | Loïc Schild | Mechanical & linear. Solo marimba. | marimba arts & crafts geopolitics corporate (all) | Eb | 97 | |||
|
Nasty Gossip [CEZ4090 - 11] |
0 | 1'31 | Elisabeth Skornik, Guy Skornik | Bizarre & abstract. String Fx. | insects paranormal tormented chaotic | Eb | 117 | |||
|
Goukyuu [CEV3025 - 30] |
0 | 2'13 | Imade Saputra, Agnès Vesterman | Plaintive & sparse. Shakuhachi & cello. (Japan) | Japan shakuhashi contemporary art abstract art | Dm | 136 | |||
|
Kyudo [CEV3025 - 31] |
0 | 2'22 | Silvano Michelino, Imade Saputra | Plaintive & tense. Flute & percussion. (Korea) | geopolitics warlike nocturnal solemn | Fm | 106 | |||
|
Phou Bia [CEV3025 - 46] |
0 | 1'42 | Didier Malherbe | Interrogative & sparse. Solo cheng. (Southeast Asia, Indonesia, | sheng Cambodia China sparse | B | 147 | |||
|
Gladiators [CEV3022 - 2] |
0 | 2'38 | Thierry Caroubi, Vincent Leibovitz | Warlike & chaotic. Symphony orchestra, percussion & rhythm. | antiquity lost civilizations peplum adventure | Ebm | 114 | |||
|
Tragedy [CEV3022 - 8] |
0 | 2'23 | Marc-Olivier Dupin | Sudden &dramatic. Piano, cymbalum. Crotales & vibes. | scary small ensemble Twentieth century music powerful & imposing | C | 115 | |||
|
Darkness on Water [CEV3021 - 8] |
0 | 2'20 | Mathias Delplanque | Mysterious & disquieting. Percussion & electro-acoustic. | atmospheric lost civilizations prehistory suspended atmosphere | Dbm | 93 | |||
|
Cradle of Mankind [CEV3021 - 12] |
0 | 2'10 | Luiz Marquez | Deep & sparse. Percussion. | lost civilizations primitive art sparse prehistory | Gm | 126 | |||
|
Birth of Music [CEV3021 - 15] |
0 | 1'59 | Silvano Michelino | Call. Mysterious & primitive. Percussion ensemble. | antiquity lost civilizations prehistory changing | E | 70 | |||
|
The Stone Age [CEV3021 - 16] |
0 | 2'08 | Christof Déjean | Expectant & sparse. Percussion ensemble. | lost civilizations prehistory sparse electronic percussion | Gb | 162 | |||
|
The Cavern [CEV3021 - 21] |
0 | 1'19 | Piotr Moss | Sudden & scary. Percussion with reverb. | scary primitive art lost civilizations desolate | Gbm | 98 | |||
|
Hades [CEV3021 - 30] |
0 | 1'21 | Pierre Bernard | Anguished & static. Men's voices & electro-acoustic. | lost civilizations antiquity scary funereal | Bb | 60 | |||
|
Ever-Present Danger [CEV3021 - 35] |
0 | 1'14 | Godard Michel | Call. Plaintive & unusual. Solo conche. | marine conch prehistory lost civilizations antiquity | Bm | 126 | |||
|
Hidden Stone [CEV3018 - 5] |
0 | 1'37 | Imade Saputra | Mysterious & obsessive. Two skins drum. (Cambodia) | Cambodia ethnic & traditional (all) undefined percussion steady | Bbm | 133 | |||
|
Inuit Landscape [CEZ4087 - 11] |
0 | 1'59 | Two Colors | Mysterious & primitive. Percussion & electro acoustic. | suspended atmosphere sparse electroacoustic music mysterious | Am | 123 | |||
|
Stephens Island [CEV3016 - 10] |
0 | 1'31 | Imade Saputra | A capella men's voices. Guitar, conch & percussion. Sarang language. | Papua New Guinea ethnic & traditional (all) Indonesia men ethnic choir | Fm | 172 | |||
|
Modisa [CEV3014 - 20] |
0 | 2'16 | Imade Saputra | Lonely but stirring. Solo jew harp. (South Africa) | ethnic & traditional (all) Southern Africa jew's harp geopolitics | C | 94 | |||
|
Excessive Risks [CEZ4074 - 3] |
0 | 2'27 | Elisabeth Skornik, Guy Skornik | Heavy, percussive & tense. Muted electric guitar & cinematic | heavy suspense historical conflict anticipation | C | 116 |