| Album | Title | Vers. | Stems | Duration | Compo/Artist | Description | Keywords | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Drowning World [UBM2157 - 2] |
0 | 4'01 | Anselm Kreuzer | Subtle yet daunting; dangerous & spooky. | suspended atmosphere scary cold prehistory | D | 105 | |||
|
Rough Life [UBM2133 - 5] |
0 | 2'39 | Anselm Kreuzer | Plaintive, building into military action. | disturbing inexorable interrogative scary | Eb | 123 | |||
|
The Duke of Spook [UBM2169 - 1] |
0 | 1'53 | Daniel Backes, Peter Moslener | Mysterious drums and distant piano with morbid reverse effects. | investigation pulsation mysterious suspense | Ab | 97 | |||
|
Broken Trumpet [UBM2169 - 12] |
0 | 2'38 | Daniel Backes, Peter Moslener | Distant trumpet sounds with synth pads. | desolate synth pad atmospheric suspended atmosphere | Db | 111 | |||
|
Subliminal Danger 2 [UBM2117 - 18] |
0 | 1'59 | Bernhard Hering, Matthias Krüger-Wendel, Martin Wester | Deep, dark drones roaring like a giant lion. Danger, wild animals, | lost civilizations intermittent suspended atmosphere prehistory | Abm | 78 | |||
|
Strange World 2 [UBM2117 - 20] |
0 | 1'07 | Bernhard Hering, Matthias Krüger-Wendel, Martin Wester | Drones, clusters, weird ambiences. | scary inexorable insidious mysterious | Am | 113 | |||
|
Time's Up [CEZ4092 - 28] |
0 | 1'46 | Hoosky | Mechanical. The chase is on. Pulsating electronic beat & synth fx. | abstract hip-hop relentless pulsation social drama | Abm | 99 | |||
|
Hacking [CEZ4090 - 10] |
0 | 2'12 | Elisabeth Skornik, Guy Skornik | Insistent & mysterious. Electronics & Fx. Break @ 1'04. | investigation cybernetics mysterious anticipation | C | 116 | |||
|
Leak [CEZ4090 - 19] |
0 | 2'04 | Elisabeth Skornik, Guy Skornik | Enigmatic & constant. Electric keyboards & tennis table ball Fx @ | cybernetics interrogative patient time (tick-tock) | Fm | 75 | |||
|
Tittle Tattle [CEZ4090 - 26] |
0 | 2'06 | Guy Skornik, Elisabeth Skornik | "On tiptoe". Suspended & mischievous. Pizz, strings & percussion. | pizzicato interrogative walking time (tick-tock) | Bm | 112 | |||
|
Drought [CEV3025 - 11] |
0 | 1'24 | Piotr Moss | Interrogative & restrained. Double-bass, piano, percussion & echo. | Asia wandering geopolitics interrogative | G | 108 | |||
|
Buto [CEV3025 - 29] |
0 | 1'33 | Pierre Bernard | Sudden & sparse. Flute & electronics. (Japan) | Japan paranormal sudden abstract art | Fm | 98 | |||
|
Goukyuu [CEV3025 - 30] |
0 | 2'13 | Imade Saputra, Agnès Vesterman | Plaintive & sparse. Shakuhachi & cello. (Japan) | Japan shakuhashi contemporary art abstract art | Dm | 136 | |||
|
Peplum [CEV3022 - 1] |
0 | 2'51 | Thierry Caroubi | Powerfull & majestic. Symphony orchestra, duduk, launedas & | antiquity lost civilizations investigation peplum | Dbm | 110 | |||
|
Ode [CEV3022 - 9] |
0 | 1'35 | Marc-Olivier Dupin | Interrogativ & tense. Cymbalum, harp, vibes, piano & crotales. | antiquity cimbalom peplum interrogative | Cm | 72 | |||
|
Aether [CEV3022 - 16] |
0 | 1'25 | Marc-Olivier Dupin | Airy & interrogative. Flutes, strings & harp. | 1920 fantasy magical arts | Abm | 91 | |||
|
Ambrosia [CEV3022 - 23] |
0 | 1'15 | Piotr Moss | Interrogative & unusual. Piano, double-bass & percussion. | social drama mysterious antiquity lost civilizations | Bb | 70 | |||
|
Genesis [CEV3021 - 1] |
0 | 2'36 | Arnaud de Buchy | Mysterious & fluid. Harp, cello pizz & drone, flute & male voice. | lost civilizations adventure mysterious prehistory | Cm | 105 | |||
|
Birth of Music [CEV3021 - 15] |
0 | 1'59 | Silvano Michelino | Call. Mysterious & primitive. Percussion ensemble. | antiquity lost civilizations prehistory changing | E | 70 | |||
|
Cassandra [CEV3021 - 29] |
0 | 2'35 | Linda Bsiri | Unusual & disquieting. Female voice & zarb. | lost civilizations prehistory antiquity disturbing | Gb | 72 |